Vintage Art | Still Life by Emile Bernard | Half an Hour of Relaxing 8K HD Video with Calming Music

Artist: Emile Bernard
(French, 1868-1941)
Chapters:
00:00 - Nature morte (carafe, verre, fruits, assiettes, tasse et cafetière) (1888)
02:31 - Nature morte (1892)
05:01 - Nature morte (assiette et fruits) (1887)
07:31 - Jeune femme lisant en kimono (1887)
10:01 - Nature morte au vase de fleurs (1903-04)
12:31 - Nature morte (Vase de fleurs, pichet et verre) (circa 1892)
15:01 - Nature morte aux fruits (circa 1920)
17:31 - Nature morte aux roses et aux fruits (1896)
20:01 - Nature Morte Au Pichet Et À La Tasse (circa 1889)
22:31 - Nature morte au pichet et aux fruits sur une serviette deployée (1890)
25:01 - Still life with teapot, cup and fruit (1890)
27:31 - The blue coffee pot (1888)
About Artist:
Emile Bernard (French, 1868-1941) was a pivotal figure in the Post-Impressionist movement and a key innovator of Cloisonnism and Symbolism. His contributions to modern art were significant, influencing contemporaries like Vincent van Gogh, Paul Gauguin, and Henri de Toulouse-Lautrec. Bernard's work is characterized by bold colors, simplified forms, and a distinct separation of elements within the composition.
Bernard began his artistic journey at a young age, studying at the prestigious École des Beaux-Arts in Paris. However, his rebellious spirit led him to break away from traditional academic art, seeking new ways to express his vision. His meeting with Paul Gauguin in Pont-Aven in 1888 marked a turning point in his career. Together, they developed the Cloisonnist style, characterized by bold outlines and flat areas of color, reminiscent of stained glass.
One of his notable works, "Nature morte (carafe, verre, fruits, assiettes, tasse et cafetière)" (1888), exemplifies his innovative approach to still life, showcasing his skill in rendering everyday objects with a fresh, modern perspective. Another remarkable piece, "Jeune femme lisant en kimono" (1887), captures a serene moment with a distinct Oriental influence, reflecting Bernard's interest in Japonism.
Bernard's other significant still life paintings include "Nature morte (1892)," "Nature morte (assiette et fruits) (1887)," and "Nature morte au vase de fleurs (1903-04)," each highlighting his mastery in depicting the interplay of light, color, and form. His later works, such as "Nature morte aux fruits (circa 1920)" and "Nature morte aux roses et aux fruits (1896)," continue to demonstrate his evolving style and enduring fascination with still life compositions.
Emile Bernard's legacy lies in his fearless experimentation and his role in shaping the course of modern art. His works remain a testament to his innovative spirit and his profound impact on the artistic movements of his time.

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No paintings here. Just pieces cut out of paintings that are never shown.