when I am having one of those moments when I feel like I can't do it anymore I come to this and watch the A major prelude. It always brings me back from the beginnings of the abyss.
I adore this brilliant man!!!❤❤❤ Stellar!! The tempo he chose for the A major fugue only proves he’s more interested in being a conduit for the music, rather than a massive ego! Have I mentioned how much I love this man?!😜❤️
@@leidannis9544 Google Translate, please. Just kidding. Here's the translation: "Thanks. I play some of these pieces from Opus 87 at home to relax after work."
I really love this. But I do genuinely worry about his neck... Almost every time he plays p or pp or lighter, he hunches so far as to be parallel to the piano. Prelude No. 2 in a minor is this way the whole time. haha
Я когда по студаку смотрел как он на конкурсе Чайковского впахивал и удивлялся, что за гений... А сейчас с ним что-то ментально разлагающее происходит... Делит музыку и получается муть...
Надеялся послушать Шостаковича в хорошем исполнении. Думал великое имя значит качество... А там такая пластиковая попса получается вместо страстной живой музыки... В профессии говорят палочное исполнение... Хватило только на кульминации вести материал, а до этого музыки нет? Это я про ре минор Шостаковича...
How much I love those preludes & fugues by Shostakovich. Mentally strong stuff, from start to finish. But Trifonov really lacks to understand and portray all the feelings as intended by Shostkakovich himself. very much boring, clean, not colorful at all. those preludes must hurt and give pleasure at the same time attributing to the constant shift between sorrow and joy. But maybe those times are over, there are only four pianists I really enjoy to listen to regarding these preludes: Shostakovich himself, Richter, Nikolayeva and with limitation Gilels, all of them from a totally different era and background, all of them dead for a long time. After all I am not a big fan of all those modern pianists nowdays, they might sound great and super clean playing romantic Chopin pieces, but they suck at deep-diving, "bold" compositions of the likes of Shostakovich, Debussy, Scriabin.
I was furious when I reached the 24th. It would usually tear me down and make me collapse emotionally, but I haven't felt that now... (still felt much, because of the inner suggestivity of the music..) I sense you are right in regards to pianists today. Most are too concerned with the form (not the musical one :)) and not with the essence of the music. I think most of them may have it too good. Imagine playing this 24th p&f when you acheived most of what you desired, live in a pretty flat, eat well, enjoy quality conversations, etc. I can't imagine that going well... Those works were (as you may definitely know) written in a time of international conflict, of dictatorial regimes, of fear, hunger, UGLINESS... How can you perform those when surounded by beauty and when you haven't experienced that great war? The only anchor that you can possibly find are internal conflicts/wars, but those can't be fabricated, they need to lurk in one's psyche to produce such pain..
A hyper sensitive and romantic interpretation. This is no Scriabin or Rachmaninov, Mr. Trifonov. Stick to your post-romantics you play so well. Leave Shostakovich aside
Possibly the worst pianist to ever have been on that stage in 100 years. If only he would think less about the notes and interpret the music in the spirit of the composer and not make stuff up.
No.4 - E minor, Prelude - 0:44 / Fugue - 5:08
No.7 - A Major, Prelude - 10:01 / Fugue - 11:22
No.2 - A minor, Prelude - 14:18 / Fugue - 15:13
No.5 - D Major, Prelude - 16:29 / Fugue - 18:49
No.24 - D minor, Prelude - 20:24 / Fugue - 24:21
Thanks!
Thank You.
you're welcome guys!
Thanks for the Timeline
The beauty of A major prelude leaves me speechless...😱
when I am having one of those moments when I feel like I can't do it anymore I come to this and watch the A major prelude. It always brings me back from the beginnings of the abyss.
The tone colour!!!!! ❤❤❤
Гениально! Спасибо Даниилу Трифонову!
Sublime interpretation
I adore this brilliant man!!!❤❤❤ Stellar!!
The tempo he chose for the A major fugue only proves he’s more interested in being a conduit for the music, rather than a massive ego! Have I mentioned how much I love this man?!😜❤️
You are absolutely right. ! Can't Express how much I Love his Music and being captivated from his Modest and charming Personality ! ❤️
Sometimes it's wise to let the harmonies linger longer to be better savored.
Unbelievable! Daniil Trifonov is Unique , very deep, but Light personality Musician
Maybe unique, but not deep for me... He was deep in competition...
When that wretched phone started ringing at 18:35, Trifonov should have turned to the audience and said "If that's my agent, tell him I'm working"!
He is deeply immersed and concentrated in the music.does'nt distract him at all. But as a Listener I would not sit in this Audience.
If You do'nt like Shostakovich so much ( like me), listen to Fugue at 11.22 and Fugue at 24.21 ! Just haevenly played by Daniil Trifonov !
🎼🎶💕
Спасибо. Я играю некоторые из этих пьес из Opus 87 дома, чтобы расслабиться после работы.
English,please.
@@leidannis9544 Google Translate, please. Just kidding. Here's the translation: "Thanks. I play some of these pieces from Opus 87 at home to relax after work."
20:24 is the start of the most powerful thing I have ever heard
That a minor fugue really gets me!
A piano concert wouldn't be complete without a coughing audience..
@Quinton Vivaan fuck off
and a ringing phone
🧐
People cough less in grocery stores.
Artur Rubenstein once said that 10% of the people with a bad cough went to the doctor. The other 90% went to his concerts.
Beautiful music rudely interrupted by obnoxious commercials.
I never see ads. I use a free ad blocker with Windows named, uBlock Origin.
Who is the pianist? Müza Rubackyté or Boris Petrushansky? ... or is it someone else?
Daniil Trifonov
@@viktorijamiteska: Thanks! Good to know. It's a stunning performance. But now I'm curious who the two "artists" are that are credited...
Oh, I don't know them either
I really love this. But I do genuinely worry about his neck... Almost every time he plays p or pp or lighter, he hunches so far as to be parallel to the piano. Prelude No. 2 in a minor is this way the whole time. haha
10:00 VII - A major
thanks
A lista dos prelúdios e fugas?
Правую тише, левую громче... И легато... А этот рубит, так что выключить хочется... Это про любимый ре минор.
Даже нон легато можно связывать в фразы...
20:54 пропала левая рука... Левую нужно слушать...
Три ноты связать в басу не судьба...
Beatiful performance, but the audience is bad.
Зря отпустил напряжение между прелюдией и фугой ре минор... Нужно было соединить...
Я когда по студаку смотрел как он на конкурсе Чайковского впахивал и удивлялся, что за гений...
А сейчас с ним что-то ментально разлагающее происходит...
Делит музыку и получается муть...
Надеялся послушать Шостаковича в хорошем исполнении. Думал великое имя значит качество...
А там такая пластиковая попса получается вместо страстной живой музыки...
В профессии говорят палочное исполнение...
Хватило только на кульминации вести материал, а до этого музыки нет? Это я про ре минор Шостаковича...
Немного разорвано, согласен, про сравнению с исполнением самого Шостаковича, Гилельса и Николаевой, слушается так себе, но тоже не очень плохо
ПОЛиФОНИЯ!!! Левая рука в прелюдии d moll должна полифонично играть. А артист упивается правой рукой, вместо того чтоб слушать всё...
Ре Ми Фа в левой так сложно соединить?
How much I love those preludes & fugues by Shostakovich. Mentally strong stuff, from start to finish. But Trifonov really lacks to understand and portray all the feelings as intended by Shostkakovich himself. very much boring, clean, not colorful at all. those preludes must hurt and give pleasure at the same time attributing to the constant shift between sorrow and joy. But maybe those times are over, there are only four pianists I really enjoy to listen to regarding these preludes: Shostakovich himself, Richter, Nikolayeva and with limitation Gilels, all of them from a totally different era and background, all of them dead for a long time. After all I am not a big fan of all those modern pianists nowdays, they might sound great and super clean playing romantic Chopin pieces, but they suck at deep-diving, "bold" compositions of the likes of Shostakovich, Debussy, Scriabin.
I was furious when I reached the 24th. It would usually tear me down and make me collapse emotionally, but I haven't felt that now... (still felt much, because of the inner suggestivity of the music..)
I sense you are right in regards to pianists today. Most are too concerned with the form (not the musical one :)) and not with the essence of the music.
I think most of them may have it too good. Imagine playing this 24th p&f when you acheived most of what you desired, live in a pretty flat, eat well, enjoy quality conversations, etc. I can't imagine that going well... Those works were (as you may definitely know) written in a time of international conflict, of dictatorial regimes, of fear, hunger, UGLINESS... How can you perform those when surounded by beauty and when you haven't experienced that great war?
The only anchor that you can possibly find are internal conflicts/wars, but those can't be fabricated, they need to lurk in one's psyche to produce such pain..
@@BurningSky9 Rest assured those times are again upon us
What about Igor Levit's interpretation of Shostakovich?
a very mediocre a level piano player.
What do you think of the Jarrett recording?
Hands down the worst audience, so so bad
Carneghie Halle ! Nowhere else the Audience is that noisy.
A hyper sensitive and romantic interpretation. This is no Scriabin or Rachmaninov, Mr. Trifonov. Stick to your post-romantics you play so well. Leave Shostakovich aside
he is the worst interpreter.
Possibly the worst pianist to ever have been on that stage in 100 years. If only he would think less about the notes and interpret the music in the spirit of the composer and not make stuff up.
@@virtualpilgrim8645 his music is terrifyingly inaccurate.