Profound and reflective piece to come out of such an early mind! Wolfgang's genius is palpable throughout: this is a superior product even to the work of other (older!) masters of the time. Its brevity only raises the impact of the music. Thank you for the sheet music!
Have you listened to Michael Haydn's Requiem (1771) or Missa Sancti Nicolai Tolentini (1768)? The use of harmony is more dissonant than even later Mozart.
I. Kyrie [0:00] II. Gloria [1:49] III. Credo [4:23] (Et incarnatus est [5:49] - Et vitam venturi saeculi [9:04]) IV. Sanctus [9:40] V. Benedictus [10:35] VI. Agnus Dei [11:52] ♪♫♪ LIKE and SUBSCRIBE for more score videos! → czcams.com/users/StefanoPaparozzi ♪♫♪ ♪♫♪ FOLLOW me on Facebook → fb.me/StePaparozzi ♪♫♪
Mozart tenía profundos sentimientos arraigados a cada tonalidad. A pesar de estar compuesta a una temprana edad (12) esta obra demuestra que el músico ya tenía una conexión con Re menor: oscura, pesada y reflexiva. Sin duda una tonalidad que le quedaría marcada como para escogerla para su Opus Ultimum.
@@SPscorevideos ..credi non lo sappia...nella mia testa vi è solo Lui..dal 1986....quando ascoltai da un vinile..K.331..K.332 ..e K.265....il Cielo mi ha reso grazia che ora li suono a memoria...🎼🎹😉
@@DanielFahimi Not "original version", but "first edition". If the Mozart Neue Ausgabe published this score, they must have found some other manuscript.
@@DanielFahimi: It was the custom in Salzburg to have trombones doubling the bass, tenor, and alto choral parts. Mozart didn't usually write out their parts into his score; he simply wrote next to those voice parts "coi tromboni" when he wanted them to double the voice parts, or "senza tromboni" when he didn't want them to play. Occasionally, would write parts for the trombones when the voices were resting, using the same staves that the voice parts were notated on.
Colla-Parte Trombones were very much usual. So even when there were no sources, it would be quite ok to put them in the critical Edition. And heaven their sound fits greatly to the sadly minor tune.
I personally think Mendelssohn's early output is possibly very slightly superior in terms of beauty and musical quality, but they are on pretty similar levels. Just my personal opinion.
He was actually 12, he finished it Jan. 14 and turned 13 on Jan. 27.
Impressing how much depth this work has for bis age
This is one of the most beautiful things I've ever heard
Profound and reflective piece to come out of such an early mind! Wolfgang's genius is palpable throughout: this is a superior product even to the work of other (older!) masters of the time. Its brevity only raises the impact of the music. Thank you for the sheet music!
Have you listened to Michael Haydn's Requiem (1771) or Missa Sancti Nicolai Tolentini (1768)? The use of harmony is more dissonant than even later Mozart.
It's good that it has parts for violins, violas, cellos, double basses, trumpets, French horns, trombones, and tubas.
Tubas were not yet invented during his time
I. Kyrie [0:00]
II. Gloria [1:49]
III. Credo [4:23] (Et incarnatus est [5:49] - Et vitam venturi saeculi [9:04])
IV. Sanctus [9:40]
V. Benedictus [10:35]
VI. Agnus Dei [11:52]
♪♫♪ LIKE and SUBSCRIBE for more score videos! → czcams.com/users/StefanoPaparozzi ♪♫♪
♪♫♪ FOLLOW me on Facebook → fb.me/StePaparozzi ♪♫♪
Incredible masterpiece! So much beautiful aggression and sadness!
0:24 Oh God, the Requiem essence, and the Masonic Funeral...Indescribable in human words...
Mozart tenía profundos sentimientos arraigados a cada tonalidad. A pesar de estar compuesta a una temprana edad (12) esta obra demuestra que el músico ya tenía una conexión con Re menor: oscura, pesada y reflexiva. Sin duda una tonalidad que le quedaría marcada como para escogerla para su Opus Ultimum.
D minor is the saddest of keys…
wonderful piece of music!
Amazing!
Una messa molto particolare... cupa e con pochissimi raggi di luce... neanche alla fine!🎼⚘
E l'ha scritta a dodici anni!
@@SPscorevideos ..credi non lo sappia...nella mia testa vi è solo Lui..dal 1986....quando ascoltai da un vinile..K.331..K.332 ..e K.265....il Cielo mi ha reso grazia che ora li suono a memoria...🎼🎹😉
Io l'ho cantata tante volte.....è meravigliosa!
9:16
he was just 13!.
Most are in D minor although some are in G minor.
Penitenciari!!
So THIS is the song all the 2k CZcamsrs use 😂😂
What do you mean?
Nah
where did the trombones come out?
What do you mean?
@@SPscorevideos There are no trombones in the original version.
@@DanielFahimi Not "original version", but "first edition". If the Mozart Neue Ausgabe published this score, they must have found some other manuscript.
@@DanielFahimi: It was the custom in Salzburg to have trombones doubling the bass, tenor, and alto choral parts. Mozart didn't usually write out their parts into his score; he simply wrote next to those voice parts "coi tromboni" when he wanted them to double the voice parts, or "senza tromboni" when he didn't want them to play. Occasionally, would write parts for the trombones when the voices were resting, using the same staves that the voice parts were notated on.
Colla-Parte Trombones were very much usual.
So even when there were no sources, it would be quite ok to put them in the critical Edition.
And heaven their sound fits greatly to the sadly minor tune.
LOL, and somehow people dare to say Mendelsohn's early output is superior to Mozart's. Ignorants who never heard this early sacred works!
Well, this doesn't mean that early Mendelssohn isn't great too. I hope you listened to his String Symphonies I've got on my channel. ;)
@@SPscorevideos Oh, I saw all of them actually. I am very well aware of Mendelsohn's early outputs.
Despite your hoity-toity-ness, I love your avatar.
... please remove that mask from Wolfgang's face! Thank you.
I personally think Mendelssohn's early output is possibly very slightly superior in terms of beauty and musical quality, but they are on pretty similar levels. Just my personal opinion.
splendido! peccato per la pronuncia!
Purcell is FAR superior than Mozart
shut up.
Both were great geniuses. Impossible to make a comparison.