திருவெம்பாவை, திருப்பாவை பாசுரம் பாடல் - 12 | Thiruvempavai, Thiruppavai Pasuram - 12 |

#Thinam oru Thiruppavai#தினம் ஒரு திருப்பாவை #பாசுரம் #Paasuram #மார்கழி மாதம் #Maargazhi Maatham #Margazhi Madham
#venkatesaperumal #perumal #Perumal #Aandal #Kanikrish2021 #kanikrish2021 #kanikrish
Thiruvempavai
The Thiruvempavai (Tamil: திருவெம்பாவை, IAST: Tiruvempāvai) is a collection of songs composed by the poet and saint, Manikkavacakar.[1] It consists of 20 stanzas devoted to the Hindu God Shiva.[2] It forms part of the collection called Thiruvasagam, and the 8th book of the Thirumurai, a canonical text of the Tamil Shaiva Siddhanta. The songs form part of the Pavai ritual for unmarried young girls during the Tamil month of Margazhi.
Pavai genre
The pavai songs are part of an ancient tradition amongst unmarried young girls, where they would light lamps in the early mornings of Margazhi, and sing songs in praise of Lord Shiva. The 20 stanzas are sung, one on every day and then followed by the 10 songs of the Thiruppalliyezhucchi. It is believed that such rituals would bring prosperity and a suitable husband.
திருவெம்பாவை பாசுரம் பாடல் - 12
ஆர்த்த பிறவித் துயர்கெட நாம் ஆர்த்துஆடும்
தீர்த்தன் நற்றில்லைச் சிற்றம்பலத்தே தீயாடும்
கூத்தன் இவ்வானும் குவலயமும் எல்லோமும்
காத்தும் படைத்தும் கரந்தும் விளையாடி
வார்த்தையும் பேசி வளைசிலம்ப வார்கலைகள்
ஆர்ப்பரவம் செய்ய அணி குழல்மேல் வண்டார்ப்பப்
பூத்திகழும் பொய்கை குடைந்து உடையான் பொற்பாதம்
ஏத்தி இருஞ்சுனைநீர் ஆடேலோர் எம்பாவாய்.
Explanation
The One with chaste water(river),
whom we pray to and dance in order to get rid of the
roaring suffering of birth. The Dancer with fire at the tiny arena in nice
"Thillai" is protecting, creating and removing this sky,
world and all of us as His play. Speaking the (sacred) words (of Him),
the bangles tingling together with other ornaments chiming, the bees buzzing
on the decorated plait, striking the (water in the) floral pond, praising the
Golden Foot of the Lord, let us take bath in this nice hill-tank.
Thiruppaavai
திருப்பாவை பாசுரம் 12
வழங்குபவர் திரு புரிசை அரங்க கிருஷ்ணமூர்த்தி அவர்கள், காட்பாடி
12. Kanaithilam Katrerumai
Kedaragowla - Adi
கனைத்து இளம் கற்றெருமை கன்றுக்கு இரங்கி
நினைத்து முலை வழியே நின்று பால் சோர
நனைத்து இல்லம் சேறாக்கும் நற் செல்வன் தங்காய்
பனித் தலை வீழ நின் வாசற் கடை பற்றிச்
சினத்தினால் தென் இலங்கைக் கோமானைச் செற்ற
மனத்துக்கு இனியானைப் பாடவும் நீ வாய் திறவாய்
இனித்தான் எழுந்திராய் ஈதென்ன பேர் உறக்கம்
அனைத்து இல்லத்தாரும் அறிந்தேலோர் எம்பாவாய்
Explanation
Hey, sister of the rich one, who owned,
The mooing she buffalo with a calf,
Which took pity on the calf,
And gave out plenty,
Of milk to it through its udder,
And made his courtyard slushy with milk,
We are assembled in thine yard,
In the dripping fog, And sing about Him,
Who killed in anger the king of Southern Lanka,
And who is very dear one,
But open your mouth, you don't..
At least wake up now,
Why this very deep slumber,
For people of all houses around,
Have already become alert
Thiruppavai
The Thiruppavai (Tamil: திருப்பாவை) is a set of Tamil devotional religious hymns attributed to the female poet-saint Andal (also known as Nachiyar, Kodhai or Goda Devi). She is considered the manifestation of Bhudevi, who has come down to earth as Periyalvar's daughter. She is said to have fasted (a 'Paavai nonbu') during the month of 'Margazhi' (Dhanurmaasam) and composed 30 religious hymns at the age of 5, to attain Perumal. It consists of thirty stanzas (paasurams) in praise of Thirumal (a manifestation of Lord Vishnu). It is a part of Divya Prabandha, a collection of the works of the twelve Alvars, that is considered an important part of the devotional genre of Tamil literature. The Thiruppavai has also been translated into Telugu by Mullapudi Venkataramana as Melupalukula Melukolupu. In Thiruppavai, Andal gives a universal call to all people to recite the name and glories of Lord Vishnu.
Paavai Genre
Thiruppavai belongs to the Paavai genre of songs, a unique Tamil tradition sung in the context of the Paavai vow (Vratham or ritual) observed throughout the month of Margazhi. Sri Vaishnavas sing these stanzas every day of the year in the temple as well as in their homes. This practice assumes special significance during Margazhi: each day of this month gets its name from one of the thirty verses. There are references to this vow in the late-sangam era Tamil musical anthology Paripadal.[5]
Andal's thirty songs contain the cardinal principles of Vaishnava dharma during the month of Marghazhi. Vaishnavas sing these songs to bring peace, prosperity and Divine Grace. Andal assumes the guise of a cowherd girl in these 30 verses. Andal appears intent upon performing a particular religious vow to marry the Lord, thereby obtain His everlasting company, and inviting all her girl-friends to join her. Towards the end we learn that she did not actually perform a religious rite; but is praying to be granted the service of the Lord for eternity. She yearns for everlasting happiness and service of the Lord.