While I learned a LOT from this video (that I will be using immediately in today's work), the MOST IMPRESSIVE thing to me is that it was recorded at nearly midnight. Thanks!
@@alexdeaton6842 I was shocked for a second to see I have 128 layers in the current comp I'm working on and only 9 matte layers... then I remembered the shy button was pressed. 🤦♂️. Definitely needed this video. Thank you again, Alex.
So this is an absolute game changer. Every day I learn something useful and new thanks to you all and I've been animating for a few years now. Thank you for helping us to level up our game and make things easier and less keyboard smashy!!
this is so simple, and should be SO obvious, but it just goes to show that even if you know what stuff does -which I do-, it doesn't mean you know what to do with it. Thanks for this!
Great tutorial! exactly how I use shape layers myself. Next tutorial please include "set matte". More people need to know about it! Great work Alex, as always
Lots of good stuff in here! @19:19 Just add an Offset Path with a value of 0 in the Stroke Group (before 'Stroke 2'). This way it closes the loop... no further layers or bits will be needed and the path stays editable as an open path.
Perfection! This worked gangbusters. I'm recording a little addendum this weekend to post online and I'll thank you and Herbert (other commenter that pointed this out). Much appreciated!!!
Alex!! Thank you so much! Watched this back in November, but I finally had a project to use some of your ideas on today and it would have never worked if I hadn't re-watched this video! The biggest thing for me was using a repeater and not using a merge paths on it, so it wasn't working properly! Thank you again!
for the blur applied at @21:15 depending on the case, you could use "CC Composite" set to Stencil Alpha as a way to mask it out without having to create new layers :) and if you have a blurred shadow on the edges, you can add a Levels effect before the Composite and set the Alpha Input White to the lowest possible
with it in a few weeks or months if I pour enough ti and effort into it. I'll be watcNice tutorialng many more of your videos for tips and inspiration.
@19:03 you could add an offset path with fill to the stroke. insted of having to close the path. it doesnt solve the blur problem but should work with the intersect
Perfection! This worked gangbusters. I'm recording a little addendum this weekend to post online and I'll thank you and Oyvind (other commenter that pointed this out). Much appreciated!!!
@@alexdeaton6842 If you go to 19:10, on the timeline you have "Stroke" group selected. Having that selected, you can apply this preset I made: drive.google.com/file/d/1TNDEYOmBmb6y39MzzIwq15GaTNU0uD-1/view This will create a new "Path 2" path inside the "Stroke" group that you had selected, and it should be positioned just bellow "Path 1"
I am new to AE and watching this video somehow makes me feel sad. It is like an ocean of information. But yeah great tutorial. You are definitely a master. :)
When creating the solid shape for your workaround at 19:50, I suggest exporting your path to AI, using Path>Outline Stroke, and then reimporting your newly-created perfectly matching shape. Overlord would be the most accurate way to do this, but copying and pasting the paths should work just fine as well.
Hi Skye, there's actually a brilliant workaround for this problem that other commenters have pointed out! I'm wrapping up a very short additional video to illustrate the execution. Stay tuned!
If you go to 19:10, on the timeline you have "Stroke" group selected. Having that selected, you can apply this preset I made: drive.google.com/file/d/1TNDEYOmBmb6y39MzzIwq15GaTNU0uD-1/view This will create a new "Path 2" path inside the "Stroke" group that you had selected, and it should be positioned just bellow "Path 1"
As a work around for the drawback of using strokes and and Merge Paths (20:22), you could always generate the artwork in AI and use the Outline Stroke to get a perfect path of the stroke. Object>Path>Outline Stroke.
Really like the video and I am looking through the project file. I have a slight off topic question: Why do you use the Z-rotation on the flower and not just the normal 2D rotation? Is there any merit to that?
Hi Niek! Thanks for the kind words. The reason the layers are 3D is to illustrate that this method works wonderfully in ae's 3D setting with no complication like you get with precomps. I was planning on including design elements that would make the 3D more obvious besides a zoom in/out, but ran out of time!
Hi Tyler, I will make a very short tutorial illustrating that process. It is very simple! A brief explanation is that I use After Effect's "Create Nulls from Paths" script (native to the program after 2018, I believe) and attach one of the nulls to the flower layer. Then, all I have to do is animate the flower and the stem bends along with it as you see here. No extra animation necessary.
Surely 4 years late but, If anyone is reading this, where can I find the .aep file to work along for the vase tutorial? The link in the caption doesn't have it.
If you go to 19:10, on the timeline you have "Stroke" group selected. Having that selected, you can apply this preset I made: drive.google.com/file/d/1TNDEYOmBmb6y39MzzIwq15GaTNU0uD-1/view This will create a new "Path 2" path inside the "Stroke" group that you had selected, and it should be positioned just bellow "Path 1"
Hello! I meant to make a short tutorial on this but got buried in work and family duties. The answer is pretty simple. I drew a line in after effects with a stroke on it, selected the path for that line, then used After Effect's native "Create Nulls From Paths" script that you can find under "Window" at the bottom of the dropdown. When you click "Points Follow Nulls" in the script's window, it creates a null for every point on that path, so you can control the individual points on a shape layer independently! This was revolutionary for my workflow when After Effects added the feature, so definitely get comfortable with it! Just Google "Create Nulls From Paths" if my explanation didn't make sense, and while you're at it, grab the extra useful "Create Nulls From Paths Extended" script from Crunchy Creative which adds some phenomenal functions like individual bezier handle controls. crunchycreatives.com/create-nulls-from-paths-extended/ Happy animating!
Hi Francis, I meant to make a short tutorial on this but got buried in work and family duties. The answer is pretty simple. I drew a line in after effects with a stroke on it, selected the path for that line, then used After Effect's native "Create Nulls From Paths" script that you can find under "Window" at the bottom of the dropdown. When you click "Points Follow Nulls" in the script's window, it creates a null for every point on that path, so you can control the individual points on a shape layer independently! This was revolutionary for my workflow when After Effects added the feature, so definitely get comfortable with it! Just Google "Create Nulls From Paths" if my explanation didn't make sense, and while you're at it, grab the extra useful "Create Nulls From Paths Extended" script from Crunchy Creative which adds some phenomenal functions like individual bezier handle controls. crunchycreatives.com/create-nulls-from-paths-extended/ Happy animating!
Hi! I wish there was an easy answer for this, but unfortunately I just hand animated the path after roughing it out in cel. No plugin for that trick :(
You sure could! Just add the iris design into a group with the pupil. That would give you a group transform for the iris + pupil, and you'd still have individual control over the pupil shape if you wanted to scale that up or down for some added character. You could add a little bit of light reflection over both, too. These shape layer groups can go as deep as you want them to - it really just becomes a matter of keeping track of everything!
@@schoolofmotion As soon as I add a Iris group into the pupil group the iris takes on the dark fill property of the pupil in spite of it having its own fill attribute. I am finding it confusing and I must be missing something fundamental here. It would be great to understand how to get this to work
Hi! @6:00, after converting the keyframe to a hold keyframe, he inserted another keyframe (which is a square) and deleted the first one. Could anyone tell me what's the purpose of doing this? Thanks!
Hi Rachel, I'm fairly positive there is a quicker way to do this, perhaps with a key command, but the reason I added another keyframe after making the hold keyframe is to make the "double" hold keyframe so if I apply new value to that property on EITHER side of the first keyframe, they would instantly become hold keyframes! Again this is probably a bad habit and I just haven't learned the more efficient way of doing this, but it's pretty engrained into my workflow. Hope that helps!
Hello, Michaelbak! I achieved the wave with the very handy Wave Warp effect in After Effects. I had a separate rectangle for the bottom of the ghosts body from the main body and applied the effect to the lower rectangle. I believe the Ghose is in the project files you can download from School of Motion!
@@user-yo5yr9yr2h If you go to 19:10, on the timeline you have "Stroke" group selected. Having that selected, you can apply this preset I made: drive.google.com/file/d/1TNDEYOmBmb6y39MzzIwq15GaTNU0uD-1/view This will create a new "Path 2" path inside the "Stroke" group that you had selected, and it should be positioned just bellow "Path 1"
Hi Aris, this is cool! Thank you for sharing. There's also another workaround that a few other commenters have pointed out and I have outlined in an update video here: czcams.com/video/NFznk2Okwms/video.html
Great tutorial but very complicated and shows some serious shortcomings of After Effects. Comp organization gets really messy in a different way since all your objects are with-in one layer.
in the background you are pressing a lot of keys and you just tell me a few of the keys you press. The first 5 min of you video took me 90min to go with you. But @4:23 you pressed a key I am not able to find out. I still have more (4) bezier-handles than you have to close the eye and when I tried to copy 'n paste the frame where the eye was open, my pupil disappeared when the eye is open again. Oh man. I can use Photoshop and Illustrator with closed eyes and I thought it's not going to be really difficult to start with AE, but I am totally lost, need to check some basic tutorials. Good video, but way too fast, and not for beginners but THANK GOD without backgroundmusic! Why everybody uses backgroundmusic to explain somthing? Does a teacher starts his spotify-List before explaining the structure of DNA to his students? Keep going like this but add a software, automatically showing the keys you press. I think you are in something like a isolated-mode where you just can modify a specific layer, like in AI, double-clicking on it. That's why you have to move just some bezier-handles.
While I learned a LOT from this video (that I will be using immediately in today's work), the MOST IMPRESSIVE thing to me is that it was recorded at nearly midnight. Thanks!
It was a late workday!
@@alexdeaton6842 I was shocked for a second to see I have 128 layers in the current comp I'm working on and only 9 matte layers... then I remembered the shy button was pressed. 🤦♂️. Definitely needed this video. Thank you again, Alex.
@@cessers So glad it was useful! I'm obsessed with having a clean timeline so I feel you :)
So this is an absolute game changer. Every day I learn something useful and new thanks to you all and I've been animating for a few years now. Thank you for helping us to level up our game and make things easier and less keyboard smashy!!
this is so simple, and should be SO obvious, but it just goes to show that even if you know what stuff does -which I do-, it doesn't mean you know what to do with it. Thanks for this!
This is something i can honestly say "what did i do in past with unneccassary layers?" Great job. Real game changer.
I believe this is really useful for the texturing process
"Outstanding in his field"; I saw what you did there. Props for that. :D
And thanks for the tips.
Glad you liked it! And I wish I could take credit for that pun but it was 100% the School of Motion team :D.
Great tutorial! exactly how I use shape layers myself. Next tutorial please include "set matte". More people need to know about it! Great work Alex, as always
Thanks Mathijs! Agreed about Set Matte. We need some tutorials from you someday. Shower us with your knowledge.
Beautiful optimization of work process. 💛
Very nice technique, now i change my workflow. Thanks to share this knowledge.
Best regards from Portugal
Saw this on The Furrow's Covid-19 project breakdown and have been using it ever since! Really an amazing technique!!
Lots of good stuff in here! @19:19 Just add an Offset Path with a value of 0 in the Stroke Group (before 'Stroke 2'). This way it closes the loop... no further layers or bits will be needed and the path stays editable as an open path.
Perfection! This worked gangbusters. I'm recording a little addendum this weekend to post online and I'll thank you and Herbert (other commenter that pointed this out). Much appreciated!!!
I have made an update video with a little thank you at the end here! czcams.com/video/NFznk2Okwms/video.html
Wow this is amazing! It literally save your time and stack of layers with this technique
Alex!! Thank you so much! Watched this back in November, but I finally had a project to use some of your ideas on today and it would have never worked if I hadn't re-watched this video! The biggest thing for me was using a repeater and not using a merge paths on it, so it wasn't working properly! Thank you again!
So glad this helped you with a project, Steve! Ae is often a frustrating program, but it has a lot of tricks up its sleeve.
Wow, thanks for this great tutorial
i was struggling with the same problem..this will definitely help me.. Awesome tutorial..
Whoaaa meger paths is a really neat workflow! Thanks for sharing and helping declutter my layer stacks!
Superb techniques! Learnt so much yet still need to practice for the Vase part. Thank you!
perfect lesson! very very useful! thanks for sharing your knowledge, you are cool!
Very well explained!
for the blur applied at @21:15 depending on the case, you could use "CC Composite" set to Stencil Alpha as a way to mask it out without having to create new layers :) and if you have a blurred shadow on the edges, you can add a Levels effect before the Composite and set the Alpha Input White to the lowest possible
I have made an update video with a little thank you at the end here! czcams.com/video/NFznk2Okwms/video.html
Outstanding in his field - Genius! Haha
with it in a few weeks or months if I pour enough ti and effort into it. I'll be watcNice tutorialng many more of your videos for tips and inspiration.
This is insane! Amazing. Thank you.
Brilliant!! Thank you
@19:03 you could add an offset path with fill to the stroke. insted of having to close the path. it doesnt solve the blur problem but should work with the intersect
Perfection! This worked gangbusters. I'm recording a little addendum this weekend to post online and I'll thank you and Oyvind (other commenter that pointed this out). Much appreciated!!!
@@alexdeaton6842 If you go to 19:10, on the timeline you have "Stroke" group selected. Having that selected, you can apply this preset I made: drive.google.com/file/d/1TNDEYOmBmb6y39MzzIwq15GaTNU0uD-1/view
This will create a new "Path 2" path inside the "Stroke" group that you had selected, and it should be positioned just bellow "Path 1"
I have made an update video with a little thank you at the end here! czcams.com/video/NFznk2Okwms/video.html
I learned SOOO much! Thank you for this video!
Thanks for for this video. 🙌❤️
Nice and great tips.
Completed ur 500 likes mate
Important class
Great tutorial! Thanks! One tip: move the shortcut info graphics away from the layers ;-)
complete. So I put a few videos up to show what i
It's amazing!!!!
Thanks thats great !!!!
Very cool! I'm still looking for animade's tutorials, thought
nice video thanks a lot
amazing techniques, thanks for the tips
I am new to AE and watching this video somehow makes me feel sad. It is like an ocean of information. But yeah great tutorial. You are definitely a master. :)
I feel the same way. Keep going! We can do it.
AE can be scary at first, but as you keep going it gets easier
Don't worry. I'm about 2-3 months into it, everyone starts confused haha keep going. We can do whatever we put our focus on
you! SO MUCH THX!
bookmarked for life
Such an eye opener ;)
This is great !!
When creating the solid shape for your workaround at 19:50, I suggest exporting your path to AI, using Path>Outline Stroke, and then reimporting your newly-created perfectly matching shape. Overlord would be the most accurate way to do this, but copying and pasting the paths should work just fine as well.
Hi Skye, there's actually a brilliant workaround for this problem that other commenters have pointed out! I'm wrapping up a very short additional video to illustrate the execution. Stay tuned!
If you go to 19:10, on the timeline you have "Stroke" group selected. Having that selected, you can apply this preset I made: drive.google.com/file/d/1TNDEYOmBmb6y39MzzIwq15GaTNU0uD-1/view
This will create a new "Path 2" path inside the "Stroke" group that you had selected, and it should be positioned just bellow "Path 1"
I have made an update video here! czcams.com/video/NFznk2Okwms/video.html
perfect👌👌👌
Nice video!
Could you please send the 'Animade Learn Tutorial', it was not uploaded in the description of the video as the video said.
Just added to the description. Enjoy!
As a work around for the drawback of using strokes and and Merge Paths (20:22), you could always generate the artwork in AI and use the Outline Stroke to get a perfect path of the stroke. Object>Path>Outline Stroke.
So sweet!
Nice tutorial, which way did you create the morph between the 2 vase shapes? Cheers
THANK YOUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUU
Wow
ive been making complete verses on a single soft, it seems everyone of these tutorials i find like to put a single instrunt on each
Already excited 😁
Really like the video and I am looking through the project file. I have a slight off topic question: Why do you use the Z-rotation on the flower and not just the normal 2D rotation? Is there any merit to that?
Hi Niek! Thanks for the kind words. The reason the layers are 3D is to illustrate that this method works wonderfully in ae's 3D setting with no complication like you get with precomps. I was planning on including design elements that would make the 3D more obvious besides a zoom in/out, but ran out of time!
This is great! How did you animate the stem?
Hi Tyler, I will make a very short tutorial illustrating that process. It is very simple! A brief explanation is that I use After Effect's "Create Nulls from Paths" script (native to the program after 2018, I believe) and attach one of the nulls to the flower layer. Then, all I have to do is animate the flower and the stem bends along with it as you see here. No extra animation necessary.
@@alexdeaton6842 Thank you, Alex!
Surely 4 years late but, If anyone is reading this, where can I find the .aep file to work along for the vase tutorial? The link in the caption doesn't have it.
Regardless of how important the information is
I need more light and the so many masks you made starting with duplicating the pupil.. please
For the part around 22:20 - you could complete the shape by having the points outside of the comp window?
If you go to 19:10, on the timeline you have "Stroke" group selected. Having that selected, you can apply this preset I made: drive.google.com/file/d/1TNDEYOmBmb6y39MzzIwq15GaTNU0uD-1/view
This will create a new "Path 2" path inside the "Stroke" group that you had selected, and it should be positioned just bellow "Path 1"
I have made an update video with a little thank you at the end here! czcams.com/video/NFznk2Okwms/video.html
I keep going back to the section where one vase turns into the other and I don't see any explanation for how that happened... how did you do that?
i have an important question. how to use stem script????? i don't understand the' STEM' layer.....Please make a tutorial on this part.
Hello! I meant to make a short tutorial on this but got buried in work and family duties. The answer is pretty simple. I drew a line in after effects with a stroke on it, selected the path for that line, then used After Effect's native "Create Nulls From Paths" script that you can find under "Window" at the bottom of the dropdown.
When you click "Points Follow Nulls" in the script's window, it creates a null for every point on that path, so you can control the individual points on a shape layer independently! This was revolutionary for my workflow when After Effects added the feature, so definitely get comfortable with it!
Just Google "Create Nulls From Paths" if my explanation didn't make sense, and while you're at it, grab the extra useful "Create Nulls From Paths Extended" script from Crunchy Creative which adds some phenomenal functions like individual bezier handle controls.
crunchycreatives.com/create-nulls-from-paths-extended/
Happy animating!
The first one doesn”t work if there are two pupils with different fills 😢 is there any solution if you want to mask without create other shape?
in soft rolls?sorry in my English.I hope you can help
yessssss
I am trying to group layers 'Eye - MASK' and 'Pupil', but Ctrl-G does not group on Windows 10. What am I doing wrong?
anyone know how he did the stem with the layercontrols?
Hi Francis,
I meant to make a short tutorial on this but got buried in work and family duties. The answer is pretty simple. I drew a line in after effects with a stroke on it, selected the path for that line, then used After Effect's native "Create Nulls From Paths" script that you can find under "Window" at the bottom of the dropdown.
When you click "Points Follow Nulls" in the script's window, it creates a null for every point on that path, so you can control the individual points on a shape layer independently! This was revolutionary for my workflow when After Effects added the feature, so definitely get comfortable with it!
Just Google "Create Nulls From Paths" if my explanation didn't make sense, and while you're at it, grab the extra useful "Create Nulls From Paths Extended" script from Crunchy Creative which adds some phenomenal functions like individual bezier handle controls.
crunchycreatives.com/create-nulls-from-paths-extended/
Happy animating!
How do you rename ellipse layers?
Hey man, can you pls tell me the technique behind the sequence at 0:28 sec.
Alex actually did here! czcams.com/video/mptg2C5Yx5w/video.html
How did you change the shape of flower pot and flower
Hi! I wish there was an easy answer for this, but unfortunately I just hand animated the path after roughing it out in cel. No plugin for that trick :(
Animade Lernz : vimeo.com/41558459
do you know why and if so how do i fix it?
Is it possible to add an iris to the eye and make that work or would more shape layers be required?
You sure could! Just add the iris design into a group with the pupil. That would give you a group transform for the iris + pupil, and you'd still have individual control over the pupil shape if you wanted to scale that up or down for some added character. You could add a little bit of light reflection over both, too.
These shape layer groups can go as deep as you want them to - it really just becomes a matter of keeping track of everything!
@@schoolofmotion As soon as I add a Iris group into the pupil group the iris takes on the dark fill property of the pupil in spite of it having its own fill attribute. I am finding it confusing and I must be missing something fundamental here. It would be great to understand how to get this to work
Command G has no effect on mine? How do I go about grouping then?
Hi! @6:00, after converting the keyframe to a hold keyframe, he inserted another keyframe (which is a square) and deleted the first one. Could anyone tell me what's the purpose of doing this? Thanks!
Hi Rachel, I'm fairly positive there is a quicker way to do this, perhaps with a key command, but the reason I added another keyframe after making the hold keyframe is to make the "double" hold keyframe so if I apply new value to that property on EITHER side of the first keyframe, they would instantly become hold keyframes!
Again this is probably a bad habit and I just haven't learned the more efficient way of doing this, but it's pretty engrained into my workflow.
Hope that helps!
@@alexdeaton6842 Thank you very much, Alex! Loved your tutorials! Super helpful!
are you anyhow related to Marty Scorsese? you kinda have the same speech cadence.
Lol no I wish :D
How'd you do the little wave effect at the bottom of the ghost 8:35?
Hello, Michaelbak! I achieved the wave with the very handy Wave Warp effect in After Effects. I had a separate rectangle for the bottom of the ghosts body from the main body and applied the effect to the lower rectangle. I believe the Ghose is in the project files you can download from School of Motion!
How do you rename groups?!
Hit enter with a group selected and it should make the text editable for you. Then hit enter again when you're done!
I don't even have soft soft I just have the demo
19:00 I have made an expression to fix that and it works correctly without closing the path. Comment if you are interested.
that's awesome pls share!
@@user-yo5yr9yr2h I did share it on another comment, I am reposting it after this:
@@user-yo5yr9yr2h If you go to 19:10, on the timeline you have "Stroke" group selected. Having that selected, you can apply this preset I made: drive.google.com/file/d/1TNDEYOmBmb6y39MzzIwq15GaTNU0uD-1/view
This will create a new "Path 2" path inside the "Stroke" group that you had selected, and it should be positioned just bellow "Path 1"
Hi Aris, this is cool! Thank you for sharing. There's also another workaround that a few other commenters have pointed out and I have outlined in an update video here: czcams.com/video/NFznk2Okwms/video.html
@@ArisMelachroinos Thank you aris! This did help!
It ans you have completed the ga
it is very good video but i couldn't follow it up because the properties are very small and you also a bit fast. but anyway thank you for the video
did he co back?
Great tutorial but very complicated and shows some serious shortcomings of After Effects. Comp organization gets really messy in a different way since all your objects are with-in one layer.
0:22
Well my GMS is softing like my old broken Hard Drive ?!
I have pro tools 12.5 wNice tutorialch I bought back in 15 and It is really nightmare DAW for my soft creation. I have powerful computer but
but I’m learning the mobile version
My head hurts.
My brain hurts.
I'm not, too late
in the background you are pressing a lot of keys and you just tell me a few of the keys you press. The first 5 min of you video took me 90min to go with you. But @4:23 you pressed a key I am not able to find out. I still have more (4) bezier-handles than you have to close the eye and when I tried to copy 'n paste the frame where the eye was open, my pupil disappeared when the eye is open again. Oh man. I can use Photoshop and Illustrator with closed eyes and I thought it's not going to be really difficult to start with AE, but I am totally lost, need to check some basic tutorials. Good video, but way too fast, and not for beginners but THANK GOD without backgroundmusic! Why everybody uses backgroundmusic to explain somthing? Does a teacher starts his spotify-List before explaining the structure of DNA to his students? Keep going like this but add a software, automatically showing the keys you press. I think you are in something like a isolated-mode where you just can modify a specific layer, like in AI, double-clicking on it. That's why you have to move just some bezier-handles.
This is way too complicated for me lol
First
"Vwela" it's pronounced VOILA jesus christ dude
one of the most convoluted tutorial I've ever seen - but okay.