Bach - Busoni Nun komm der Heiden Heiland BWV 659 arranged for solo piano
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- čas přidán 12. 09. 2024
- Bach - Busoni Nun komm der Heiden Heiland BWV 659 arranged for solo piano
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This video is copyright protected (c) Ivan Kivelidi 2012, ISRC QM-KAM-12-000021
I've just started working on this piece. Thank you for sharing such a wonderful interpretation and revealing the depth and sonority that I never imagined possible with this composition.
How long did it take you to learn it mate?
As high as spirit can rise
Also there is a pace where there is an understanding of each note and the tear in between them
3 Beauties: Bach, Busoni, Bösendorfer.👍‼️
⁰⁰
This is the fabulous human lullaby and the cradle melody gently cradled by God
Horowitz offered a very nice suggestion of this piece, a standard accepted by many.
dark and beautiful...
excellent playing
Лучшее исполнение!
Bravo, Ivan! Greatly played!
Best interpretation of it ever. The definitive version.
Splendide !
Merci 🙏 !
Ma che meraviglia!
Fantastično.
Good Sounds.....
You can absolutely tell from the phrasing that this pianist has extensively listened to the version by Horowitz. The capacity of colors Horowitz creates has not been duplicated.
Best Interpretation in the world!! perhaps is equal to horowitz.
Thanks for make us sense so deep feelings that only bach and a music lover can do.
Congratulations ;)
I would REALLY love to have the recording in good quality...
I actually prefer this interpretation to Horowitz. And I have been holding his as the standard since the first time I heard this.
Horowitz is absolutely not the right reference here. Please listen to Lipattis Version
PHILXXVII its all about Michael Murray, his playing doesn't drag and has the right dynamics
... or Alfred Brendel, best tempo, best sound, best intentions...
❤
Who is the pianist? Kivelidi?
Víkingur Ólafsson
@@gavriilpolyntsev5449 Ivan KIVELIDI is the pianist, it's in the description.
Ivan KIVELIDI
Lipatti was the best at this piece, I think. Some very nice playing here. Though I think could go about 10% faster. Also there were some odd rubatos, particularly at cadences. Trills also a bit odd. But overall very nice.
Listen to horowitz version
Who is the player?
+Lisha Sun Ivan Kivelidi
I like the slow beginning, however I prefer less rubato and less drama, maybe because there isn't any dynamic possible on an organ, so I think Bach's idea was a piece with a rather constant tempo and mood. Glad that you don't play the end G major part in forte.
aseptisch i believe Bach wrote this for a choire.. not sure
this wasn't for choir, but for organ. I believe also that the tempo of the moving bas-line should be in a constant tempo, but I believe there are many possibilities for expression between two bassnotes in the higher register, even on the organ, just by streching some notes and making others shorter.
And saying that the organ has no dynamic range at all is completely false.