Boulez: Notation II / Boulez · Berliner Philharmoniker
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Pierre Boulez: Notation II / Pierre Boulez, conductor · Berliner Philharmoniker / Recorded at the Berlin Philharmonie, 6 June 2009
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I love the dichotomy between the frail old man, serenely beating time, and the savage, dissonant music unfolding before him.
Before my father died he said that this was his favorite piece of music.
He was a robot by the way.
When I subscribed to the streaming Berlin Philharmoniker live and library of performance I listened to all the Boulez dozens of times. Whether he was conducting, speaking or if one of his works was being performed, he is, surely, one of the great composers of the late 20th and early 21st century. If only the Berlin Phil. streaming service was cheaper, I'd subscribe again in an instant!
The thing I like about these videos is that they show the most exciting part of a piece, such that it draws attention and makes me want to listen to the rest of it, even to a more modern piece like this Boulez work. Although it might seem like instant gratification, arguably it has also stirred many minds to listening to pieces of music they have never even known of before.
Listen to Dutilleux. It is music composed for human beings and not post-apocalyptic robots.
This piece changed my life.
For the worst to be sure!
Rest in peace, Pierre Boulez.
1:34 I love how this sort of heroic theme just lead to the end!
My god, this is wonderful ! Such powerful music !! Thanks !
Cool ! ! ! Remarkable interpretation ! ! !
i think this is one of the hardest pieces ever written for orchestras, right?
We must, absolutely must, stretch our boundaries and live to the full extent--in music, especially, if we don't want to come to the end and die with a world of regret.
It's a great audience experience.
Haven't heard this in ages but this time I heard so much of Messiaen's Turangalila in it.
Absolutely! Sounds like a tribute to Messiaen. 🕊️🦉🐧
ベルリン・フィルによる、ブレーズの自作自演にめぐり会えて驚きです。
聴き応えのあるテクニックとサウンドに満ち溢れたこの演奏は、この曲のポテンシ
ャルを真に引き出していると云えるでしょう。
「ノタシオン」。全曲アップを希望します！！
Absolute corker of a piece, and a brilliant performance, 1:22-1:52 is probably one of the best 30 seconds ever in music
Wow! I love it!
Ma-ra-vi-lho-so! Belíssima performance! Essa peça é referencial no repertório da música atual! Bravo!!
This man is a Genius.
He's not,believe me.
@@Bashkii Why should anyone believe you?
Why should anyone believe you?
I love it!
Quanto ho amato questo brano.. come ha cambiato la mia vita????
Very true (and very embarrassing for us). We will at least change this in the CZcams information.
such incredibly beautiful music ! i love boulez ! thank you for this excellent video !
wow ! the sound and picture quality are amazing.
The performance is the hammer.
Thank you so much
👏🏾👏🏾👏🏾👏🏾👏🏾
Ein Hoch auf die Riesenpartitur! :D
Wonderful performance! ...But this is not the PIECE number VII (as announced in the video), this is the Piece number II (which is usually played as the last piece of the cycle of "Notations")
This is truly a great masterpiece!
Wow, that's huge. Certainly gave 'em a task.
Гениально!!!!!!!!!!
Editor: "How large do you want the score to be?"
Boulez: "Yes"
Extra large!
Ah! Hammer! Horn Fünffach besetzt :) Tolltolltoll!!!
Contraforte?!! Yay!
💿💿💿💿
soooo hard
cool, they are using a contra forte!
불레즈 최고의 걸작
yup
es geht nur, wirklich!
Roblox song?
I love this piece. But why is it always impossible to get rythmic précision with classical musicians ? this sounds very unprecise To me. I really wonder who can do it if boulez and this orchestra can't.....
I don't have a very good ear, but it sound precise to me. I'm just listening to another performances and it's the same. I don't have the score though.
sounds like a factory
where can i get a score of this?
Universal Edition publishes The orchestral score of Notations. 🎼🎵
thats one giant ass score
i don't know Boulez is also a composer too, lol
He was indeed one of the most important and influential composers of the 20th Century's second half.
thats the biggest frakking orchestra that i have ever seen!
This does not float my boat... =\ I'll stick to Brahms and Bruckner.
Sooooo glad Modernism is over.
It's bad scary film music. Like all of his music. A total waste. With an attitude.
HORRIBLE
Pretentious crap.
Very exhilarating, I've loved it from the first time I heard it way back in the eighties; but I wonder if this set of pieces would get more performances if he'd made an arrangement for a regular-sized orchestra. Does it really need all those trumpets? Are the piano and harp even audible? I suppose they might be more prominent in some of the other numbers, but even so it's rather extravagant, and expensive to put on.