Elgar Concerto in E minor op. 85 | Bryan Cheng - Queen Elisabeth Competition 2022
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- čas přidán 23. 06. 2022
- © RTBF, Queen Elisabeth Competition, Bozar
EDWARD ELGAR Concerto in E minor op. 85
Bryan Cheng, cello
Antwerp Symphony Orchestra
Giordano Bellincampi, conductor
Queen Elisabeth Competition - Cello 2022 | Laureates’ concert
Brussels Centre for Fine Arts / Henry Le Boeuf Hall
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I got to watch him play this live when he came to Cape Town, South Africa. I was in the 2nd row. He was AMAZING!
This has to be one of my most listened pieces of all time.
No same. It's actually amazing.
It's easily my most listened to piece I just never get tired of it.
A wonderful performance that proves Elgar to be a composer of truly international appeal.
That volume control of the 1st movement is impeccable.
0:44 1st movement
8:45 2nd movement
13:53 3rd movement
19:03 4th movement
Went for his performance recently. He was remarkable and so polite and humble. Got an autograph made out to me and a selfie !!
i watched him live when he came to Mumbai. i was in 3rd row. it felt unreal how one can enjoy and play the music passionately.
Agree ❤
i envy you mumbaikers very much. why is it that you guys get to have the orchestra and the nfdc as well (the only things I care for in my life). imagine living in delhi 😤
Saw him perform this live last night. Absolutely sublime.
Excellent performance. My total compliments to the recording engineers who a fantastic job capturing the beauty of this performance!
What a gorgeous sound.....and all the parts fit together and sound is beautifully balanced.....
Superb playing. Very mature. I felt it in my bones.
This concerto is very powerful. Music is really magic
Excellent rendition. A well deserved ovation!!
Wonderful, amazing.
I hope I can play the concerto in 10 years, even if it only has 10% of his quality and musicality.
Yes fabulous display of artistry and interpretation. Bravo. Terrence Jayatilaka
Excellent interpretation of this powerful concerto. Bravo Bryan.
Bravo!!
Very Nice Playing
Angelina
Bravo
bravo 👏
😍
👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻
14:03
Después de oír a Jackie difícil que algo te conmueva
31:00👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏
Before, long before the first pop and rock stars arrived, concert halls already offered an expectant audience a good succession of devises, sometimes histrionic, in the vocal and instrumental sectors. A debate on the possible current tendency towards overacting by young people aspiring to shine in the most select auditoriums would be interesting. Where would be the balance point in the staging of a soloist? To avoid, on the one hand, the risk of offering the bodily and gestural expressiveness of a boring civil servant or, at the other extreme, an unbridled succession of tics. That balance would probably be in naturalness and letting the feeling emerge, without turning it into an exaggerated theatricalization.
Don't care if the music is good