Raga Multani | Vidushi Dr. Ashwini Bhide Deshpande

Raga Multani by Dr. Ashwini Bhide-Deshpande.
This rendition is the part of Ashwini Bhide-Deshpande - Golden Raga Collection lll,
You can find rendition of Raga Gaud Malhar and Kabir Bhajan from the same recording at following links:
Raga Gaud Malhar: • Raga Gaud Malhar | Vid...
Kabir Bhajan: • Sab Jag Andha | Kabir ...
00:00 - Vilambit Khayal: Are Mana Kahe
23:56 - Madhyalay Khayal: Re Bhaj Mana Raam Naam
27:13 - Drut Khayal: Nainan Me Aan Ban
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Raga: Raga Multani
Taal: Teen Taal (Vilambit, Madhyalay)
Ek Taal (Drut)
Composition: Are Mana Kahe
Re Bhaj Mana Raam Naam
Nainan Me Aan Ban
Composer: Traditional
Vocalist: Vidushi Dr. Ashwini Bhide Deshpande
Style: Jaipur-Atrauli Gharana
Tanpura: Smt. Saniya Kulkarni
Tabla: Shree. Bharat Kamat
Harmonium: Shree. Arvind Thatte
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📝Lyrics:
************ Are Mana Kahe ****************
अरे मन काहे को सोच करे ।
सोच करे कडु जन नही आवे
धीरज क्यों ना धरे ॥
************* Re Bhaja Mana ****************
रे भज मन राम नाम हितकारी
यही है तिहारो तारन हारो ।
या जग माही दुख दरीद्र भरो
कल की चिंता काहे करो आजको सुमरो ॥
*********** Nainan Me Aan Baan ************
नैनन में आन बान
कौनसी परी रे ।
बार बार सोवत पलक न लागत
जित देखूं उत श्यामसी परी रे ॥
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About Artists:
Dr. Ashwini Bhide-Deshpande:
Ashwini Tai belongs to the Jaipur-Atrauli gharana tradition. Ashwini Bhide-Deshpande was born in Mumbai on 7th October, 1960, into a family of music connoisseurs and musicians. She completed her Sangeet Visharad from the Akhil Bharatiya Gandharva Mahavidyalaya. Being a scholar, Ashwinitai also obtained a PhD in Biochemistry from the reputed Bhabha Atomic Research Centre, Mumbai.
Ashwinitai‘s journey into classical music began under the tutelage of Narayanrao Datar, who belonged to the Paluskar branch of the Gwalior gharana. Later, her disciplined taleem under her mother, Manik Bhide (who herself was trained under the legendary Kishori Amonkar) was largely made up of learning the traditional aspects of the Jaipur-Atrauli style of raga development and also studying the nuances of raga-music. She then went on to train under Ratnakar Pai, a renowned teacher of the gharana, from whom she received further guidance and a great repertoire of the traditional paramparik compositions and ragas. Because of her influences from the Jaipur-Atrauli, Mewati and Patiala gharanas, she has created her own musical style. She holds a strong command over the three primary saptaks.
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No copyright owned. These uploads are solely intended for the purpose of sharing this exquisite music, with absolutely no commercial intent. If anyone has concerns or wishes for us to remove them, please contact us at [e-mail]
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Video Source: Unknown

[@harekrishna3047]

🙏🎖🙏🎖🙏🎖
Serenity, Grace, Peace, Divinity!
Nice companion to Veenaji’s immortal Mltni
Radhe Radhe! Radhe Krishna!

[@thekiminthenorth504]

Thanks for the upload. Amazing

[@seemagaurrow21]

She has such a distinct methodical manner of raag badhaat!!

[@barunbanerjee6297]

Mata apko pranam🙏😌, multani ko upload karne ke liye 🙏🙏🙏🙏🙏

[@arundhatinawarange]

Amazing !

[@ashleshavora4204]

Effective rag

[@aksharachavan6490]

Extra ordinary... 🙏🙏

[@nilrajvasudeo2769]

[@abhayramachandrajosh]

Can you post her Raga Lalit from Morning Ragas Vol 1?

[@Swaralankar]

czcams.com/video/Q3mqGnPzNi8/video.html

[@abhayramachandrajosh]

Thanks

[@alekhyabhattacharya8798]

😅