Hello dear Natalia, I hope you are fine, superb interpretation, superb rendition as always. Evidently thumb up (the 73th) for this precious and artistic sharing. I wish you the best and take care. Jean-Luc.
I haven't seen nearly enough pieces of you as a young woman, but you had already convinced me that you are one of my most admired new players when you were a child. I love watching your hands!
a super-real young lady who would look as good shopping or befriending people in market or mansion. But also she is a crackingly inspiring pianist - I'm blessed and gripped
Sehr mag ich Mama Natalies ungewöhnlichen Einfall für den Anfang der Durchführung, indem der eigentlich piano beginnt und sich über ein crescendo ins forte steigert, während Mama es im forte beginnen lässt und dann eine Art Terrassendynamik findet, wie Bruckner das häufig in seinen Werken - besonders in den Symphonien - gestaltet hat. Auch mag ich wie Natalie ihr sehr sublimes und klares piano, das sie immer schon konnte, und das sie sehr gut stützt ( ...wie eine Sopranistin es ausdrückte... ), sehr virtuos ihrem forte iuxtapositionierned und dualistisch entgegensetzt, indem sie auch das sehr betont und firm in den Raum stellt. But right in the moment it is actually just this: I want to see my Natalie, I want to see my nightingale, it hurts so much, it hurts so much, that we still cannot, and around the world for her I would sail, to see if we both end up in the marital slot! Le p'tit Daniel, < marital slot > I just got commented upon some hockey - impressions, and probably it stems from there, since the slot is the perimeter right in front of the goal, where the critical issues to win or to loose take place... ...and it may be that I want to drive a lot of stockcar on some great NASCAR-circuit uncrowded so to go things through... ...well not to put me into the wall, but to get a clue on... ..what to do... ...cannot leave it with the bourbon, right?
Hi Natalie, very beautiful interpretation! I simply think you made a little mistake of reading in measure 10 : the upper note of the left hand is different frome its first appeareance, it's an E in measures 2 and 4, but an F in measure 10, which creates more tension. At least it's what i have in my Henle edition. Hope it might help :)
Natalia hai un viso dolcissimo ed estremamente espressivo. Se è vero che il volto è lo specchio dell'anima perché non ci partecipi anche i tuoi sentimenti che provi durante le esibizioni offrendoci un poco del tuo volto? Sei molto brava davvero!
This is one of the best interpretations of this piece on here, it’s pristine, the right tempo, it sounds JUST like how Mozart would’ve wanted it.
I LOVE to hear you playing Mozart. Bravo!
WOW! amazing performance!
i can hear all of the notes and emotions loud and clear!
@@shayshawbear3865 I can't hear them, but it's still amazing 🤓
It's amazing to see and hear the expression in your music!
I'm currently playing this piece. I hope I will be able to play it just half as good as you play it.
Wow, from an already incredible place you've gone and achieved a whole new level of playing. Truly astonishing.
Thank you Natalie for this post, always nice to hear you !
Absolutely amazing. Mozart would be proud. :)
Natalie, you make me happy... thanks a lot for sharing
An amazing performance!🤩 Love the interpretation and the face expressions!
Hello dear Natalia,
I hope you are fine, superb interpretation, superb rendition as always.
Evidently thumb up (the 73th) for this precious and artistic sharing.
I wish you the best and take care.
Jean-Luc.
I haven't seen nearly enough pieces of you as a young woman, but you had already convinced me that you are one of my most admired new players when you were a child. I love watching your hands!
One of my favourites. Thanks!
Well played 👌👌👌🎹🎹🎹🎹🎵🎵🎵🎵👏👏👏👏👏👏
Beautiful playing. Mesmerising!
Wonderful!!!! Really enjoyed this!
Perfect. Adoro o seu trabalho e acompanho faz tempo.
It's just the speed and tempo I want. I've heard Arrau's interpretation so far, but I'm going to have to come into this link. I feel better. :)
Natale Became Such a BEAUTIFUL Lady! She's So Talented!!!
Desiderio Reyso I do agree that she is extremely talented, but comments on physical attributes are never appropriate.
orlandocfi I agree
Beautiful performance! 👍I heard 4 times. I wish I could play as well as you!
Love this sonata. Bravo !
Amazing!!
Schwamova wins the internet! I love it ♥
a super-real young lady who would look as good shopping or befriending people in market or mansion. But also she is a crackingly inspiring pianist - I'm blessed and gripped
Meravigliosa!!! La migliore interpretazione di sempre. Stupenda Natalie!
So graceful
Thank you Natalie!
Bravo!!!
彈得真好啊!!
SUPER !
Mozart:
Not bad.
I want this piano too 😶...This sound is sooo magic ...
(Pov: I havent Natalie talent xd)
Brilliant.
excellent ❤
I just hope that I can play as well as you! 😹😁
Awesome interpretation, when Will You make a recording available on Tidal or Spotify??
Молодец!
Sehr mag ich Mama Natalies ungewöhnlichen Einfall für den Anfang der Durchführung, indem der eigentlich piano beginnt und sich über ein crescendo ins forte steigert, während Mama es im forte beginnen lässt und dann eine Art Terrassendynamik findet, wie Bruckner das häufig in seinen Werken - besonders in den Symphonien - gestaltet hat.
Auch mag ich wie Natalie ihr sehr sublimes und klares piano, das sie immer schon konnte, und das sie sehr gut stützt ( ...wie eine Sopranistin es ausdrückte... ), sehr virtuos ihrem forte iuxtapositionierned und dualistisch entgegensetzt, indem sie auch das sehr betont und firm in den Raum stellt.
But right in the moment it is actually just this:
I want to see my Natalie,
I want to see my nightingale,
it hurts so much,
it hurts so much,
that we still cannot,
and around the world for her I would sail,
to see if we both end up in the marital slot!
Le p'tit Daniel, < marital slot > I just got commented upon some hockey - impressions, and probably it stems from there, since the slot is the perimeter right in front of the goal, where the critical issues to win or to loose take place...
...and it may be that I want to drive a lot of stockcar on some great NASCAR-circuit uncrowded so to go things through... ...well not to put me into the wall, but to get a clue on... ..what to do... ...cannot leave it with the bourbon, right?
Echt nice 😎🧡
💗
Yup!
❤️❤️😘
Love Shubert Serenade
Very nice, how long did it take you to learn?
Hi Natalie, very beautiful interpretation! I simply think you made a little mistake of reading in measure 10 : the upper note of the left hand is different frome its first appeareance, it's an E in measures 2 and 4, but an F in measure 10, which creates more tension. At least it's what i have in my Henle edition. Hope it might help :)
Good catch! I have the F in the upper left hand in my edition (ABRSM) and I've always played it with the F.
Can anyone tell me the fingering for 3:48 and 4:01 and the left hand part?
Try 123124212421435
😍
Tell Mozart to come back to life I can't play this thing😂
geweldig was nu aan het denken aan deze sonate
So fast! 😊😜👊🏻👍🏻👍🏻👍🏻
Natalia hai un viso dolcissimo ed estremamente espressivo. Se è vero che il volto è lo specchio dell'anima perché non ci partecipi anche i tuoi sentimenti che provi durante le esibizioni offrendoci un poco del tuo volto? Sei molto brava davvero!
Mides mal la apoyatura LA-SOL#. Has to be measure A-G# as two 1/2 times.
I Love You
:D
Ni Gould, ni Argerich, ni Boremboin la miden así, óyelos. Neither Gould, Argerich or Borenboin measure like this, this is wrong.
A performance of a Mozart first movement with no repeat in the exposition... Disgraceful
Garen Loshkajian Please go elsewhere to clutch your pearls.
If you are joking, then that was funny.
If not, then I agree with the person above me.