András Schiff - Sonata No.4 in E♭, Op.7 "Grand Sonata" - Beethoven Lecture-Recitals

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  • čas přidán 10. 05. 2020
  • András Schiff - Beethoven Lecture-Recitals
    Wigmore Hall (London, UK), 2004-06
    András Schiff last performed the complete Beethoven piano sonatas at Wigmore Hall from 2004-06 to overwhelming critical acclaim, with the editor of the Guardian, Alan Rusbridger, describing one particular performance as ‘a riveting mixture of erudition, analysis, passion, wit and memory’.
    On the day before each of the eight recitals in the series, the world-renowned pianist, pedagogue and lecturer gave a lecture-recital in which he explored the works to be performed. Deeply engaging and insightful, these thought-provoking lecture-recitals, recorded live at the Hall, are available below as eight audio lecture-recitals.
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    Full playlist:
    • Beethoven Lecture-Reci...
    View the MP3 files on the Internet Archive:
    archive.org/de...
    Originally available at:
    web.archive.or...
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Komentáře • 12

  • @tinkerchel
    @tinkerchel Před 8 měsíci +5

    LECTURE NOTES:
    -----------1st movt: sonata---------------
    1. second longest Beethoven piano sonata, losing to "The Hammerklavier".
    2. @4:17 repeated E flats as if played by the horn
    3. recapitulation by Beethoven is never mechanical
    4. orchestral ending of movement: timpani, drumroll.
    --------------2nd movt: ternary-----------------
    5. in E flat major, which Shubert liked to use.
    6. striking use of rests/silence
    7. revolutionary sonorities: similar to Sonata No.2, chorale above pizzicato accompaniment.
    8. @11:14 a scared little bird~
    9. @11:31 an impossible crescendo
    --------------3rd movt: scherzo------------
    10. only movement that doesn't start with an upbeat. Starts with a downbeat.
    11. dramatic trio with a Schubert connection:
    Schubert's 3 Klavierstücke, D.964 No.1 in E♭ minor
    --------------4th movt: rondo--------------
    12. Like Sonata No.2, it also have a "beauty & the beast" episode.
    13. 17:16 remote key change reminiscent of Haydn'st last sonata.
    14: @17:56 the "tamed beast" waving goodbye (a personal fav😍)

  • @vittoriomarano8230
    @vittoriomarano8230 Před 3 lety +5

    One of the greatest Sonatas ever composed...🎼🎹❤

  • @massimolonardi7886
    @massimolonardi7886 Před rokem +2

    Grazie Maestro

  • @telephilia
    @telephilia Před rokem +1

    We hear in this early work some of the grandeur, directness and sweep of the Middle Period.

  • @omavioletta6645
    @omavioletta6645 Před 3 lety +3

    Do these talks exist somewhere where I can buy them? Dont wanna risk not being able to go here and look anymore

    • @helloitismetomato
      @helloitismetomato  Před 3 lety +7

      These talks are all provided for free by the Wigmore Hall in London, and are still available on their website. It's not a commercial release, so no need to worry. You can download mp3 files from the link in the description if you want a permanent copy.

  • @user-vt8jn9jk5w
    @user-vt8jn9jk5w Před 3 lety +4

    18:36

  • @karamiali
    @karamiali Před 3 lety +2

    Does anyone know what he played at 14:02 ? Tnx.

  • @Max-qd3rb
    @Max-qd3rb Před 2 lety

    3:09 why does he slow down at this part?

    • @cdr3tv
      @cdr3tv Před 3 měsíci +1

      (Sorry for bad english) Its because in some sonatas of Beethoven, the second theme can be played a little bit more slower than the first theme, like the sonata Op 10 No 1, first movement played by barenboim. Depends on the context, not every sonata can be player with the second theme slower and in my opinion, the second theme on this sonata, Op 7, first movement, can be slower but Just a little bit, like a little change in the pulse (Pulso en español)