Maestro ILAYARAJA's MUSIC stands tall, and rises up-and-above anything/anyone else in this MOVIE, not just this scene. A despicable story celebrating and glorifying nonsense, a common theme in 90% of K. Balachander's movies. How the director is hailed by popular female personalities across the state is a mystery that is beyond my comprehension. It is the music that elevates this movie to a "cinema" status barring which this would look like a stage drama. Of course, this is one of Suhasini's best performances (her BEST being Nenjaththai KiLLaadhey).
My favourite Actor Suhaasini mam
💞💞👌👌💞💞👏👏💞💞
Sooppar O sooppar 👍👌💐
Time travel movie towards 80s
Maestro ILAYARAJA's MUSIC stands tall, and rises up-and-above anything/anyone else in this MOVIE, not just this scene. A despicable story celebrating and glorifying nonsense, a common theme in 90% of K. Balachander's movies. How the director is hailed by popular female personalities across the state is a mystery that is beyond my comprehension. It is the music that elevates this movie to a "cinema" status barring which this would look like a stage drama. Of course, this is one of Suhasini's best performances (her BEST being Nenjaththai KiLLaadhey).
Yah Bhasha mujhe nahin samajh mein aati ok
Kalyanaraman, idikasa kadhaipathiram alla
Idayam veru hirudalayam veeru kotil tn, ka, like, pranan gender kl