Un superbe timbre vocal, une technique de chant admirable, et une diction parfaite.....Vous êtes cher Monsieur Mario BAHG, un grand, un merveilleux ténor.....BRAVO!
유투브 알고리즘으로 우연히 봤는데 우리나라도 월드클래스 테너가 탄생했네요 최상급 음질에 음악성에 고음까지 완벽하고 거기다 성량까지 이정도면 약점이 없는 성악가 하이 C를 내기도 힘든데 거기서 디미누엔도(?)까지 구사하는 분은 첨이네요 코로나 끝나고 한국 공연 있으면 꼭 가고 싶네요
Astounding !!! So beautiful , expressive of the words , fluidity of line , exceptional tenor tone and placement of the voice throughout his range . Such beautiful singing brings tears to my eyes .
Wow. wow! wow!!! Excellent French pronunciation, fabulous legato, and oh, the control on "la presence" ! I'm checking out the other two videos right now. Very, very impressive (and I speak as Faust aficionado)
Outstanding!!! He sang beautifully with great vocal techniques and excellent tone quality. His enunciation was full and distinctive. His aesthetic expression was very delicate, balanced, powerful and inspirational. Surely he is one of the best tenors on this gorgeous aria! Furthermore, I strongly believe that Mario Bahg would be one of the greatest tenors of all time eventually.
I never heard this tenor before but he sings with wonderful clarity and purity of tone. I shall look for more of his recordings. This is beautifully sung and comparable with any of the great tenors throughout history going back many years to Enrico Caruso.
I'd never heard of this tenor. But on the strength of this exquisite rendition of "Je croix entendre encore", this man could possibly be a force on the operatic stage, if he isn't already
Very nice. I loved the diminuendo on the C. He's quite young and he should do very well. The 2nd syllable in "salut" is covered which is disturbing. I would coach him to do the brighter sound which the vast majority of world-class tenors have done it.
@@sevenoctave88 That's your example of better than technically adequate? I love Di Stephano, just as I love many non-opera singers that produce a wonderful sound with unsustainable technique. But Di Stephano I think objectively had poor technique and it shortened his career substantially. I don't hear too many technical faults in Bagh's singing here. If the accusation is that Bagh isn't delivering the song as well at a major competition in a foreign country at under 30 years of age while Di Stehpano was more moving at 45 when he was world famous and a veteran, then sure. But that's a ridiculously unfair comparison.
I think it must be racial prejudice. This guy is as good as Pavarotti ever was (I heard Pavarotti live often. My wife sang with him). It is just unacceptable that Bagh isn't world famous. Black men also had trouble overcoming operatic prejudices. Audiences couldn't seem to accept black men on stage in classical roles. Funny black women didn't have this problem. I sang in a black studio when I was young. We had a black tenor who we all thought would make it big. He had a beautiful voice. He was great. But there never has been a black tenor this good.
Unfortunately today it is to visually please audiences and singers and exception voices are secondary ,it's all about selling seats at the opera house . I would be happy to see performances of operas with this young man , even if his looks are challenging , his inner core and acting ability override them , his voice and smooth singing are just so beautiful . For much of his career Pavarotti was not the physical image of a romantic hero .
nowadays for female singers, the obstacle seemed to be not too much extreme as back then. Asian female singers would be accepted as beautiful young chick , black women singers could be seen as glamorous dark colored pearls. but as for male songers.. that just show us this world still is a patriarchal society.
I have no doubt that racial prejudice can be an issue in the opera world. But I think you need to give it a minute. He's literally just at the very beginning of his career and already has a small role at the Met. And while I think he's absolutely got one of the most beautiful voice in the last century, he's still young and there are some rough edges to clean up. He blew the high note in another aria the day earlier in this competition for example. That said, if he continues improving and for some reason or another isn't at least as in demand as Michael Spyres (who is also underrated somewhat) then I think we can start speculating. Voices like this are once a generation and I think he has a nicer natural sound than Pavarotti, even if Pavarotti had better technique in his prime. But they're similar in that there is a great fullness and ease and a nice ring. It's not small, but it's also not big and sloppy or overly dark.
@@francocorelli9079 Well I do favor Irish Whiskey. How many times have you heard Pavarotti sing live? How many times had Pavarotti heard you? I forgive you, rude person.
Well, this is pure and lovely singing. I would rather refrain from comparisons to Caruso. Completely different voices. I do hope the voice will add more weight and acquire more heft. Please don't be afraid to sing with more abandon.
Un superbe timbre vocal, une technique de chant admirable, et une diction parfaite.....Vous êtes cher Monsieur Mario BAHG, un grand, un merveilleux ténor.....BRAVO!
Thank you algorithms for guiding me to this great tenor.
Superb!! Technique, timbre, musicality, just perfect. Bravo!
You stole my heart!
Incredibly beautiful... voice made my eyes full of tears.
No doubt Mario Bahg is one of the best tenors in this day and age and one day one of the greatest tenors.
Yes, absolutely!!! it’s really clean voice of tenor I have ever heard since wunderlich , Pavarotti!!!! Indeed , he is supremo!!!
Beautiful only begins to describe....
Absolutely stunning performance!!
유투브 알고리즘으로 우연히 봤는데 우리나라도 월드클래스 테너가 탄생했네요
최상급 음질에 음악성에 고음까지 완벽하고
거기다 성량까지 이정도면
약점이 없는 성악가
하이 C를 내기도 힘든데
거기서 디미누엔도(?)까지
구사하는 분은 첨이네요
코로나 끝나고 한국 공연 있으면
꼭 가고 싶네요
Astounding !!! So beautiful , expressive of the words , fluidity of line , exceptional tenor tone and placement of the voice throughout his range .
Such beautiful singing brings tears to my eyes .
I think his voice can reach the audience at the very back seat of the huge concert hall clearly with elegance of legato.
effortlessly beautiful!
Wow. wow! wow!!! Excellent French pronunciation, fabulous legato, and oh, the control on "la presence" ! I'm checking out the other two videos right now. Very, very impressive (and I speak as Faust aficionado)
Eso es perfección absoluta de principio a fin. Lo mejor de lo mejor. Bravo!!!
Shocked. That squillo is unbelievable!
Nathanael Saint-Cyr Thanks!!
마리오 테너는 최고입니다 음색이나성량,감성 모두 훌륭합니다 감상 잘 했습니다
So well sung!!!! Made me cry!!!!💓💓💓💓🙏
Não me canso de ouvir. Que o Mario tenha uma carreira maravilhosa!
Beautiful! Outstanding! 23 dislikes, huh? What did you not like? His suit? His french? The tempo? Envious? Give me a break!!!!
CZcams..
아름다운 목소리가 마음을 움직이게 만드시네요. 감동적입니다.~
What a wonderful voice! I hear a little similarity in tone and lightness to Joseph Calleja. He is very gifted!
Such a beautiful line with equal tone from top to bottom. A joy to listen to!
Incredible Voice....! bravo~!
Outstanding!!! He sang beautifully with great vocal techniques and excellent tone quality. His enunciation was full and distinctive. His aesthetic expression was very delicate, balanced, powerful and inspirational. Surely he is one of the best tenors on this gorgeous aria! Furthermore, I strongly believe that Mario Bahg would be one of the greatest tenors of all time eventually.
First time i hear this tenor...i am blown away...indeed wonderful
@@eyeshowyou I agree with you! Be blessed!!
Shocking ! Unbelievable ! Spettacolare!!!
BRAVO!!!
I never heard this tenor before but he sings with wonderful clarity and purity of tone. I shall look for more of his recordings. This is beautifully sung and comparable with any of the great tenors throughout history going back many years to Enrico Caruso.
Andrew Ockenden Thankyou!
Bravo!!!!!
Impressed, tears
Wow, this is beautiful.
Excellent prononciation of French! wonderful legato.Amazing tenor.I hope to see and hear him soon.i understand him completely in French.Good job
Beautiful.
Very good French pronunciation, good technic and beautiful tenor voice. Bravo
quelle belle diction avec un français parfait et la note difficile qui passe en souplesse,bravo et merci!!
jacques redondi Merci!!
Tenor léger lyrique belle voix chant propre et bien conduit. Souhaitons lui une belle carrière.
Excellent High C
Outstanding!!!!
Bravo!
bravo! bravo!👏🏻👏🏻👏🏻
I'd never heard of this tenor. But on the strength of this exquisite rendition of "Je croix entendre encore", this man could possibly be a force on the operatic stage, if he isn't already
This is a Good tenor for sure! Looking forward to see where he will take og :)
BRAVO....!!!
È perfetto, complimenti!
Perfect!! best tenor.....
Very nice
Simplesmente lindo, emocionante! Saudações brasileiras.
Tenor fantástico. Espero que possamos ouvi-lo ao vivo um dia em nosso país.
Bravo
Velvet vocal line ~
so very good tenor. I'm happy
Bravo 👏🏻👏🏻👏🏻🤗
so nice~~~
아름다워요
I agree with you
真棒
Holy shit I found another Bahg
오 너무 아름다워요!!!!
한국인인가요? 저런 태너가 없는데....정말 목마른데...ㅠㅠ 제발 더 들려주세요.
great voice i wish you know what......
Very nice. I loved the diminuendo on the C. He's quite young and he should do very well. The 2nd syllable in "salut" is covered which is disturbing. I would coach him to do the brighter sound which the vast majority of world-class tenors have done it.
:-)
아름다워요 감동
곡해석, 가창력, 가히 세계최고입니다.
브라보
Bravo! oltre a cantare bene si immedesima. Non grida ...
Does it get better than that? I don’t think so.
Listen to some of the greats. It does. He's technically adequate but so cold. This coldness does help him technically though.
@@caninbar I totally agree with you.
@@caninbar Giuseppe Di Stefano is the best for this Aria, In my opinion.
superbe mais je n'aime pas les superlatifs. Voici une autre version qui mérite autant d'éloges . czcams.com/video/ZiBwDC7OQjM/video.html
@@sevenoctave88 That's your example of better than technically adequate? I love Di Stephano, just as I love many non-opera singers that produce a wonderful sound with unsustainable technique. But Di Stephano I think objectively had poor technique and it shortened his career substantially.
I don't hear too many technical faults in Bagh's singing here. If the accusation is that Bagh isn't delivering the song as well at a major competition in a foreign country at under 30 years of age while Di Stehpano was more moving at 45 when he was world famous and a veteran, then sure. But that's a ridiculously unfair comparison.
4:54.......
Hek Hek
Who's the concertmaster?
Yes, I was about to say, the violin solo was brilliant
Olivier Thouin I believe in this piece.
www.osm.ca/en/olivier-thouin/
연주복이 ...옥의 티다..
Bravo.bella voce. E qualcuno parla di Bocelli e quei tre scalmanati del Volo
kraus?
I think it must be racial prejudice. This guy is as good as Pavarotti ever was (I heard Pavarotti live often. My wife sang with him). It is just unacceptable that Bagh isn't world famous.
Black men also had trouble overcoming operatic prejudices. Audiences couldn't seem to accept black men on stage in classical roles. Funny black women didn't have this problem. I sang in a black studio when I was young. We had a black tenor who we all thought would make it big. He had a beautiful voice. He was great. But there never has been a black tenor this good.
Unfortunately today it is to visually please audiences and singers and exception voices are secondary ,it's all about selling seats at the opera house . I would be happy to see performances of operas with this young man , even if his looks are challenging , his inner core and acting ability override them , his voice and smooth singing are just so beautiful . For much of his career Pavarotti was not the physical image of a romantic hero .
nowadays for female singers, the obstacle seemed to be not too much extreme as back then. Asian female singers would be accepted as beautiful young chick , black women singers could be seen as glamorous dark colored pearls. but as for male songers.. that just show us this world still is a patriarchal society.
I have no doubt that racial prejudice can be an issue in the opera world. But I think you need to give it a minute. He's literally just at the very beginning of his career and already has a small role at the Met. And while I think he's absolutely got one of the most beautiful voice in the last century, he's still young and there are some rough edges to clean up. He blew the high note in another aria the day earlier in this competition for example.
That said, if he continues improving and for some reason or another isn't at least as in demand as Michael Spyres (who is also underrated somewhat) then I think we can start speculating. Voices like this are once a generation and I think he has a nicer natural sound than Pavarotti, even if Pavarotti had better technique in his prime. But they're similar in that there is a great fullness and ease and a nice ring. It's not small, but it's also not big and sloppy or overly dark.
HAHHAHAHAAH GOOD AS PAVAROTTI ARE U IN DRUGS ? HAHAHHHAH
@@francocorelli9079
Well I do favor Irish Whiskey. How many times have you heard Pavarotti sing live? How many times had Pavarotti heard you? I forgive you, rude person.
What an angelic voice out of a dude who looks like a butcher. I am in awe.
희한한 성씨, 노래는 높은 단계, 그런데 멫오페라서 2년 연수까지 하고 아마 데뷰까지 한것으로 아는데 왜 이렇케 좋은 소리로 멫오페라에 안나오는지 아쉽다.
Well, this is pure and lovely singing. I would rather refrain from comparisons to Caruso. Completely different voices. I do hope the voice will add more weight and acquire more heft. Please don't be afraid to sing with more abandon.
A pretty voice for sure but most of the sounds he produces cannot be truly heard over an orchestra. A very undersung rendition…
소리가 얇고 까디비진다.
프랑코 코렐리 발성을 배워야 한다.
분덜리히 파바로티 한테도 가서 그소리 해보세요 ㅋㅋㅋㅋ
Bravo !
Bravo