Editing Secrets of Praveen KL - The Editing Table with Ajay Vegesna - Bommalaata | S1:E2
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- čas přidán 24. 11. 2018
- Bommalaata Season 1: Episodes
1 - The Writing Table: Tharun Bhascker Part 1 - • Writing Secrets of Tha...
2 - The Editing Table: Praveen KL - • Editing Secrets of Pra...
3 - Behind Lyrics: Chaitanya Prasad - • Lyricist Chaitanya Pra...
4 - The Writing Table: Vivek Athreya - • Writing Secrets of Dir...
5 - The Writing Table: Tharun Bhascker Part 2 - • Writing Secrets of Tha...
6 - Behind Lyrics: Anantha Sriram - • Lyricist Anantha Srira...
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and many more Loading Sooooon
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Bommalaata Season 1: Episode 2
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About the Guest: Editor Praveen KL
Kuchipudi Latha Praveen popularly known as Praveen KL hails from Andhra Pradesh but mostly works in Tamil Film Industry and occasionally in Telugu Cinema. He worked under Tamil Director Balu Mahendra for his TV Series. He edited 90 films by November 2018. He started his career in 2007. His 2011 Tamil film Aaranya Kaandam fetched him National Award for best Editing.
His most successful Telugu films are
- Oopiri with Nagarjuna, Karthi and Tamannah,
- RX 100 with Karthikeya and Payal Rajput.
Praveen next big Telugu film is Super Star Mahesh Babu's 25th film #Maharshi.
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About the show: The Editing Table with Ajay Vegesna
The intent of the show is to unfold the mind of a movie editor and discuss the insights of editing and understand its intricacies in a conversational tone.
Topics being explored:
When to Cut and When not to Cut?
How to extract the emotion from immense footage?
Understanding The Kuleshov Effect
How to effectively use the reaction shots?
An editor's relationship with the director
The art of cutting a movie teaser
How can a movie trailer make or break the footfalls of a movie?
History of Movie Editing
The evolution of movie editing and how the craft has evolved over the years.
Smart secrets of the expert editors revealed
Practical wisdom and easy to apply techniques to aspiring editors
...and many more interesting finds...
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About the Kuleshov Effect:
The Kuleshov effect is a film editing (montage) effect demonstrated by Soviet film-maker Lev Kuleshov in the 1910s and 1920s. It is a mental phenomenon by which viewers derive more meaning from the interaction of two sequential shots than from a single shot in isolation.
Kuleshov edited a short film in which a shot of the expressionless face of Tsarist matinee idol Ivan Mosjoukine was alternated with various other shots (a plate of soup, a girl in a coffin, a woman on a divan). The film was shown to an audience who believed that the expression on Mosjoukine's face was different each time he appeared, depending on whether he was "looking at" the plate of soup, the girl in the coffin, or the woman on the divan, showing an expression of hunger, grief or desire, respectively. The footage of Mosjoukine was actually the same shot each time. Vsevolod Pudovkin (who later claimed to have been the co-creator of the experiment) described in 1929 how the audience "raved about the acting... the heavy pensiveness of his mood over the forgotten soup, were touched and moved by the deep sorrow with which he looked on the dead child, and noted the lust with which he observed the woman. But we knew that in all three cases the face was exactly the same."
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About Walter Murch's Rule of Six:
Walter Murch is a multiple Oscars winner who edited Apocalypse Now, Godfather 1, 2 and 3.
His insights about the craft are pure nuggets of gold. He created something called "The Rule of Six" for editing.
He enlists priorities to build a story within an edit. He highlights 6 elements in the order of priority.
In his words
"“What I’m suggesting is a list of priorities. If you have to give up something, don’t ever give up emotion before story. Don’t give up story before rhythm, don’t give up rhythm before eye-trace, don’t give up eye-trace before planarity, and don’t give up planarity before spatial continuity.”
“The ideal cut is one that satisfies all the following six criteria at once.”
These priorities can be used as a formative plan for your edit or a guideline to follow that ensures your edit keeps your audience invested in the film.
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Social Connect:
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/ bommalaatamedia
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/ bommalaata
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#MaheshBabu #Maharshi #Editor #RX100 #Editing #Mahesh25 #Bommalaata #Bommalata
Questions and Topics explored in this episode
What is the challenging thing for any editor 4:00
What are the things a beginner needs to learn in editing 5:28
Tools and Editing Software used by Editor Praveen KL 6:49
How did you evolve as an editor 7:23
How is the relationship between the editor and the director 12:11
How do you pick the emotion from the huge footage you receive 15:01
How do you handle continuity mistakes 17:23
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When cutting on emotion.. is it good to immerse ourselves and edit the scene or detach ourselves from the material and do it 18:57
Kahani Editor Namrata Rao's take on how she felt while editing the movie 18:57
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About Margaret Booth 21:13
Can editor make an actor into a star 21:13
Why are only females employed as editors in early days of editing 21:13
The relationship between an actor and editor 21:13
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About Sharon Stone and the interrogation scene in Basic Instinct movie 24:43
How to cut other characters' reactions to enhance a scene 24:43
How can a performance be enhanced through editing 24:43
The importance of reactions in a comedy scene and how to edit them 24:43
What Hollywood Heroine Sharon Stone told the Basic Instinct Editor 24:43
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Kuleshov Effect 27:09
Can we use a reaction shot from one scene and attach it to another 27:09
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How much awareness an editor should have on the other crafts of film-making 29:01
What happens if the editor knows other crafts 29:01
About Oscar Winning Editor Walter Murch and his interesting way of editing 32:00
Monkey's brain and Editor's brain..What's the connection? 32:20
About the book "In the Blink of an Eye" 32:33
Relationship between Walter Murch, Steven Spielberg and George Lucas 33:00
When not to cut 33:53
What's the connection between diesel train and emotion 34:10
The correlation between the blink and the thought and how it affects editing 34:50
Which element of cinema you enjoy the most while editing..is it songs, action, trailer or drama 36:22
About Kabali teaser 38:56
About Oopiri 41:18
How did the collaboration with Director Vamsi Paidipally happen 41:18
How open is Vamsi in taking Editor's suggestions 42:40
About Mahesh Babu's upcoming 25th movie Maharshi 44:00
About his debut into Bollywood 44:58
How many films do you edit at a time 46:26
How do you judge the skills of your assist editors 48:18
How do you view someone else's movie if they invited you for a preview 49:35
What are India's best edited films 50:44
How do you define a well edited film 52:07
Is the length of the film decided by editor or the director 52:50
What are few Badly edited films in India or Hollywood 53:37
About the movie Awe 54:23
Why Awe is a difficult film to edit 54:23
About Pawan Kalyan's Gabbar Singh Anthyakshari Scene 56:16
James Cameron's Editing Experiment 57:23
What happens if you remove just one frame from every second of the scene 57:23
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Who are the 3 storytellers of a movie 1:00:57
Can the writer, director and the editor look at the story the same way? 1:00:57
Will the final draft of the writer and final cut of the editor be the same? 1:00:57
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One secret you learned about editing over the years 1:03:23
His biggest mistake in career 1:03:40
Thank u so much
🔥
i donno who dis ajay vegesna is, but man you are one of the best hosts i have seen, talented extreme knowledgable, thq for sharing your knowledge. loved your style of interviewing. maintain the same , you gonna shine soon.
Amruth Gogikar do a session with puri sir , I think we can learn lot from his experience in films and life both !
Hi guys, If you like the content... do subscribe and please share the video in your WhatsApp groups and social media...it would really help us to bring in more valuable content. Thank you. - Team Bommalaata
They said “ dont subscribe” . We will get “ ADDICTED”😛😝😜
Sir Ask any question in telugu not in English ..say them to say in Telugu the answer
Thank you Ajay sir .....chala information telsiindhi..a good interview...
Plz do on more editing department sir...
Great session and Very informative ..... even interviewer has some great knowledge of film making... Thank you so much bommalata team. !
Very Informative Interview Sir....
Keep Going, All The Best👍👍
#Bommalata Will Get A Huge Round Of Applause In Near Future😇✌️
Most underrated video and underrated host.
Your interviews are providing me great insights of learning
Keep doing
Thank you
Excellent sir super information.. And very good inspiration to editor's
sir Interview chala Bagundi Specially Praveen garu Chalabaga chepparandi sir interview dwara teliyani vishayalu chara nerchukunnam tq sir
This is such a informative interview i've watched so far. Congrats Ajay Sir. Praveen sir waiting for your work.
Thank you Naveen
Excellent...
Great session Ajay garu! Thanks for the masterclass series!
Thank you Suresh! Please share to fellow aspirants too.
Brother..like this plz do an interview with any good cinematographer..thank you
Good Job Anna All Tha Best
Super sir.... interviews
Perfect 👌👌👌gripping editing and awesome questions try to cover make up man in next interview you do it is unique
The views of the video may be a a hindrance for people to click it..but I feel it's only a matter of time
Insightful content and good job by your team
Pl keep doing more stuff like this, the encouragement will surely flow with time
Thank you for your support Raj..comments like these keep us in the flow.
@@Bommalaata You certainly deserve!
❤😍😍
thanks
I think Cinematographer is also a crucial storyteller in a movie. Please make one for us too.
Sure Vamshi
We want more Vegeshna sir
Kabali teaser cut was an mistake
I agree, it's one of the reason the movie disappointed us.
Blink chesnapdu cut chesthe emavthundi?
Watching 2022 😊
Sir do on direction and acting...
Hello sir nenu oka chinna editor me daggara Asst ga undalanukuntunna
4:00
Subtitles please!
Davinci resolve
Raavan ? 5 minutes lo 2 songs vasthai... i felt bad
ajay, can you use more telugu please... while talking i donot know why you are suddenly taking into english....mostly likely audience are telugu people and you are talking about telugu cinema also as interviewer if you are talking in english , film personality you are talking to make them compulsory move the conversion to english
తప్పకుండా ప్రయత్నిస్తాను .. Thank you for your feedback Akhilesh. - Ajay Vegesna