VFX Artists React to Bad & Great CGi 72
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- čas přidán 24. 04. 2024
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THIS EPISODE ►
Wren and Clint are joined by VFX Supervisor and industry veteran Joe Farrell to break down the best (and worst) VFX from your favorite Hollywood films!
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CHAPTERS ►
00:00 Intro
00:49 Moon Knight
07:51 Star Wars: Attack of the Clones
12:37 Love, Death & Robots
15:32 Outro - Zábava
Thanks for watching! If you want to watch this entire show from the beginning you can do that here ► czcams.com/video/_4WrKeoeZhk/video.html
Do R rated moon knight
It would be cool to see a few more episodes focusing on practical effects... How about comparing the early effects from 1927's Metropolis with the more advance Blade Runner, from 1982?
@Don't Read My Profile Photo ok
Absolutely!
Movies like slither and Event Horizon would be worth checking out too
I think for a time they did look at those movies, but individually. Comparing them would be cool
@Don't Read My Profile Photo Ok dude, got it
A full love death and robots special would honestly be a treat, seeing the different styles brought to each episode and then seeing how you guys break it down and explain it would be honestly awesome
love that show so much
Yeah all 3 seasons have such great art styles and would be a good show to break down
Yes please
agreed
Definitely agree. Personally my favourite so far (haven't seen S3 yet) is "Lucky 13". Most of the time "sci-fi" VTOL aircraft just don't feel right with janky physics, but imho Lucky 13 gets it right.
As for Yoda... remember, up until that point nobody in the theaters had ever seen him move without using his stick and a limp. Seeing him suddenly stand up straight and start doings flips and shit was wild
Interestingly enough, the creative director behind The Witness in Love Death and Robots also worked on Into the Spider-Verse. His name is Alberto Mielgo, I'd recommend checking out his work!
Also, he did the "Jibaro" episode in Love Death and Robots. And was the concept artist for Harry Potter and the Deathly Hallows opening "chasing Harry's clones" scene, especially the one where Hagrid and Harry are riding the motorbike upside down in the tunnel, and he won an Oscar for The Windshield Wiper.
Since the new season of Love Death and Robots came out you guys should do a special episode of animators and VFX artist react to the series together.
Completely agree, the series is incredible
@@thevarmint9970 they can do like three or four episodes just on Love Death and Robots.
Jibaro was wild
Boink for visibility
@@ExplainNation24 make one for each episode of the show lmao
Guys, I have an idea for you: invite the developers of the software that we are using to create. They've done SO much for the evolution of possibilities in CGI, they've brought so many cinematic dreams come true - they really deserve the praise and it would be interesting to hear about their workflow: gathering the needs of creators, creating functions that make our lives easier and other stuff. Please, consider this for your further episodes. Kindest regards!
Yeah, it would be amazing if you could get Ton Roosendaal for one of these!
what a truly great idea :) more people have to see this maybe it will happen :)
Ya just don’t bring anyone who works on After effects 😬.
Yes yes yes!
@@nathan4853 agreeeeeeee!
There is something funny about the corridor guys being like "wow, they must have had to do it like this!" and then Joe just being like "...no, actually-"
Lol same, used to cringe, specially on the earlier episodes where they discussed it among themselves..they would get it so wrong with confidence lol... glad they are bringing vfx sups n animators...Now it's a fun mix of naive bursts of excitement and wise commentary..
Hey those shots are from the "Behind the Scenes" I shot and edited for Tones and i's music video "Bad Child" 3:04
It's such an honour to have my work on your show guys! I've been watching Corridor Digital for years ❤
The company with the robot arm is called Robotface in Victoria, Australia
Hi, I'm really grateful that you guys like Moon Knight suit. Those are my and my colleague shots, it's mostly CG. We basically simulated all the suits shots and comp them as per requirement.
I'm grateful to be a part of the show.
Wow congrats! Nice work!
Good job!!! Looked amazing
Proud that an Indian is working as fx artist at Marvel. Cheers!
In the MoonKnight shot with the bus, you were asking about how they removed the real reflection from the bus window... The answer is some extremely time consuming paint n roto work... I can confirm there was actually real glass in there!!! 😅
Damn you worked on it? That's awesome, dude
Woah Hats off to the team!!!
Would taking the glass out and putting the shot on a TV make the same effect?
@@m.a.9648 Hi, yeah I worked on this project. Thanks :)
@@prosoporific a TV in place of the window probably wouldn't work so well as a flat screen wouldn't take into account the perspective change happening on all the things inside the bus during the shot, but like they say in the episode, if you were to just have no glass (maybe some small sections so that the actor has something to slam his hands against) and then replace the rest with computer generated glass, that would have been a waaayyy easier approach!
Could you guys take a look at the visual and special effects of the movie “Everything Everywhere All at Once”. It’s a great movie and the effects are done by a team of only 5 people working from home during the pandemic.
Dude, this. What an awesome movie full of amazing affects. On top of that, they were all done by 5 people?? Unreal. Also ditto to my friend who replied first here☝️
@@matthewtaylor6835 reported his comment for spam, which it is.
@@logandemar8208 keep your fictional entities to yourself
Would love to see you guys take a look at Prehistoric Planet. Photorealistic dinosaurs (feathers & all) composited into live action habitats
Came here to say this. Would love an all dinos episode. Dinosaur (2000 Disney film), Jurassic Park & Jurassic World, Walking with Dinosaurs (1999 BBC series). And maybe keep cutting to a dino expert to see how well they pulled off scientific accuracies while the guys discuss the effects specifically?
Totally agree! The Jurassic Park/World films have been looked at once or twice before on this series, but there's a whole history of documentary effects to compare and contrast to as well. It would be great to see what has or hasn't aged well in dinosaur animation, and why - with 'Prehistoric Planet', of course, being the new standard set.
Joe: "...it's very therapeutic for me to come here..."
It's very therapeutic to watch every Saturday!
Yes, a full episode or episodes dedicated to Love,Death+Robots would be amazing, especially since there’s so much variety in terms of style and tech used in each short. Many different things to analyze
@@logandemar8208 Amen
Do JÍBARO
@@alexgallardo9306 Loved Jibaro
This!
I see LDR on the thumbnail, I click. I hope you guys take a look at the new season too, especially the Jibaro episode since it’s from the same studio as The Witness.
Watched it last night. Amazing movement.. what I'm assuming is mo-cap?... on the siren, and knights as they go into the lake.
@@fergman3690 worked on that episode. No mocap all hand animation based on stunt performance
Me and a colleague spent our entire lunch hour discussing that film today and how we just.... Don't understand how it's made. Like I consider myself fairly well-versed in VFX by now and I usually have SOME idea of how a shot might be made, but I can't even begin to wrap my head around that one. Completely mesmerizing.
@@federicoguzzardo1950 Jibaro and The Witness are hand animated? That's genuinely unreal. By far the best animated shorts I've ever seen.
@@Adam-eo5ff check Agora Studio. It was all outsourced to them. they are insane
Moon Knight is such a phenomenal show, i really hope they make season 2
Really hope so… great series !!!
Love, Death, and Robots is the best thing from Netflix honestly. It's just all so amazing and creative. Season 3 was fantastic
I just binged season 3, it was the best yet. I hope there's more coming soon.
Agree
PHAIDEN ISLAND!!!!
Just finished season three and thought it should be next on react episode 👍
@@BryanPhilips for sure
I would absolutely LOVE to see a breakdown of Everything Everywhere All at Once! The Daniels has stated that the VFX team consisted of only 5-7 VFX artists, and some of the shots, absolutely BLEW MY MIND!
Edit: After watching it for a second time, I truly think this can be the first VFX and Stuntmen react crossover episode!
This!!
some of the best lighting, editing and practical/CG effects i've seen for a $25m budget film
Came here to comment the same!!!
I knew I was forgetting something when I came into the comments. Yeah, a EEAAO breakdown would be *fantastic*.
I really hope they do. Something makes me think they’re going to do a special episode for that
The vfx of moon night was so good, I didn’t even think of the vfx while watching it. I never broke immersion.
I think you should cover “The VelociPastor” from 2017. The opening scene has one of the best effects for an explosion/flaming car I have ever seen. There’s also some pretty good practical raptor effects that rival even Jurassic Park’s raptors. I’d love to see your breakdown of how you think they did it!
I would love to see a deep dive into Love, Death, and Robots; maybe even every short. The projects are so awesome and unique!
Fr dude, I binged all three seasons and I was sad that it was over
That show is amazing. Every story is unique and engaging. Fingers crossed they release an episode dedicated to the show
The stories are mostly pretty bad... and most of the shorts just try to get as photorealistic as possible... I wish there were more different styles like in "The witness"... or go full stylized and maybe let some ppl who focus on shortfilms do some shorts instead of giving all these "game cinematic" studios the possibility so there will be better stories. Less "bang bang" and sex and more good stories.
yes pls
@@domolutz fair point
Maybe "Love, Death & Robots" would be worth to take a look at. There is just sooo many great Episodes and each and every one with a very unique art style and some cool special effects. Would be great to get to hear you opinions about it
Did you even watch the video?
@WUNDAGXRE he means he wants them to look at other episodes. Each episode is a different art style with different characters, so there could be a lot of potential analysis from corridor on some of the other episodes.
@@sigibaes can you fucking read?
@WUNDAGXRE Well they did cover it. but it was so lackluster and brief i felt dissapointed
literally season 3 is chef's kiss
4:03 oh look, it's us! Hope you guys liked the practical approach to creating that effect! 😀
I'd like to see you guys do an episode on good/bad cgi on scenes where a person is thrown/launched/jumps and lands. I've seen so many movies where a person taking a wierd arc through the air has thrown off the rhythm of the scene. I love these videos and how you get into how the effects are done and not just "this is good/bad."
This was great. Too often when CC has guests its a complimentary look at their own work. I liked the Moon Knight reflection talk because its Wren and Clint and an industry professional working out in real time how an effect was done.
They always seem to forget the series is called b a d and great
Oscar has confirmed in press interviews that in most scenes, 90-95% of the suit was practical, not digital, depending on the shot. And you are correct, the eyes, cape, and sometimes the face cover were recreated in CG. And I just want to point out something you guys missed in that reflection scene... you can actually see Steven's breath fog up the glass a few moments before Marc takes control and summons the ceremonial armor, adding an extra level of realistic perception to the shot when-as mentioned by Joe-there was likely no glass actually there during filming.
In the film "Gravity" fogging from breathing on the glass of the spacesuit was drawn, there is no limit to computer graphics in skilled hands)
So,... Oscar has been misleading you here :) .....Even if they did shoot with the practical suit, in the Mr Knight scenes it has been replaced near entirely in the vast majority of the shots. One thing you or Joe didn't account for is...cleanliness :) ...Try to shoot stunt scenes in a muddy, wet back-alley over multiple takes and keep that suit pristine. Good luck with continuity!! :D So, yeah, the suit is actually full CG in 90% of those shots. And the fact we're still debating it makes it pretty impressive from the VFx team.
@@TheTyPEonER I wouldn’t say misleading, he was wearing the suit pretty much the whole time. If they… dressed it up a bit and added some fluff to the outside of it with CG, it still doesn’t negate the fact that he’s actually wearing a physical costume.
@@TheTyPEonER I read an article from the costume designer where they made MANY multiples of the suit so if it got dirty, they could just slap a new one on.
I'm so glad that crazy episode 'Witness' was mentioned, straight up the best animation/renders I have ever laid my eyes on.
Would like to hear about how they did the effects of Prehistoric Planet.
And a breakdown of the CGI differences between Pixar and Dreamworks and how they compare
I LOVED how they messed with reflections in Moon Night, it was really cool
Moon Knight, but not trying to be a grammar police
Never heard of Moon Knight but his design is pretty damn cool
@@esper86 its a really good show
@@zacharywoloszynski4258 Wait, OP wasn't talking about Moon Night the brother of Sun Dae?
@@jacksaunders3549 good thing children's opinions don't matter. That show fucking sucks why lie to yourself?!
Wow... having Joe there to actually talk thru how & why he would set up a VFX shot is incredibly interesting. Wren & Clint & Niko and the other Crew are really smart and experienced, but it's hard to beat having someone of Joe's caliber to break things down with you.
He is just in another level, there aren't many people like him in his business
So cool to see you guys REFLECT on how they pulled off those scenes in Moon Knight
Corridor NEEDS to do an episode on Prehistoric Planet, I've never seen such realistic dinosaur CGI Comped into environments so flawlessly (I'm Assuming the environments aren't CG)
I second this, I think it looks better than the Jurassic World films
More australian accent please :)
You guys at Corridor doing great job with these series! Thank you!
I love the accent.
9:04 "... animate Yoder"
I mean it wasnt. It was a joke. Its kiwi ( new zeland )
.
@@thedotgiver2820 :
Weta Digital is 100% New Zealand, but there's a LOT of Aussies working there, one of them is this man. The two accents sound almost identical to Americans.
They actually did animate Yoda's ear twitching for the prequels. I think that's what Joe was talking about--not the puppet from The Last Jedi.
Haha the Yoda puppet that acted like goofy fake-yoda from his intro on dagobah for some reason
There's a really nice interview with Ewan McGregor that he just did about how he's so happy people appreciate the prequels now, they worked really hard and it was a bummer they were hated so much but now that younger generation grew up and love them, especially after the dumpster fire of the new trilogy
RLMs Plinkett reviews are still spot on for all the technical flaws, writing, editing, directing..but they're still so full of classic scenes, worldbuilding and fun star wars stuff the new movies totally lacked
They didn’t. At least not the original cut.
If they did you sure ass hell can't see it.
@@TroubleShotVFX I think they did it for Yoda in Revenge of the Sith, and when they added cg Yoda to the Phantom Menace later on. However I don't think they did it for him in Attack of the Clones, since that was the first time they were working with a cg Yoda.
@@crimsontowers what's interesting is that I expect the same thing to happen with the sequels. kids that grow up where they are just part of star wars will have much less vitriol towards them even if they aren't their favorites.
I love him. He has real, insider knowledge of a current, top tier VFX studio using cutting edge tech and that's indispensable no matter how zeroed in the Crew might be on general techniques. So much more is possible with Hollywood money and the ability to innovate with it, so it's fully understandable how they might not even think of the approaches he talks about.
It's really great to hear not just interest but gratitude for being featured in these react videos, especially from such a knowledgeable guest
Alberto Mielgo, the director/artist of "The Witness," (which he won an Emmy for) was one of the original conceptual artists for "Into the Spider-Verse," but for whatever reason he was let go when Lord & Miller came onboard. If you compare his concepts & storyboards to the finished product you can see he really should be receiving more recognition for the look of the film than the "visual consultant" credit he received.
I'm actually suprised they never mentioned his name, the guy just won an OSCAR for crying out loud.
he was thrown out because his style was a lot more serious and basically too "edgy", and sony wasn't really trying to go for that direction... unfortunate that he couldn't finish doing spiderverse he is my favorite animator/artist
Bryan, I'm stoked you called out Alberto, his name should have been mentioned. He also won an emmy for his short, "The Windscreen Wiper". Plus I think he did cinematics for one of the "Watch Dogs" games. His style is very specific and clear.
You could totally do a CGI artists react dedicated entirely to Love, Death + Robots. The more photorealistic ones like Lucky 13, the stylized ones like Blindspot and The Very Pulse Of The Machine. Maybe even a comparison between Three Robots and Three Robots: Exit Strategies in order to see how the animation improved.
Apparently, Jibaro was made by the same studio as The Witness, so reacting to that would definitely be a treat
It killed me they didn’t do the scene from ‘the very pulse…’ that was basically the exact shot of Clint’s cg challenge
I honestly thought that The Witness was actually live action stylised. It's so incredible.
The cool thing with LDR is how each episode is by a different studio. I'd love to see a video or three covering all the CG'd LDR episodes.
With 3 volumes, you can definitely do a whole episode of Love Death + Robots. You guys are also probably really close to Blur Studio's location -- which is the Animation studio Tim Miller runs (producer on the show, as well as others...) Try to get him on the show!!
Ohhhh Blur as in the guys who did the Halo 2 Anniversary cutscenes? Those cutscenes would be great to break down. Just incredible.
Yessss, more love death & robots
I'd love to see some breakdowns of Everything Everywhere All At Once. Incredible stunts and fx work.
Yes yes yes!!!!! Have the Daniels on, this would be awesome!!!
I'd love to have them get Ke Huy Quan on stuntmen reacts, to talk about not only Everything Everywhere All At Once, but his work on Goonies, and Temple of Doom, and his time as a stunt coordinator on Xmen and his Hong Kong movies.
Yeah, they did such a great work with the fights and the VFX. From Ke Huy Quan's Jackie Chan impression in the first fight against the guards or Michelle Yeoh using basically her entire career as inspiration for her own fights. And they did it with a pretty small team, too.
Incredible movie
@@seonor 5 artists and one art producer all on a laptop.
WOW. Great episode! As always, it’s always great to see Clint back!
Love the shoutout to that particular episode of LDR, I was struggling when I saw it to work out how it was done. I'd really like to see more of a breakdown of that one ep.
Joe's a great guest. He's like their CGI episode version of what Gui is for the stunt ones.
I would adore to see a "television effects through the ages!" Type thing. Starting from way back when and moving through to modern. For instance: the difference in effects between Smallville/Buffy/Xena and modern Marvel/DC etc. series. Not to mention the impact of Showtime/HBO and their huge budgets. I used to work in costumes, so I love hearing about this stuff!! (Likewise: Stuntpeeps react to stunts on TV shows through the ages)
This. Star Trek would be great to see as well, as you've got the option of starting in the 60s, and seeing how the movies budget changed things.
Oh man, Xena would be fun!
Gents! My wife and I are long time watchers, first time commenters.
We just finished the Mask of Zorro. The horse chase scene was excellent as were a number of sword fights, jumps, flips, etc etc. Would possibly be a solid stunt review.
Sorry, of course, if you've already covered this one. We've watched a lot of your vids, but can't promise we've seen all of them.
Keep up the great work!
The first 10mins of the movie Overlord has been one of those thing I always look back too in terms of visual style. Such a cool intro
I'd love to hear you guys' take on the She-Hulk trailer and how much things could realistically change between trailer and release. My impression is it's likely to improve a lot and what we've seen so far was probably all made just for the trailer but I'm no expert.
My guess it'll be like the difference between the Genie in the trailer and the release with the live action Aladdin movie. Very different end results that looked better in the movie once there was time to do the job.
Fax. it would reassure these complaining people that aren't thinking of the long run whatsoever.
@@calebu-2357 the standards for mcu cgi are too high for them to be flopping like this in a trailer idgaf. Marvel is going downhill in terms of cgi
@@wholethedogsout880 no
Think about it. They already have like 3 months to render the premier. And the finale has an extra 8 weeks to render after that. I’m sure it’ll look fine.
On the Attack Of The Clones DVD bonus disc, there's a whole featurette where they go over the marrying of animation with cloth sim in pretty good depth, with interviews and examples from the artists.
Also breakdancing yoda
Joe is so chill. Really likes talking about very detailed aspects of his craft with you guys
Love it that you brought up Star Wars: Attack of the Clones and the fabric in that movie. In the special features, John Knoll talks about the scene with Obi Wan and Dex where Dex gives Kenobi a big hug. John spoke about the simulation program he wrote for that fabric, and having to completely CG the robe and simulate it being moved by Dex's arms. Didn't know that about the back and forth they had to do for Yoda's big reveal. Just like y'all, I was totally freaking out - dragged my then fiancé (my now wife) to the earliest matinee showing I could on that Thursday (back when they had midnight premiers, you could catch a matinee on opening day). Also, show is going a solid 10 to answer your question.
Definitely need to take a run at the She Hulk CGI
People are too harsh with her man
It’s hard to make a realistic humanoid character
Plus this is a TV show man
That was just a trailer its not even out yet
@@lag00n54 It doesn't have to them shitting on it but explaining what's going on. I feel that the trailer was released too soon but it's hard to know since it's scheduled to debut in 3 months.
Achieving a photo real humanoid like Professor Hulk or Thanos from End Game takes a lot of effort. A standard Marvel movie will have 10+ vfx studios working on them. A disney plus show however only has one vfx studio.
It's not final CGI they're still working on it, the trailer was rush for a Disney event
it's so great watching the beginning of this and knowing that Moon Knight's costumes were BOTH practical. like... 97% practical. it's fascinating.
I never saw the small crescent into full moons inside of Mark/Stephen's eyes when he transforms in front of the bus until now! Such a fine beautiful detail
This was an awesome episode. Joe brings such amazing insight!! MORE JOE
72 episodes and you've never touched Doctor Who? The series is about to celebrate its 60th anniversary and it's an absolute gold mine of special and visual effects under tight constraints. Would be very fun to look into
the effects are garbage
@@sean7332 Even better! They have specifically mentioned that they could use some more bad FX to react to.
@@sean7332 Yes, but I was trying to say that in a polite way ;)
Let’s go I love that u guys reacted to love death robots, it’s my favourite. You guys should react to vol. 3
+1
Jibaro blew me away id like to see how they made it
I am so glad that they talked about LDR, especially the witness cuz that's my favorite short!
@@TheIIIDave 🌚
Jibaro got me mind fcked there are some frames there that I thought were really filmed practically then back to photo realistic cgi
Great insight from Joe, could listen to him talk about VFX shots for hours.
You guys NEED to break down the CGI in Love Death & Robots "Jibaro". I have no clue how this photorealisitc style was achieved
I'd love to hear the Corridor Crew's reaction to the new She-Hulk trailer.
They're gonna rip the hell out of it
@@RSG_TheMonster and we need that XD
The vfx aren't finished, it's a trailer. Watch their reaction to Clifford the Big Red Boi
@@uncleharm8893 for every phase four project (except for NWH) the trailer chi has not been changed at all. None of the bad trailer cgi from MoM, Black Widow, Moon Knight, Shang Chi, Eternals, Falcon and the Winter Soldier was changed before the release.
Yeah we need a break down on why she looks so weird for sure.
I love this episode because instead of them having Joe work through shots he did they instead have him explaining how he would do it based on his experience. It had a sort of mentory feel to it.
It's basically a normal episode, but with someone who has way more experience.
That was good, fun episode... was good to have Clint back . Well done guys as always😀
Good timing on this because the same director of “The Witness” was given another episode on Love Death Robots for season 3 and it’s fucking breathtaking.
Was that the episode "Jibaro"? Because I thought I recognized the style.
I bet it's the weird "Conquistadors going contemporary-dance-bloodlust by a jewel mermaid" one
The lake scene in Violet Evergarden Ep 7 is a great marrying of CG water, background artistry, and a hand animated character and interaction with the water. The whole show is a beautiful masterpiece of almost every frame having to look great.
Kyoto animations outdid themselves with that series.
I think Corridor Crew needs to react to more anime
After watching The Witness for the first time, I started following Alberto Mielgo's other work, and he became my favourite animator. I really want him to do a Transmetropolitan adaptation, but idk if he'd want to
@Henzo8i8 oh I'm well aware, Jibaro is probably my new favorite episode of the series! Bad Traveling was awesome too
Killer, subtle focus joke at 4:29 - love it
It's the one thing I loved about the Amazing Spiderman films over the other two versions is that the suit had real life imperfections (best bit is when Andrew Garfield, or the animated version of him, jumps from up high and his arms go back and you see some bunching of the fabric in the back as his shoulder blades lift back)
So glad you guys talked about that...
Everything about the Yoda scene from Attack of the Clones is amazing. The way Yoda stares Dooku down, how he moves his cloak to reveal the lightsaber, the way the camera moves, the epic soundtrack and the higher pitch sound effect of his lightsaber. Oh, and his impeccable dialogue, “if so powerful you are, why leave?” AMAZING
Moon Knight was GREAT, but it definitely was lacking on the CGI end at times. It seems like they saved most the VFX budget for the later episodes since the effects vastly improved for the most part as the show went on.
I thought the CGI was better in the earlier episodez
What u never understood was why tf didn't they use a practical costume for moon knight? It would have looked much better
@@devonmarr9872 yk marvel and their CGI on suits
@@devonmarr9872 it was practical. I’m pretty sure the only time it was fake was in the transformation scenes and when he was doing crazy stunts
@@devonmarr9872 you could see the suits in the premier of the show
Love Death and Robots Season 3!!! They had some amazing episodes that looked visually stunning!! Some next level stuff i would love to see you react to!
I'm not sure right now how good/bad the movie did VFX wise but Small Soldiers is a movie that I remember from my childhood and that I'd love you guys to look at.
You guys should really do the “Love Death and Robots” stuff. Especially “Jibaro”
Jibaro was hands down my favortie
Since you guys took a look at Moon Knight's cape, how about making an episode all about CGI capes such as cape flaps in Zack Snyder's movies?
And for the lulz, the old Spawn cgi cape hehe.
One thing that looked off in Snyder Cut JL is Darkseid. A scene where he faces Desaad to say 'anti life has been found' looked nearly at a quality level to match & rival Thanos closeup facial shots, but then the initial reveal by rotating from the leg to his upper body showed such obvious fake-ness like a playstation cut scene.
Having Joe on is always good value. His insights are brilliant.
There's plenty of behind the scenes featurettes for the Star Wars prequels, particularly CG Yoda. In fact, they DID add in some subtle ear twitching to emulate the puppet quirks. Go back and watch the BTS DVD for AOTC.
Given the recent "moaning" She Hulk trailer would be great to react to.
They asked an author of Star Wars novels how they would have written the Yoda/Tyrannus duel. The suggestion was stillness and total control. The whirling Yoda would then have been saved for Yoda/Sidious.
That would've been such a unexpected reveal with Yoda being calm and in control for this fight, and then going full sicko mode with Sidious
Whirling Yoda was a mistake in the first place. Having a wise, distinguished Yedi Master bouncing around like a rubber ball with a tiny cute lightsaber was one of the more embarrassing moments of the prequels.
@@macsmith2013 it was horrible and embarrassing at the same time. IMHO he should just use his Jedi powers there and not a light saber at all with his tiny stature.
I'm cool with bouncing spinning Yoda. I like the idea that he has a completely idiosyncratic style built around him being absolutely tiny. He's like a dwarf wrestler on crack. Plus the implication that he isn't even using his muscles, and is basically puppeteering himself via the Force. So why not turn himself into a green whirlwind of death? It might look a little silly, but it'd be terrifying IRL.
@@macsmith2013 Because a wise Jedi Master crawling to Luke's food box and giggling is not embarrssing at all...but a Jedi master using Jedi signature weapon and Jedi fighting style to protect his friends and stop the war is awful...I can't with you people.
I always remember the bts on that Yoda fight with GL working with the animators to get the particular look he wanted. With the simulation, the robe kept wrapping around has he spun and GL asked for it to fly out to make it more visually pleasing
Hi corridor crew, thx for another banger of a react video! In case you happen to read this, there is one thing I would LOVE to hear your take on, if you're willing to jump into this particular rabbit hole: The darth jar jar theory.
It sounds silly at first, but becomes more and more believable the more info you find/read. Some of the most compelling arguents for it are based on specific special effects, so it would be amazing to hear your reaction / debunking or confirming of these.
Keep it up! Cheers
There was a sequence in The Staircase on HBO, where following his indictment, Michael and his family are on their way to the police station. The camera does this topsy turvy movement going between closeups of each of the three cars - it looks practical, but also seems impossible. It’s not a show with a lot of VFX so would love to see how they pulled that off.
As an Australian, I always love seeing other Australians doing well, so absolutely loved this episode! More Joe Farrell please!! ❤❤
I do hope Joe Farrell comes back again! His insights are SO helpful.
Dooku vs. Yoda is probably my most hyped moment of all time in star wars! Seems like common sense now, but back then i was dumbfounded. So much fun to see the most amazing thing you've ever seen, turn into a regular tuesday for these artists. Moon Knight was fantastic!
One of main reasons I wait for Saturdays is new episodes from you guys!
I'd love to see you react to:
Spiderman 1 VFX
Spiderman 3 VFX - Sandman effects, Venom effects (even compare it to Venom from 2018/2021)
Silent Hill 2006 - Some effects in this film were impressive back in the day and still look good! The otherworld transitions are great examples, and the creatures designs, some of which were enhanced with cgi if I remember correctly.
Fight Club intro - One of my favorite film intros!
If you guys get the chance, during the big eruption on “Dante’s Peak” there is the VFX of the town being destroyed, but there is a quick segment where they forgot to do the blue screening. You see the blue screen instead of the town being destroyed.
Do Brightburn!! The scene with the truck dropping and the jaw falling off. Or the glass in the eye! I’ve been subscribed for awhile too! 👍🏼
Can we all agree the rise of Wren on this channel is absolutely amazing? Such a nice dude, makes Me happy seeing his hard work pay off!
right when he's talking about how the practical suit in Moon Knight needs to match the width/girth of what will become CG, so they don't "grab through" something, it shows an example of exactly that - a weird "grab through." You can see how it needed to be adjusted. At around 7:04
Another great episode, I would love to see a deep dive into rotoscope animation, from Undone, A Scanner Darkly and Waking life, and what came before, and what technologies are around to do this now.
Joe Farrell brings so much insight. I love listening to him talk
Also that Love Death Robots ep was def one of my favorites. I liked Sonnie's Edge a lot too from season 1
Senora's Edge? "Sonnie's Edge" Yes, great episode. Incredibly dark and violent and twisted but very cool too.
@@DanielVerberne Oops XD
Love Death and Robots! MORE OF THEM, PLEASE. Sonnie's Edge, Secret War, Beyond the Aquila Rift, Shape-Shifters, Lucky 13, Snow in the Desert, and Jibaro for Photo-realism and Night of the Mini dead for fun.
That's so cool you've watched them all, so have I. By the way, the "Night of the Mini Dead" was interesting because it used the camera effect "Tilt Shifting", or at least an imitation of it; to give the impression of things being tiny within the image.
@@DanielVerberne Yeah. It makes me wonder if they animated at full size, and then applied the tilt shift
There's so much to talk about in love, death and robots. I just watched the new season yesterday and it's really as good as i hoped it would.
I saw Everything Everywhere All At Once yesterday and now you have to do an episode of vfx artists react AND a stuntmen react episode! Both the effects and the stunts/fights were sooo good! Please! You haaave to!
Love the insights that a real supe can share with everyone. Thank you guys for having industry professional on the show.
I'd love to see you guys react to Everything Everywhere All At Once. That movie is amazing with so much cool VFX shots
It would be super awesome if you also discuss the "car chase sequence when the the two guys get killed by a falling log"
That had a very much detail lacking
! Nevertheless the video was super enjoying :)
I'm glad imma part of Corridor!
This video was amazing 10/10 and I really like seeing Clint and Joe Farrell
Moon night is a interesting example of a show that has some really clever VFX implementation and some very poor CG and other action elements at times.
What's really impressive is how many effects shots are actually in the show that you don't realize, they don't appear to be effect shots.
But then the ones that you notice. Oh boy, they're pretty rough.
Yea and I don’t understand how does Disney/marvel not have enough budget for it??