How could one ever adequately praise such violin playing, it's impossible! This gusto, color, swift unerring precision, confident strength, poignant delicacy--all expressive of a firm and lofty soulfulness--Amazing!
This is not only the most perfect performance of one of the greatest concertos ever written, it is the best violin performance I have ever seen or heard.When I first saw a video of this performance almost 5 years ago, i knew that Anne Sophie-Mutter had almost single handedly ruined one of my all timed beloved pieces of music, because I can no longer listen to any other violinist play this song. I fell in love with this woman during this performance. Absolutely unreal.
God I love Anne-Sophie! How can you not? She has the most mature, gorgeous sound I've ever heard. Her dynamic range is amazing, so dramatic; her pianos give me goose bumps they are so stunning, esp. the ones without vibrato. I love the way she starts the ricochet in the cadenza, too. Always have. She doesn't do it as cleanly here as in her old recording, but it's still amazing. Her interpretation of the Mendy is my favorite (at least for mvt.1). When I was learning mvt.1 I tried to begin the ricochet that way and my private teacher laughed at me and said I wouldn't be able to pull it off, haha. So, I didn't do it, but I hope I'll be able to when I go back to it someday.
+Fritz Kirchhoff Lieber Herr Kirchhoff, bei allem nötigen Respekt, was um alles in der Welt hat mein Kommentar mit dem Aussehen von Fr. Mutter zu tun? Gleichwohl möchte ich mich auf Ihre abgeschmackte Replik näher einlassen und Ihnen sogar einen wohlgemeint Rat geben. In den geschätzten Foren, welche Sie - virtuell versteht sich - besuchen, geht es vermutlich lebhaft und wissbegierig zu. Zu dieser gewiß nicht unbedeutenden kulturellen Bildungsmaßnahme möchte man Sie auch aufrichtig beglückwünschen. Da hätte ich aber einen interessanten Tipp für Sie: starten Sie doch in Ihrem "Classical"-Forum einen neuen Thread: "Der Feldzug des militanten Banausentums und seine selbsterklärte Rolle als Moral- und Kulturhüter". Es wird sich bestimmt eine rege Diskussion ergeben und Sie werden in Ihrem sozialen Milieu mit Sicherheit positiv punkten können ;) - das Thema ist brandaktuell!
Este magnífico concierto deja ver los atributos técnicos y sensibilidad de ANNE SOPHIE - MUTTER, te lleva a través de un mundo fantástico. ¡Claro gracias a MENDELSSOHN!
Anyone who can't befriend themselves with this interpretation needs to seriously review their own interpretation. Personally, I can never tire of listening to this.
His intro is a bit shy ... but eventually it the expression of the soul of the movement very quickly and not loose more the whole orchestra! Fabulous emotionally because each instrument is expressed with clarity without the soloist or other set are muted ... harmonization and rhythm in tune with the whole make expressive movement ... the work is so touching it is not necessary to customize as many are interpreted. I prefer AS Mutter as more faithful to what the mvt1 the vehicle or another want to showcase their violins ... thank you Ms. Mutter because I appreciate the mendelssohn mvt1 and not the interpretation of mendelssohn mvt1.
Excelente Violinista , es una interpretación con un rigor y un elevado nivel expresivo, su sonido tierno y su maravilloso timbre hacen del Concierto una interpretación Magistral.
I understand you. We can compare Mutter with Ibragimova: Mutter's perfect technique moves the challenge on time and pitch, she guides us in lights and shades of the Mendelssohn's concert.Black and white are sublimely expressed such as forte and piano. Ibragimova don't want to take our hand,she makes us part of her interpretation and shares with us the creative instant. Her music is shy,fragile,amazingly touching.An"absolute"interpretation has given from Mutter,a "relative" one from Ibragimova.
9:55 to 10:03 is the most unbelievable piece if violin repertoire I've ever heard. Not one human alive does it like her. I've rewatched this a thousand times and I've compared with every performance out there. This is God tier talent.
Well, where shall I begin? I hear a very smooth transfer from sadness to happiness; from the serious to the not so serious etc. I certainly don't hear your interpretation. However, if you can give us a better interpretation then I'd love to hear it.
Way too fast for my liking but i sure do love the sound she manages to create even without a shoulder rest. Still it's so rushy i had to check the speed of this video because i refused to belive they really went this tempo and they did.
Open two youtube windows. Have Anne Sophie Mutter in one playing and the other have Hilary Hahn interpreting. It is rare we can see two inspirational violinist, one playing technically excellence and the other playing a world above.
5:16 why did she play the last note like nothing? i want longer or i mean the transition between the next theme is awkard i find that most of performances. they suddenly chaange temmpo faast
+justelvin Vedammt, verdammt! Die ZEIT von Christine Lemke - Matwey " Der Begriff des »Geigen-Girlies« hat sich in Klassik-Kreisen längst eingebürgert und meint jene Nachfahrinnen von Vanessa Mae & Co., die erstens hübsch anzusehen sind und zweitens Schnecke und Frosch verlässlich zu unterscheiden wissen. Am Klavier findet sich dafür keine rechte Entsprechung: »Tasten-Girlie« oder »Piano-Maus«? Klingt beides doof, schon weil die Alliteration fehlt. »Flügel-Schätzchen«? »Saiten-Kätzchen«? Zu deutsch. Am Phänomen besteht dennoch kein Zweifel: Je größer, schwärzer, und »männlicher« das Instrument, desto fragiler die Frau daran - ein sicheres PR-Rezept."...
This music feels like a gloomy rainy day from the start.
How could one ever adequately praise such violin playing, it's impossible! This gusto, color, swift unerring precision, confident strength, poignant delicacy--all expressive of a firm and lofty soulfulness--Amazing!
I have loved the way Ann-Sophie plays from the first time I heard her play. What virtuosity! Brava!
Do you mean bravo?
Bravo is an Italian word, and in Italian “bravo” is masculine; “brava” is feminine word
This is not only the most perfect performance of one of the greatest concertos ever written, it is the best violin performance I have ever seen or heard.When I first saw a video of this performance almost 5 years ago, i knew that Anne Sophie-Mutter had almost single handedly ruined one of my all timed beloved pieces of music, because I can no longer listen to any other violinist play this song. I fell in love with this woman during this performance. Absolutely unreal.
I agree -- she absolutely owns this piece.
The great kurt masur conducts majestically.....
Was für eine wunderschöne Musik! Bravo, Anne Sophie Mutter, das geht mitten ins Herz...
I could be listening to this woman play all day and all night. Absolutely marvellous.
God I love Anne-Sophie! How can you not? She has the most mature, gorgeous sound I've ever heard. Her dynamic range is amazing, so dramatic; her pianos give me goose bumps they are so stunning, esp. the ones without vibrato. I love the way she starts the ricochet in the cadenza, too. Always have. She doesn't do it as cleanly here as in her old recording, but it's still amazing. Her interpretation of the Mendy is my favorite (at least for mvt.1). When I was learning mvt.1 I tried to begin the ricochet that way and my private teacher laughed at me and said I wouldn't be able to pull it off, haha. So, I didn't do it, but I hope I'll be able to when I go back to it someday.
"mature sound"? what's that ? LOL
Sam: Good luck with it! 🎶🎶 It’s not as easy as she makes it appear, is it?
A gorgeous and oh-so-talented woman. I never tire of listening to her.
The most amazing violinist! There are many, but only one Anne!
i'd die for that bowing arm....ah well.....keep practicing i suppose
Fantastic. Her chamber music recordings on this same album are stunning. Her breadth of bow is fab, so strong and confident.
A great musical piece and brilliant performances!
It can't get any better than
this.. elegant Anne sophie
Mutter..
elaborate Mendelssohn,
who composed violin concert, his only.. like
jewery..
Deutschlands ganzer Stolz! Brava, Maestra!!! Dieses gemeißelte Form- und Geschmacksempfinden, und dennoch eine vollkommene Unmittelbarkeit! Großartig!
+Fritz Kirchhoff Lieber Herr Kirchhoff, bei allem nötigen Respekt, was um alles in der Welt hat mein Kommentar mit dem Aussehen von Fr. Mutter zu tun? Gleichwohl möchte ich mich auf Ihre abgeschmackte Replik näher einlassen und Ihnen sogar einen wohlgemeint Rat geben. In den geschätzten Foren, welche Sie - virtuell versteht sich - besuchen, geht es vermutlich lebhaft und wissbegierig zu. Zu dieser gewiß nicht unbedeutenden kulturellen Bildungsmaßnahme möchte man Sie auch aufrichtig beglückwünschen. Da hätte ich aber einen interessanten Tipp für Sie: starten Sie doch in Ihrem "Classical"-Forum einen neuen Thread: "Der Feldzug des militanten Banausentums und seine selbsterklärte Rolle als Moral- und Kulturhüter". Es wird sich bestimmt eine rege Diskussion ergeben und Sie werden in Ihrem sozialen Milieu mit Sicherheit positiv punkten können ;) - das Thema ist brandaktuell!
What a versatile musician Mendelssohn was！
What a versatile violinist she is ！
Я так долго искала это произведение божественно браво сохраню
Este magnífico concierto deja ver los atributos técnicos y sensibilidad de ANNE SOPHIE - MUTTER, te lleva a través de un mundo fantástico. ¡Claro gracias a MENDELSSOHN!
Anyone who can't befriend themselves with this interpretation needs to seriously review their own interpretation. Personally, I can never tire of listening to this.
Mendelssohn ist auch einer ihrer Lieblinge, einfach hervorragend und so ein feines Spiel. Einer der besten Dirigenten und natürlich Leipzig.
좋은 연주 감사해요
늘 잘 듣고 있어요
She really has complete control over the performance. But the wonder is that it plays without Sholder..fantastic violinist ⚘🙏⚘
thats a baroque violin
Sempre grandissima Anne Sophie !!!! Incomparabile cme tecnica e come interpretazione
Definitivamente es impresionante ver tanta pasion y entrega! Bravo!!
Un moment de pur bonheur superbe
Merci Madame ❇️
Learn French.
Mendelssohn Violin Concerto in E minor - Anne Sophie Mutter
My wishes for a lovely weekend
Amazing!👍👍👍
I think this is beyond perfect....and it surely deserves more clicks lol
Amazing theme and performance.
Her wonderful performance Is captivating and intriguing and exhilarating
His intro is a bit shy ... but eventually it the expression of the soul of the movement very quickly and not loose more the whole orchestra! Fabulous emotionally because each instrument is expressed with clarity without the soloist or other set are muted ... harmonization and rhythm in tune with the whole make expressive movement ... the work is so touching it is not necessary to customize as many are interpreted. I prefer AS Mutter as more faithful to what the mvt1 the vehicle or another want to showcase their violins ... thank you Ms. Mutter because I appreciate the mendelssohn mvt1 and not the interpretation of mendelssohn mvt1.
Sublime Comme toujours
She is a dazzling and fiery performer, BRAVO !
trop génial!!!!! c'est trop beau
VERY TOUCHING .....A MASTERPIECE!!!
Ну просто офигенно. МЕГАФАНАСТИК! Наслажение ДУШИ!
§
§
A great Violinist!!!
suplended! very stable and confortable.
Excelente Violinista , es una interpretación con un rigor y un elevado nivel expresivo, su sonido tierno y su maravilloso timbre hacen del Concierto una interpretación Magistral.
Pure bliss.
I understand you. We can compare Mutter with Ibragimova: Mutter's perfect technique moves the challenge on time and
pitch, she guides us in lights and shades of the Mendelssohn's concert.Black and white are sublimely expressed such as forte and piano. Ibragimova don't want to take our hand,she makes us part of her interpretation and shares with us the creative instant. Her music is shy,fragile,amazingly touching.An"absolute"interpretation has given from Mutter,a "relative" one from Ibragimova.
Purina kompozycja wdpaniale wykonanie
Fantastique
she is awesome ❤
E.g. 09:12 untill the end of the cadenza: breathtaking. Note also Mazur's hands, so magician-like from 13:09 on ;-)
Always gorgeous
pure beauty.
Why is this track not complete? =/
Impresionante como toca el violin ane soghie
Is that shaky bow at 9:40? I dont see spicatto in the music sheet
It is RICOCHET!!!! Learn before assuming you understand more than she does.
Uauh, Wonderful!
Meraviglia!!!!!!!
the sound recorded at the very start is too low, can't hear it ?!
9:55 to 10:03 is the most unbelievable piece if violin repertoire I've ever heard. Not one human alive does it like her. I've rewatched this a thousand times and I've compared with every performance out there. This is God tier talent.
She is also my fathers favourite violinist and he is a very experienced german violinist as well.
Sublime
Fantastici
WOW,maybe this is the best version ! bravo!
This is just the first movement..wish I could see the rest too!
The same recording (full) has been uploaded multiple times on YT now. 7 years ago, of course, it was different.
Mendelssohn was straight up showing off here
Like the way she plays the ad libitum.
Magister!
Custom written for ASM. She’s a midsummer nights dream.
Incomparable esta grabacion a otra BRAVA !!!!!!!!!!!!!!!!!!
Bravissimo
That ricochet 🤩
Fabulosa interpretación!!!
Amo você Anne
Just Wonderful: Brain told me so. Thanks.
great saltato player
自分用(1:19)
ヴァイオリン協奏曲(メンデルスゾーン)
Mendelssohn Violin Concerto in E minor - Anne Sophie Mutter.
musike93 さんから。
11:47 onwards. Gobsmacked. 😮
Cresci ouvindo esta maravilhosa violinista
Well, where shall I begin? I hear a very smooth transfer from sadness to happiness; from the serious to the not so serious etc. I certainly don't hear your interpretation. However, if you can give us a better interpretation then I'd love to hear it.
10:02
12:37 Hilary Hahn Reference
Way too fast for my liking but i sure do love the sound she manages to create even without a shoulder rest. Still it's so rushy i had to check the speed of this video because i refused to belive they really went this tempo and they did.
Everyone plays in this tempo!?
super!!!!!!!!!!!!!! wielkie brawa
👏👏👏💝💖💖💝👏👏👏
I can see why you like Alina Ibragimova's . It's a very classy interpretation - faultless really.
Really wish the camera was faced towards her at 5:32 so we can see the bow work 😢
Open two youtube windows. Have Anne Sophie Mutter in one playing and the other have Hilary Hahn interpreting. It is rare we can see two inspirational violinist, one playing technically excellence and the other playing a world above.
a time to remember kurt masur *1925+2015, rest in peace. notablement 9:19 elle n'utilise pas un repose-epaule/shoulder rest
beginning 1:18, My fav part 9:40
yesterday i went to watch her and i must say, she was truly gorgeus..
5:16 why did she play the last note like nothing? i want longer or i mean the transition between the next theme is awkard i find that most of performances. they suddenly chaange temmpo faast
When I try to listen to the end I get cut off ???
我的音樂女神Anne Sophie Mutter
The vibrato!!! ♥️♥️😭. I’m torn be between hers and Hillary Hahns. Both are masterpieces in their own right
fucking crazy technique @9:40
Too fast.
1:18
cad 9:44
Everything is perfect, except for 9:40
Massive crash on that spiccato
It is NOT spiccato!!!! Itis RICOCHET!!!! Perfectly executed ricochet. What a pity you have no knowledge but enough arrogance to judge this genius.
what? no
do you even know this song very well roberta?? It;s definetly right.
Zertifiziert intergalaktischen!
Oistrakh is the clear master of this composition - give his ago if u want more emotion
Hey
işte tam 9,40 da öğretiyor resmen virtüözlük nedir..
爐火純青！出神入化！
verdammt erstaunlichen.
+justelvin Vedammt, verdammt!
Die ZEIT von Christine Lemke -
Matwey " Der Begriff des »Geigen-Girlies« hat sich in
Klassik-Kreisen
längst eingebürgert und meint jene Nachfahrinnen von Vanessa Mae &
Co., die erstens hübsch anzusehen sind und zweitens Schnecke und Frosch
verlässlich zu unterscheiden wissen. Am Klavier findet sich dafür keine
rechte Entsprechung: »Tasten-Girlie« oder »Piano-Maus«? Klingt beides
doof, schon weil die Alliteration fehlt. »Flügel-Schätzchen«?
»Saiten-Kätzchen«? Zu deutsch. Am Phänomen besteht dennoch kein Zweifel:
Je größer, schwärzer, und »männlicher« das Instrument, desto fragiler
die Frau daran - ein sicheres PR-Rezept."...
да хорошо.....но я другому отдана... и буду век ему верна)))
彼女の肢体に目が行って、オケの男性達は大変でしたでしょうね。
ボディコンシャスもここに極まれり。