Frytom, A Solo Act in the Realm of Pottery Painters

In the world of Delft faience, where many artisans remain nameless, one luminary stands out - Frederik van Frijtom. Born circa 1632, this esteemed painter left an indelible mark on seventeenth-century Delftware.
Originally known as Frederik Barents(z), Van Frijtom's journey into faience painting began around 1653, evolving into a career that shaped the essence of Dutch earthenware.
In a unique move, he adopted the name Van Frijtom, replacing the patronymic 'Barents,' perhaps to distinguish himself as an artist, for his art spoke louder than a common surname.
Van Frijtom was a rarity - a solo act in the realm of Delft pottery painters. Granted permission to work independently, he showcased his prowess by painting tile plaques, dishes, and plates.
His signature style, a monochrome blue palette, featured broad white borders that accentuated the depth and light of his pastoral landscapes. Thousands of minuscule dots formed intricate scenes, a meticulous touch reflecting his dedication.
Van Frijtom's commitment extended to the preparation of raw materials. He used extraordinary fine clays, blending them to perfection. The 'dubbel wit' (double white) method, with layers of tin enamel, produced the distinct white color of his objects.
Now, let's explore three captivating pieces by Frederik van Frijtom - a painting, an oil on panel, depicting strollers in a forest landscape; a plate, adorned with a hunter and his dog on a river bank; and an oval plaque, featuring a seated fisherman by the waterside, surrounded by the grace of sailing and rowing boats.
These extraordinary creations come together, each telling a unique tale of Van Frijtom's mastery - a testament to the enduring legacy of a name that refused to be lost in the annals of Delft's rich history.
Frederik van Frijtom - a masterful brush that painted not just objects, but stories, bringing timeless beauty to the world of Delftware.