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A. Mudarra: Fantasia que contrahaze la harpa en la manera de Ludovico
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- čas přidán 19. 03. 2015
- Ema Stein, vihuela
obr. A Čagalj
'50 godina Glazbenog učilišta Elly Bašić'
Koncert Gitarističkog odjela
Subota 07. veljače 2015. dvorana HGZ-a
Bravo!!!! excelente. Muchas gracias!
Outstanding!
Fascinante¡¡
formidable
All in all, very pleasing performance. Lucky to get such good mics.
Great!!! I love Mudarra! ... and your interpretation .......
Super! Thanks
Bravo! Not an easy piece to play.
excelente interpretacao
Authentic and fun interpretation. Thank you for sharing.
wow!
She’s the best!
A beautiful woman plays beautiful pieces !!
Who cares ? Would you say « a beautiful man playing etc ….?
@@magalichetrit9912 No. I wouldn't. I only said this in my comment, to get the attention of this lady. Next I would ask her, if she marries me.
@@gebhardmeilinger8578 ok you’re funny…!
Bravo, Ema!
Rythme is a very difficult thing.
best instrument to fuck up your posture
Very nicely played (some mistakes notwithstanding) with energy, taste, and imagination. It's interesting, from a player's point of view, to watch how Ms. Stein has worked out the LH fingering. She doesn't use the "campanilla" effect so beloved of classical guitarists, which, though charming, is not what Mudarra wrote. But she does take a lot of the first part in upper positions, which isn't what's in the tablature either. This is NOT an objection, let me hasten to say! Printed lute and vihuela tablatures invariably gave the simplest, most obvious fingering (and therefore easiest) but the tab was for learning the notes, nothing more. It was--and is--always subject to interpretation, and Ms. Stein's interpretation is thoroughly convincing and satisfying. Ms. Stein draws a full, bold tone from her vihuela, something we don't hear often enough. In short, and in fine, she makes good music!
>Printed lute and vihuela tablatures invariably gave the simplest, most obvious fingering
This isn't always the case. The hand sizes and instrument sizes differ first of all, so what might be easier to play on an open coarse, might be easier on the next coarse in the context of having to play that other coarse right after it, depending on the player's dexterity.
And the printers/composers make mistakes. I've found many mistakes in manuscripts, some of which might not be mistakes I must admit, but they're often chords that don't fit, presumably because the number/letter is apparently one note off or on the wrong course etc.
This piece in particular I've found easier to play the same notes with different fingerings pretty much all over the piece.
Très bonne sonorité... Aucun bruit parasite dans le toucher de cordes....Bravo
I dug the nose harmonics.
Contrahaze la harpa muito bien !
She eats a lot of notes!!
Anyway, in general well played.
Quelle est cette guitare ?
cette guitare-ci s'apelle guitarre renaissance. En espagnol vihuela
Why's her stance like a spider?
l'unique intérêt de cette version est de nous montrer l'instrument d'époque, soit la vihuela.
A la guitare c'est quand même nettement plus agréable et audible non ?