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Das Buch mit sieben Siegeln // Fabio Luisi & The Danish National Symphony Orchestra (Live)
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- čas přidán 27. 06. 2018
- Franz Schmidt: Das Buch mit sieben Siegeln
Danish National Symphony Orchestra
Danish National Concert Choir
Fabio Luisi, conductor
Herbert Lippert, tenor (Johannes)
Franz-Josef Selig, bass (voice of God)
Simona Šaturová, soprano
Marianna Pizzolato, alto
Mauro Peter, tenor
Tareq Nazmi, bass
Michael Schönheit, organ
Recorded at DR Concert Hall
December 2017
le ténor qui interprête la voix de Saint Jean est impressionnant! l'oeuvre réserve des pages superbes...
Bravo Herbert Lippert for mastering this huge part in a life performance!
Bravo for the tenor soloist singing Johannes!
Herbert Lippert is one of the best known tenors in the world. He is also a pianist and a painter.
I had the privilege of singing almost every Handel oratorio as well as Schmidt‘s several times with my choir and with Herbert Lippert as a soloist. I like both composers, of course as representants of two epoches.
Marvelous!! Earth shakingly beautiful!
Marvelous performance!
Maestro Luisi is the newly appointed Music Director of the Dallas Symphony Orchestra, beginning his tenure with us in the 2019-2020 season. This work will be performed by the Dallas Symphony Orchestra and Dallas Symphony Chorus in 2020, with three performances at the Meyerson Symphony Center on April 3rd & 4th (7:30 p.m.) and April 5th (2:30 p.m.). Maestro Luisi will conduct and will feature tenor Herbert Lippert as Johannes and organist Michael Schönheit.
This is good beyond belief.
Wow.... breathless!
Considering the history behind the Oratorio, written in 1937, this is a modern day masterpiece. It remains loyal to historical formats but reflects the idiosyncrasy of its time.
18:20 Ein Engel rief: Wer ist würdig, zu nehmen das Buch und seine Siegel zu brechen?
23:50 Ein Lamm, wie es geschlachtet wäre.
(34:23) 35:08 Tötet, erwürget, erschlaget den Feind!
40:30 Mutter, ach Mutter! O siehest du nicht, wie ich sterbe vor Hunger?
54:09 Die Erde wankt [...] 54:57 O seht, der Mond 55:56 Oh fürchterlicher Sturm
1:34:56 Ich bin das A und das O [...] Ich will den Dürstenden geben
"Bogen med syv sæler" - Tak og tillykke med denne smukke gave!
"Bogen med syv segl" (SEGK = Siegeln")
El mejor buch
Needs a bigger concert hall acoustic.
If you like the Music of Franz Schmidt (which is extraordinary).....you might enjoy the recent release of the complete symphonies on the Accentus Label:
czcams.com/video/PKs7wQbKmVI/video.html
"... landmark release"
"Jonathan Berman, à propos de Franz Schmidt", Jean Pierre Tribot, Crescendo Magazine, Nov 2023
“[…] None of the [previous recordings] has managed to delve with total success into Schmidt's elusive universe, so dependent on the Viennese or Wiener Klangstil sound style......... This is perhaps the most convincing approach to the composer's musical universe. .........This is evident in the vital thrust of the First, the fluidity of the Second's variations, the elegant contrapuntal warp of the Third (the composer's favourite) and the emotional catharsis of the Fourth, to which he adds an exquisite showcases the symphonic richness of the opera Notre Dame.”
Scherzo, Pablo L. Rodríguez, 30th November 2023
1:07:15
Ivilege to sing
The Organ Interludes are too fast ..
The 2nd rider of the apocalypse is much too fast. No sense of dread and despair at that speed.
The choir is a bit sleeping, missing energy is not going to the extremes. Pronounciation is a problem as well. The performancers miss to the get to the genius point of the music. The Jonannes should be a "Heldentenor" instead of a "Lyrischer Tenor" as Schmidt requires from the score.
Absolutely not. Lyrischer Tenor is exactly what this role is and should be. Like the Evangelist in the Bach Oratorios.
The Jesus Freaks may enjoy this but it seems to me much do about nothing: nothing I heard here is memorable. Contrast that with, say Handel.
Religion must have little to do with it. I'm atheist and love this oratorio over any Handel. I find it dramatic, terrifying, and yes, very memorable!
Who writes the better English: Shakespeare or Henry James?
As an atheist I hardly qualify as a "Jesus Freak".
Your comments reveal more about the limitations of your critical faculties than of the great work you are attempting to criticise.
I'm Jewish and I love this work.
@@PhilipDaniel Well said Philip. ( I'm not Jewish by the way).