Besides Kenny Burrell's great playing, thumbs up to the drummer able to maintain a samba feel through the whole tune. Very rare to hear a jazz drummer who understands how samba works (double bass drum kick, for instance) and having more than very basic shops on the subject.
@@michaelmorphites6733 Kenny ALREADY had " that groove thing " when he hit the Big Apple in 1956, you must have heard Kenny's Midnight Blue done in the early 60s , BOTH Kenny & Grant are great , but to say Kenny Burrell is Grant Green-esque ... SORRY ... I can't BUY that
Love the slideshow. Spent many happy hours watching Kenny there in the 70's!
Besides Kenny Burrell's great playing, thumbs up to the drummer able to maintain a samba feel through the whole tune. Very rare to hear a jazz drummer who understands how samba works (double bass drum kick, for instance) and having more than very basic shops on the subject.
I was thinking about yeah... the drummer. Perfect combination!!!
Good insite. I will listen for that now
a master of chord and soloing in between
life without Kenny just wouldn't be right.
Amazing
I was at this performance..1978 or 79..
Big tape recorders in the vanguard kitchen.
The Master at work
I just love the man's attack on the strings. Anybody knows what pick he uses ?
Great
super
Nice
Very Grant Green-esque groove going on in this version
Kenny hit the big apple in 56 , Grant arrived in 59
Yes Don, but Green forged the funky soul-jazz vamp style in the late 60s and 70s probably influencing all guitarists..
@@michaelmorphites6733 Kenny ALREADY had " that groove thing " when he hit the Big Apple in 1956, you must have heard Kenny's Midnight Blue done in the early 60s , BOTH Kenny & Grant are great , but to say Kenny Burrell is Grant Green-esque ... SORRY ... I can't BUY that
@@NickPycks6 So true. Anachronism doesn't belongs to normal vocabulary anymore...
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