NEVER Color Balance using Temp & Tint !!!
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- čas přidán 2. 08. 2024
- In this video, I will reveal the correct color balancing of Your video using Primary Wheels in Davinci resolve.
Follow me on Instagram 🔥 content and color grading tricks & tips are coming: / vladislav_novickij
Chapters:
00:00 Intro
00:32 Davinci Resolve
01:05 Temp & Tint balance
02:42 Correct color balance using Primary Wheels
05:44 Before & After comparison
05:55 Comparing 2 Versions
06:52 Final result
Equipment used in this video:
Red Komodo 6k
Zeiss Planar 50mm f1.4 lens
Rode mics
Godox lights
Vladislav Novickij
Colorist and filmmaker
Email: vladislav.novickij@gmail.com
Instagram:
/ vladislav_novickij
Man this just opened my eyes to more stuff I need to learn, I always felt that temp and tint didn’t cut it but didn’t know why.
Thanks for sharing this!!!
Thank You, glad it helps 🤗
Completely agree with this.
Originally Resolve was made for "correcting" telecine that was shot 709 colorspace. Temp and tint expect 709, not logarithmic footage. This is the reason why many of the tools don't work well with log-like footage.
Auditioning different tools for balancing is a good idea. OFFSET, HDR global wheel, linear node's gain wheel, OFX Chromatic Adaptation.
Alternative way is to prioritize balancing subjects skin (like he does in the video with offset). After that use curves on a node after to hue v hue and hue v sat the rest of the image.
I prefer to do as much as possible with primaries as possible and after use curves to mold the image in line.
Dude, THANK YOU for saying that. Makes sense 😮😮😮
@@timovepsalainen4927 The Temp and Tint sliders didn't even exist before DaVinci 12.5, so clearly were not "designed for telecine" nor Rec709. They are just gain with predefined vectors, and should be done in linear. If you set correctly your timeline colorspace and are color managing properly your clips, then changing the node where you're gonna use Temp and Tint to Gamma > Linear is enough for them to behave correctly.
Nice demo. It would have been useful to explain why temp/tint create an undesired effect. They are just gain operators on two axis. They aren't designed to serve as balancing tool on log data but rather normalized SDR images. Offset or HDR temp controls work for log but he most accurate balancing would be to convert to linear and then apply only gain changes with primary temp/tint or the gain wheel, then convert back to log.
Thanks, this comparison is more like beginners would do with the temp and tint. Your method would go for a pro level 🤗
Hi there, appreciate your input. I'd like to try your suggest method but didn't quite get the last part: So you would 1.Convert to 709 2.Adjust the RBG in only the gain wheel 3.Adjust temp/tint Is that correct?
@@mikechen121 If you're working with log footage, convert from your current log space to the same space but linear gamma, then use the gain wheel, convert back to log afterwards. So for instance DaVinci WideGamut / Intermediate to DWG/Linear and the back after the adjustment. When using a CST to convert make sure tone mapping is set to none. If you use RCM or manual management with proper timeline tagging of your working space you can actually set a node itself to linear gamma (rightclick it) which removes the need for extra set of CST nodes.
@@VladislavNovickij Владислав, но ведь такое вмешательство, я имею в виду грубое вмешательство с изменением ползунков +/- 10 единиц возможно, только при условии, что вся нужная информация имеется в наличии как в RED 3D RAW если, взять ролик снятый в 8 битах или даже 10 бит лог, такого чистого результата добиться не получится
@@odessitfromshz По поводу 8 бит согласен там все по другому, легко сломать кортинку, но даже в 8 бит работая с колесами можно многое сделать и сохранить чистый результат. А что косаемо 10бит, я в своем следущем ролике показал как скопировав все что делал тут 10бит также идеально выглядет 👌 там более чем достаточно информации.
The main difference is that when using the offset wheel you are basically offsetting the different color channels while the inclinations and shapes of the curves stay unchanged. this has the advantage of affecting the white balance equally at all levels but it also alters the white and black points which is why he had to redo it later. the tint and temp sliders are also not affecting the shapes of the curves but they adjust the angle starting from the black point keeping it intact. the downside is that they are configured for rec709 signal and thus a rec709 blackpoint. nevertheless they are a good compromise if you want a more straight forward adjustment with less tweaking.
You're right.
When I graded my last film, I used the Temp too and it made my image just as purple-orange and washed out as yours at first!
This is an eye-opener!
Thank You 👌
What a difference, very clean image and so will the vectorscope!!!
👌
I legit assumed a lot of my footage was unusable becuase temp would not fix this. This is actually amazing. Thanks!
@@99Plastics Thank You too, happy to help 🙌
wow. this was amazing and super helpful for me! thank you Vladislav!!
Thank You Tommy 🙌
Brilliant video. Amazing result.
The first time i tried resolve i didnt like the results of the temp picker and intuitively i did exactly what you did. Thanks for proving that this is not unorthodox at all.
Thanks 👌
you are incredible! one of my favorite tutorials ever!!
Thank You 🤗🙌
Thanks very much for this great input. Such a great difference!
Great video Vlad! Easy and straight forward, gonna do this for my grades from now on, look forward to more content like this!
Thanks 👌
Clean Tutorial ❤ Expecting More Videos
Thank You, new video with full color grading process of this shot is in my channel already 🙌
This has opened a new pathway to master! Good explanation🤘
That was absolutely amazing. Thank you!
Thanks. Glad you enjoyed it.
Love this! Straight to the point!
Best tutorial for color balancing 👏
I had not idea, Thank you for showing this method, I just tried your technique on 2 cameras with baked in color and WOW it worked and it blew me away. If you do not more like this for beginners like me, be sure to show how you switch between saved versions and how get the scopes like have in your presentation. The examples and the pace it which you teach was perfect for me. Thank you for the video
Cool thanks for Your feedback 🫶 Sure I’ll be showing more and explaining more in the next videos 🙌
This is the colour grading video I've been looking for. Thank you
Wow! A nicer approach on balancing the colors. Definitely trying this technique on my next grade. Thanks for this Sir!
Thank You 🙏
Really really good video! Straight to the point with nice examples. Keep it up! 🔥🔥🔥
Much appreciated 🙌
Brilliant. Thank you so much! God bless!
Thank You 🙏
Good lesson. I usually dont like any tutorial on CZcams, but this is the correct way to work Nice for the young colorist
Thank You 🙌
Incredible tutorial, really impressed👏👏👏
Glad You like it 🙌 Thanks
Thank you Vladislav, big respect for this really good tip!
My pleasure, thanks
Wow. This is something I'll watch more than once! Thanks so much.
Thanks for watching 🤗
This was amazing! Thank you for this video
Thanks for Your feedback 🙌
Super helpful. Will be using this on my next video thank you!
Thanks 🙏
I think you are mixing to different things here. Temp/Tint have the same function as in photography - just to get the correct white balance. And what you‘re aiming for is a certain color look that no professional would realize using Temp/Tint. You either use the primaries, HDRs or for example the color warper.
Thanks but in this case not. In photography we are dealing with Raw image settings of temp and tint which are the same as on camera, In this case temp is backed in the image. This is different. This was done specially to show that its still posible to correct that later. While this was a RAW file before CSTs, if I do changes in Raw settings with Temp slider then it gives the same result as my Primary wheels. Its just an example of how to deal with such incorrectly shot files 🙌
I was skeptical at first. But the results are undeniable. Looking forward to that next video! Great content. Maybe a little bit more explanation on what you were looking for in your waveform. If I were to repeat this process, I’m not sure if there’s a rule of thumb for the waveform or if it’s just up to the eye. But other than that great job.
Thank You for Your response 🙌 Yes I’ll try to learn explaining more 🤗
Never let waveform dictate what you should and should not do. "Keep blacks black and whites white" is not what it is about. Look at the photo, if you see something, verify your guess from scopes. I use 99% only histogram and vectorscope.
this is actually a great help.. Thanks..
Looking forward to more videos! Super Clean
Thanks, I have new video about full color grading of this shot, step by step, welcome to check it out 🙌
thanks for the breakdown. attempting to learn this art of color grading is challenging but this helps to simply the approach for color balance.
Thank You 🙌 Glad it helped 🤗
@@VladislavNovickij You're approach in explaining things are great. Keeping it simple but effective along with showing options for more controls.
@@Sk8luv33 Thanks for Your feedback, it means alot to me ❤️
Fantastic!!!
Wow... Have watched around 20-30 videos but didn't find it as helpful as this one... Well explained
Thank You 🤗
A very useful and basic technique. Thanks!
Amazing!
Awesome bro, just got into davinci and this is helping a lot!
Thanks for watching 🤗
Thanks man!!! I love your toutorial 🙏
How do you have the waveform and vectorscope side by side? I can only view one or the other, not both at the same time
Super helpful mate! Thank you !
That's very interesting, definitely will try it!
will definitely be trying this from my next project onwards!
Amazing! Thank you for good tutorial! ❤
Ačiu 👌
This is jaw-droppingly good. So well done. Subscribed.
Glad You like it, thank You
I'm definitely subscribing 🔥🔥
So you are saying that if we use multiple controls for different aspects of the image, we get better results as compared to using just a single control? That is truly mindblowing. I am going to go and try using all pedals in my car now instead of just one. Hope the result will also be great! ;)
😁 I’m saying that we should just understand how to use all pedals and use them when ever we need. Yea its like a rally driver in You example. Uses all but professionally 🤗
This was very impressive. Would love a full node tree breakdown soon.
My film emulation powergrade used temp and tint until I changed to HDR mapped Log TEMP/TINT…. But now I will use your method and never go back
Thanks alot. I have a full node tree breakdown in my las video. Welcome to watch it 🙌❤️
Hello Blad, the info you are sharing is very helpful and easy to understand, I am a beginner and I can follow your teaching very well,
very much looking forward to more Videos like this. cheers
Thank You 🙌 I’m glad You find it helpful 🤗
Thanks for the video.
That’s a very good way to balance up the footage.
@@Freemusic623 Thanks for watching 🙌
Wow! What a great explanation, I have totally been doing color wrong. Thank you for the detailed explanation.
Thank You 🙌
worth enough and eye opening.. thnx to vladislav
Thanks for watching ❤️🙌
Wow! I love this
Thank You ❤️
very helpful. I learned a lot from your video. Thank you
Woow, this is insane 🔥🔥🔥🔥
🤗
Amazing! Thanks
that's a big help, thank you
Wow!! Very helpful! Thanks! I saw some other tutorial where the guy said he liked to switch to linear to make this adjustments and adjust exposure as well. What are your thoughts on this?
Thanks, there are alot of different ways, so everyone choose its own 🙌
wow! you sir have definitely earned my sub! amazing work, very detailed and well explained.
Thank You 👌
Never knew this technique. I have subscribed sir. Thank you for the valuable info
Thank You for watching and Your subscription 🤗
Thank you so much for the tutorial, i was having bad times on my color grading and i dont know what to do, then i saw your video, very big help for me
Happy if it helped, thank You 🙌
I was new in videography, everytime i shoot, i dont know how to color grade😅
@@scenemode2967 Stay here I’ll be sharing my experience 👌
@@VladislavNovickij i will, i want to improve my color grading, thank you very much🙌
you got me on this one... I cannot wait to see the full version
Thanks, adding it soon
thanks man;) you made my day!
Let’s go baby! First video and subbed right away dude. Color grading is my biggest challenge as you can see in some of my videos.
Very appreciate that 🙌 I have nice stuff in my plans to show 👌
😧 so clean
Thank you so much for this tutorial 🔥 instant sub
Thanks 🙏
Quelle masterclass !!!! j'aime beaucoup
😊 merci
Wow that looks crazy good. Looking forward to trying this out now
Thank You 🙌
Well, I was obviously doing it wrong as I was using Temp to balance. THANK YOU so much for this insightful video!
Thank You for Your response 🤗
Great video, easy to understand the steps 🙏🏼
Thank You 🙏
woow i like this way is better , thank you for the video
Thank You for Your feedback 👌
Yo this is such a life saver for all those that do not shoot RAW. Thank you so much bro, well broken down, of course requires some practice too.
Thanks so much bro 🙌
Except part of the reason this works well is BECAUSE this is raw footage! The real question is why he didn’t use the temp/tint in the raw section first.
@@VladislavNovickij would the results be the same for non RAW footage? guess I would have to try it, thought I would ask.
@@HakimZziwaTips Yes it works the same with 10bit footage. Its hard to break an image If You make corrections in the Primary Wheels 👌 but You can break it easy with the secondaries if You push them to much.
Great video, short and yet full of good infos! You mention at one point, that if you push in Lift you have to counterbalance the Gamma - is that a certain rule? Or when exactly do you have to counter balance the image like this?
Thanks, just look at Your waveform. Lift affects the gamma too, so changes done in the lift always affects gamma and if You want to keep the mids/gamma in place You have to go counterbalance. The same happens when You adjust the gamma You affect the lift and gain a bit, When You go with the gain You are affecting the gamma to but not lift, thats why these adjustments are more natural than standard shadows, midtones, highlights wheels that are affecting only their values. I use the last ones just for some small corrections only.
I've found this to be helpful balancing my photography funnily enough
Great 🤗 Thanks for Your response 👌
Amazing
How do you know when to adjust the lift or the gamma? At 4:19, you pushed blue gamma up when I would have pushed blue lift up because it was so low in the shadows. How does that work?
Thanks for the question. I explain that again and more “why?” in my last video. Please check it 🙌
Thanks a lot man!🙏
Increíble ! Saludos desde colombia !
Thank You 🙌
excellent tutorial thx
Very nice! Thank you
New subscriber from the uk keep up the good work
Thanks a lot !! ✨
Great Tutorial! 😊
thank you for your amazing tutorial
Welcome 😊
thakyou so much for this ! 🙌🙌
Thanks. I’m happy if it helped You 🤗
Super well structured video 👍
Thanks alot 🙏
my brother, this is insane!
Thank You 🙌
very good thank you! is it applicable in premiere too? i don't know if there are as many controls to work at the highs lows and mids with that many parameters that davinci has
It will work in any software but with Lift Gamma Gain not Shadows Midtones and Highlights. As I know Lumetri has the same controls in Premiere and Color Finale in Final Cut pro. 🙌
@@VladislavNovickijPremiere has the Shadows, Midtones and Highlights wheels. Not Lift, gamma and gain. I think an equivalent would be to use curves and change the individual rgb tones
how can he jump from the final result to the final Temp and tint after all those steps in between?
Great demonstration! The one thing I wish you had also shown is how the primaries result compares to actually setting the appropriate WB in raw.
Thanks. Yes I had to show that too. It is 99% same as primaries it was 2000 kelvin difference in raw settings.
@@VladislavNovickij I definitely like the result!
Love your channel
Thanks for watching👌
Amazing bro, good job!
Thank You 🙏
This way is better,thank you Vladislav!
Thank you too!
again a great video!!!! thank you!
Thanks for watching 🤗
Ohhh now I know why I never nailed the WB. That was amazing. Subscribed!
Thanks 🙌❤️
Damn good tutorial. I was expecting to see you with WAY more subs than what you have. You gained one more today, though. Keep it up!
Huge thanks 💪
Fantastic demonstration!
Glad You like it, thanks 🙌
Great video, new things to learn all the time :)
Thanks, I’m also learning everyday 🤗 Life is for learning 👌
Can’t you just use temp and tint your get a little closer and do the final touches with color wheels? Or are there downsides to doing it that way?
Great work 👏. Keep it up 💯
Thank You 🙌