And on this day I wish I lived in Kobe, Japan. I'd love to see Kingslayer with Babymetal live. Seeing them in Sydney, Australia next year, I hope they keep Chelsea Smile on the setlist still. Or if not that then something off the There is a Hell - I am desperate for them to play something off that album. Especially any one song of Crucify Me, It Never Ends Don't Go or Blessed with a Curse
@@Lxcifer420 yeah but I think they only did it at Melbourne and not Sydney which sucked. They gave the audience a choice between Oli doing a shoey or playing the metal medley and the crowd voted shoey -.-. Makes me mega sad and mega mad
@@harryf7055 I think there’s a good chance they’ll play King Slayer live, but it won’t be with Baby Metal. I think I somewhat prefer Chelsea Smile over the medley as I like that a bit more than The Comedown and I’ve never really gotten into their CYB and earlier stuff which is what the rest of the songs on the medley are. Either way I’ll enjoy seeing anything pre Sempiternal live
I love that they played it, it's my favourite song ever! It doesn't sound like the origional but that came out over a decade ago and they have evolved so much as a band especially Olis vocals. You can hear that he learned how to scream without ripping his vocal cords
@@aazi8219he is using like false cords or smth simillar, but that sounds unhealthy because his vocal cords are still a bit damaged, and he cant push too much or he will damage again
i'm glad they still perform this song but it feels sad. oli can't keep up, unable to sing like half of the lyrics and the majority of the crowd seems to not know the song.
Honestly he almost never plays the kick drum live the same way it's played on the record, he's almost been that way. He probably could if he had to but I just think he doesn't care enough. Some drummers are just like that. With that said he does play double kick at times still. Listen at 2:41 where he's playing it in bursts of 6 which is accurate to the record
@@harku123 True, even when he was playing the whole thing in the old days it was kind of sloppy. Another reason is that intricate double kick parts usually don't sound too good in big venues because of the natural reverb.
@@sutoneru-sama9836 yeah when it comes to break downs and stuff he often doesn't play it if it's too complex, it's just hard to keep time sometimes if you're not in the right mindset, I've played for 16 years and i feel that way personally anyway
@@sabbath_screamz666 I believe he was trying to incorporate the audience with most of his line pauses; too bad, it seems like most of the audience didn't know this song...
U can see most of the crowds dont know the song, but im glad they play it again, im gonna crazy if they play this classic song..
Hhhhh so crazy
So sick they brought this back! Sad the synth bridge is gone tho
Chelsea smile, Kingslayer with Babymetal... This setlist is goated
And on this day I wish I lived in Kobe, Japan. I'd love to see Kingslayer with Babymetal live. Seeing them in Sydney, Australia next year, I hope they keep Chelsea Smile on the setlist still. Or if not that then something off the There is a Hell - I am desperate for them to play something off that album. Especially any one song of Crucify Me, It Never Ends Don't Go or Blessed with a Curse
@@littlegreen9274they did the throwback medley in 2019 here in Australia which was cool
@@littlegreen9274agreed, praying it’s a similar setlist for Aus tour next year. Or at least the deathcore medley
@@Lxcifer420 yeah but I think they only did it at Melbourne and not Sydney which sucked. They gave the audience a choice between Oli doing a shoey or playing the metal medley and the crowd voted shoey -.-. Makes me mega sad and mega mad
@@harryf7055 I think there’s a good chance they’ll play King Slayer live, but it won’t be with Baby Metal. I think I somewhat prefer Chelsea Smile over the medley as I like that a bit more than The Comedown and I’ve never really gotten into their CYB and earlier stuff which is what the rest of the songs on the medley are. Either way I’ll enjoy seeing anything pre Sempiternal live
I love that they played it, it's my favourite song ever! It doesn't sound like the origional but that came out over a decade ago and they have evolved so much as a band especially Olis vocals. You can hear that he learned how to scream without ripping his vocal cords
15 years ago now which is crazy
His highs still sound pretty unhealthy but its def better than before
@@aazi8219he is using like false cords or smth simillar, but that sounds unhealthy because his vocal cords are still a bit damaged, and he cant push too much or he will damage again
@@gustavohp3439 He does false chords incorrectly. He has that kinda whispery tone under his scream which isnt healthy at all.
Mannn Ollie's vocals sound better than ever, I can only imagine the energy in that room.
Your kidding right
@@Adebobbyblack my kidding right what?
@@Adebobbyblack are you referring to my right to kid?
2007 prime
... what are you saying, he didnt even sing anything (not his faul obv)
I hope they never stop singing this song
i love them but i have to accept my heart've just broken listening this one song on live... his vocals. he didnt even sing anything (not his fault) :/
Wish they played the full thing but this is still awesome
i'm glad they still perform this song but it feels sad. oli can't keep up, unable to sing like half of the lyrics and the majority of the crowd seems to not know the song.
he can keep singing but not making deathcores... atleast he could try to sing this one song with someone
Does the drummer still have the double bass? The intro breakdown looks like it's being played on Guitar Hero on easy mode, there's barely kick on it
I’m guessing they wanted to “poppify” the drums for the normies, or he can’t play those parts tight anymore. Who knows
Honestly he almost never plays the kick drum live the same way it's played on the record, he's almost been that way. He probably could if he had to but I just think he doesn't care enough. Some drummers are just like that. With that said he does play double kick at times still. Listen at 2:41 where he's playing it in bursts of 6 which is accurate to the record
@@harku123 True, even when he was playing the whole thing in the old days it was kind of sloppy. Another reason is that intricate double kick parts usually don't sound too good in big venues because of the natural reverb.
@@sutoneru-sama9836 yeah when it comes to break downs and stuff he often doesn't play it if it's too complex, it's just hard to keep time sometimes if you're not in the right mindset, I've played for 16 years and i feel that way personally anyway
Weak crowd
they probably dont even know the song hahaha
yeah, its my fav song along with doomed and i cant even belive you're a bmth's fan DON'T knowing this one song...
@@matheuss_gtr that's weak... almost this is one of most beautiful bmth songs
@@giorgia-oo3yy Ik, its the best song on the Suicide Season record
@@matheuss_gtr real
what's wrong with breaks? sounds very slow
this was done to make it easier for him to sing it
They should play this song in every show, also guitar and whole mix sounds so good here
Nice! Hope they play it on the upcoming U.S. tour next year.
幸せ
napa batal sih telek di indo, padahal mau denger lagu ini😢😢😢😢
Serba salah, dari penyelenggara, pemilihan venue sama penonton yg brutal
This is like bmth old vibe
I stg if they play this at sick new world …
Bmth playing this song now days is just sad.
Sounds so slow?
It’s an incredibly hard song vocally for a live setting, they would have slowed it down so oli didn’t run out of air
@@harryf7055what's the point if he slips like every other line
@@sabbath_screamz666Bro is 37 let the man rest a bit
@@sabbath_screamz666 I believe he was trying to incorporate the audience with most of his line pauses; too bad, it seems like most of the audience didn't know this song...
2000 year born I guess@@Souliiiii
Hahahaha the new fans are a joke 😂😂
If a bad doesn't gain new fans, they are stagnant. If you like BMTH, be happy they're getting new fans
Oli nem canta a música direito kkkkkk fica só o instrumental