The Perfect Chord Formula?
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- čas přidán 3. 07. 2024
- FREE PDF to follow along to the video - openstudiojazz.link/rootShell...
Adam has a new course - www.openstudiojazz.com/genius...
One of our most popular teaching concepts at Open Studio Jazz is ROOT + SHELL + PRETTY. Resident piano guru Adam Maness teaches you the ins and outs of this fabulous formula. - Hudba
I love you guys. This channel has single handedly helped me progress in my piano playing so much. Never stop making videos please, your hard work never goes unnoticed. ❤
Thank you for this. Love it!
This is the some of the best teaching.
You're definitely the MAN Adam! Easy to understand and great results.
YES he’s back with some more golden nuggets for all of us! Love you Adam!
RSP. I'm here for it. Thanks for sharing!
Excellent lesson. Thank you sir!
Great lesson! You’re a great teacher!
I can't believe how good this is. Thank you for this!!
Great class, I learned alot, many thanks!
This is to state that your Short chords training for all keys are really amazing
Every now and then I come to your channel to learn about jazz theory. I love being able to have this much information accessible and easy to comprehend! I have been using this kind of chord structure since I started producing music haha
Thank you again Adam. You're videos help me when I'm stuck in a rut with piano and these videos give me something else to focus on.
Thank you so much for using the electronic visual keyboard! Makes so much of a difference in learning! ❤
Thanks for your teaching. I have seen many jazz piano music teachings, but your teaching is simpler and easier to understand. ❤
This is so good! I’m about to subscribe to Open Studio. Adam and Peter offer so much useful material!
Beautiful
Keep doing the right job
It’s a lovely sound.
Brilliant!! This explained so many questions for me. I am a saxophone player that does a lot of arranging. I have always struggled with writing out piano parts so I tend to just put chord symbols. NOW, I think I can give the pianist real parts also. Thank you!!
Omfg this is exacty something I've been slowly realizing in my chart reading studies, and you have a video deep diving head first. Love this channel! And I'm a guitarist lol!
You are doing right the free PDF is very good for me because not everyone have money to pay for the pdf thus for me you are amazing
I am a proud,life long Blues devotee’. I began on guitar at the age of ten. At church, my fellow guitarist friend introduced me to his fathers copy of the the Library of Congress recordings. The raw rhythm and amazing syncopation expressed w/ primal modality has reached across six decades and constantly challenged and engaged my heart and soul. I believed that the inspired iterations of the jazz masters beyond the grasp of a simple Blues man. But the few times I have watched the video great podcast, I see that whole world opening to me! Thank you so much. I am hoping to find the means to budget full participation in this great program. Thank you
3 thumbs up...because 1 is from the extra hand I woke up with this morning! 🤣
Hahah
Extra thumbs up!
Now finally I've found where did A Bu found these gorgeous resolution in his ballade in E, which are one tone above the A7-Dmaj7 resolving Coltrane's Countdown. A Bu does B7-Emaj7 in the exact same way.
beautiful love you bro please more
I feel so embarrassed that I am not paying for this.
Make a donation!!
Don't be. Instead appreciate that these folks choose to share this wealth of knowledge with everyone :) Be thankful!
you can always say "thanks" using the new button CZcams has, or buy one of their many courses/subscribe to their site
🤫
Too good.
Is there any special treatment for inverted chords in this formula ? Or is it working only for the root position chords?
I need a piano 😢
Brilliant thumbnail btw…
Works on guitar too. With some adaption😏
Do you have an online course?
Hi !
Suppose we just have a melody, how do we find the root of this melody? and how do I know in the shell if my seventh is minor or major, same thing for the third!
Thank you for understanding.
in what situation is the 6 part of the shell voicing? on major 7ths if the melody is the root?
How does drop-x voicings relate to this?
You down with RSP (Root, Shell, Pretty)? You know me.
I thought But not for me started on the II7
I agree.
What about half diminished? Is the b5 a shell note or a pretty note? Is the b5 mandatory?
Shell is always 3 and 7. b5 is also not a pretty note neither mandatory but as it is not a perfect 5 it is kind of an important colour.
You start out great...nice and slow, but then you're blasting through this like a college calculus teacher, going faster, and faster, fasterfasterasterastseraster!!!!! To the point where I almost have to slow down the playback to 50% speed to keep up.
THEORY ALERT! The 13th of g# minor should be e#, not f natural. DAMMIT! But even with this "glitch", it was a great lesson (as always!)
There's no E# or Cb in jazz ;-)
Theres a Cb in the real book for the song airegin and i dislike it even more than the idea Ab being a G# but it is 2023 and I think its just fine if we let notes be non binary and call themselves whatever they want😅
Could someone explain why the 3rd is more important than the 5th?
The fifth is a strong harmonic, so it's kinda implicit already on the root. The third on the other hand is weaker and can be of two types, so it gives more character to the chord
@@cicero.vargas Thank you! That's very helpful.
First time first
So basically the formula comes down to; screw fifths, unless they’re pretty
Magic chords, cookie cutter chords, rootless, shell, root + shell + pretty... How am I gonna suppose to digest all this? xD
To digest most effectively, do a lot of chewing first.
@@christheother9088agreed. take it in one by one. start with root shell pretty because it's really practical
thanks Adam Maness openstudio " the middle hand "