For those of watchers who ( as me) bad in german, there are some explanations of this version :"The approach is radical (but the humor is safe, to be sure): the opera's characters appear like the patients of a psychiatric hospital of which Sarastro seems to be the chief psychiatrist, surrounded by nurses (the machinists) dressed in white shirts. But happily they are not playing here on the oppressive imprisonment of the place but rather on the mental exploration it allows: computer-generated videos are projected on the set's large white walls, representing the psychological states of the protagonists (fear by a snake made of words, lust with Monostatos filming himself approaching Pamina, death with a coffin gliding like a bird at the moment when Pamina want to kill herself) while inflatable modules of six by three meters [20 by 10 feet]-like large mattresses-are deflated, reinflated, piled up, juxtaposed, providing a vertical labyrinth of feminine faces, creating an organic set, a sort of materialization of thought. We are ultimately not sure if the Queen of the Night might not be Pamina's hallucination, and she herself being one in Tamino's soul."
Ich höre schon seit Kind die Zauberflöte und kann sie auswendig singen meine Familie und mein Mann Thomas Prinz Becker hört sie auch gerne und kann sie bald auch auswendig singen
밤의 여왕의 아리아 도이데콤이나 담라우, 루치아 포프와는 다르지만 아주 매력 있고 좋더군요 몇년 전까지는 유튜브에 저화질로 밤의 여왕 부분만 올라왔었는데 이렇게 전체 버전으로 올라오고 화질도 480p 라서 훨씬 낫네요 좀 부담스러운 면도 있어도 밤의 여왕의 광기를 굉장히 적극적으로 잘 표현했다고 생각합니다. 부르는 것도 시원시원하고 빠르구요 곡의 가사나 분위기, 전체 작품 구성에서의 역할을 생각하면 이렇게 시원시원하고 카리스마 있게 부르는게 좋은 듯 합니다.
Vielen, vielen, vielen Dank für‘s hochladen! 💕 Das ist mal eine andere Art, die Zauberflöte zu inszenieren, sie hat etwas interessantes. Trotzdem, muss ich zugeben, dass ich dann doch eher die weniger „futuristischen“ Inszenierungen vorziehe...😅😂 Nichtsdestotrotz, ich freue mich wahnsinnig, Genia Kühmeier, gerade in der Rolle der Pamina, zu hören und zu sehen!💕
This version is very good to listen to, but awful to watch. I didn't understand why the director thought that contemporary is equal to a berk sight. Thanks for upload.
>Modernismuskramp(r)f; Ach, das ist nicht das Problem, die Zauberflöte lässt sich auch im "Raumschiff Enterpreis" aufführen. Aber der Dirigent hat leider kein Ohr dafür, und das Orchester ist mittelmäßig. Vielleicht sind sie mittlerweile besser geworden, Übung macht den Meister. >Wunderbare Sänger; Das empfand ich ebenso, die waren definitiv hervorragend. LG aus OE
The music, extraordinary, the staging, I didn't like it very much, and those "off" voices affect the continuity. In short, I have seen better presentations.
For those of watchers who ( as me) bad in german, there are some explanations of this version :"The approach is radical (but the humor is safe, to be sure): the opera's characters appear like the patients of a psychiatric hospital of which Sarastro seems to be the chief psychiatrist, surrounded by nurses (the machinists) dressed in white shirts. But happily they are not playing here on the oppressive imprisonment of the place but rather on the mental exploration it allows: computer-generated videos are projected on the set's large white walls, representing the psychological states of the protagonists (fear by a snake made of words, lust with Monostatos filming himself approaching Pamina, death with a coffin gliding like a bird at the moment when Pamina want to kill herself) while inflatable modules of six by three meters [20 by 10 feet]-like large mattresses-are deflated, reinflated, piled up, juxtaposed, providing a vertical labyrinth of feminine faces, creating an organic set, a sort of materialization of thought. We are ultimately not sure if the Queen of the Night might not be Pamina's hallucination, and she herself being one in Tamino's soul."
❤❤❤❤ thanks !
Thank you for sharing this adorable performance.
Papageno... Masterly.
Love Erika so so much thanks for uploading it 🤗🤗🤗👍👍👍
Thanks for watching!
Ich höre schon seit Kind die Zauberflöte und kann sie auswendig singen meine Familie und mein Mann Thomas Prinz Becker hört sie auch gerne und kann sie bald auch auswendig singen
밤의 여왕의 아리아
도이데콤이나 담라우, 루치아 포프와는 다르지만 아주 매력 있고 좋더군요
몇년 전까지는 유튜브에 저화질로 밤의 여왕 부분만 올라왔었는데 이렇게 전체 버전으로 올라오고 화질도 480p 라서 훨씬 낫네요
좀 부담스러운 면도 있어도 밤의 여왕의 광기를 굉장히 적극적으로 잘 표현했다고 생각합니다.
부르는 것도 시원시원하고 빠르구요
곡의 가사나 분위기, 전체 작품 구성에서의 역할을 생각하면 이렇게 시원시원하고 카리스마 있게 부르는게 좋은 듯 합니다.
Erika is like “Here’s the dagger! PEACE!”
제가 찾던 그 영상이예요 ㅠㅠ❤️ 올려주셔서 감사합니다
7:05 Zu Hilfe
17:50 Dies Bildnis
29:35 Der Arme
52:53 O ew'ge
54:55 wie stark ist
1:05:20 Na, stolzer
2:05:20 Mich schreckt
25:33 Those hands and that expression that followed. CHILLS!
lol same
0
Thanks for sharing! This was amazing!
It was scary and stupid
26:26 ❤
I agree!
I must admit it is quite... unsettling to see Erika and the rest wear light emitting breast holders.
😂😂😂
Vielen, vielen, vielen Dank für‘s hochladen! 💕
Das ist mal eine andere Art, die Zauberflöte zu inszenieren, sie hat etwas interessantes. Trotzdem, muss ich zugeben, dass ich dann doch eher die weniger „futuristischen“ Inszenierungen vorziehe...😅😂
Nichtsdestotrotz, ich freue mich wahnsinnig, Genia Kühmeier, gerade in der Rolle der Pamina, zu hören und zu sehen!💕
Brilliant, loved it. Thank you for uploading it. Obviously there is much to say about it and it is quite daring, but surely one to remember ;-)
エリカミクローサ凄いな
顔演技と力強い声
演出上のヘンテコな試みも好き
狂気がテーマなのも良いな
38:40 moment of silence for the orchestra who just had hundreds of balls roll into the pit
One of the fruitiest yet, and I’ve seen a bunch. Gotta admit those three ladies are pretty hot.
23:26 🌙🌙
Well, the staging gets an "A" for originality, lol
The 3 ladies costumes 💀
Is it just me or this Papageno looks like the one in the green-broccoli-queen-diana video
This is the same papageno
christian gerhaher
@@OccyDaBoss oooo ok
It is even the same Pamina😁
(Genia Kühmeier)
赤い革ジャンのパパゲノ❤パパゲナ❤キッチュだけどちゃんと美しい
Imagine having no translation and having to guess the plot of this
スーパーかぶーき❣️
tamino sees a pic of himself and falls in love with himself....a much better opera, take notes mozart
I had to forward to understand what you were talking about. 😂😂😂😂
This version is very good to listen to, but awful to watch. I didn't understand why the director thought that contemporary is equal to a berk sight. Thanks for upload.
Sieht nach Dune aus. Sehr spannende Interpretation
bearable only if I close my eyes and listen to the singing...staging is horrendous!
1:26:00
ikr!
Why?? 😂
Tempo is too fast.
1:29:45
Who's the producer? (Maybe it's on the credits but... I don't speak German, so... I wanna be sure)
The directors are Carlus Padrissa and Alex Olle
@@zauberflotevideosyt9382 Thank You. This is quite unique production...
装扮简直有毒 哈哈
What year is this from
2003
1:14:17
We’re did this take place
Nepácia sa mi kostýmy.🙃
the overture is so fast
Ich kenne Anton Scharinger persönlich
Как только не измываются современные режиссеры над прекрасными операми .... Бедные певцы, которые участвуют в таких бредовых постановках!
Это что же режиссёр такого покурил, чтобы создать это?... Неадекватность- самое мягкое, что я могу про это сказать.
1:06:10
Wunderbare Sänger und Musiker, doch leider wieder eimal Modernismuskramprf und Profilneurosen auf Seiten der Inszenierung.
Danke!
Allerdings. Was da mal wieder verbrochen wurde ist grausig. Kann sein das es zu „anspruchsvoll“ für so eine simple Natur wie mich ist...
>Modernismuskramp(r)f;
Ach, das ist nicht das Problem, die Zauberflöte lässt sich auch im "Raumschiff Enterpreis" aufführen. Aber der Dirigent hat leider kein Ohr dafür, und das Orchester ist mittelmäßig. Vielleicht sind sie mittlerweile besser geworden, Übung macht den Meister.
>Wunderbare Sänger;
Das empfand ich ebenso, die waren definitiv hervorragend.
LG aus OE
…
The music, extraordinary, the staging, I didn't like it very much, and those "off" voices affect the continuity. In short, I have seen better presentations.
1:26:00
1:25:27
1:12:30