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Portishead - Only You (TTM™ DJ Notation Demonstration) Dj Geoff Barrow live at Roseland (1997)
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- čas přidán 21. 12. 2012
- :: Portishead - Ønly Yøu (live at Røseland)
:: skratches by DJ Geoff Barrow 7_24_1997
:: sample :: Slim Kid Tre saying "Løse it like That" frøm The Pharcyde søng "She Said" released in 1996
WE DØ NØT ØWN THIS VIDEØ CLIP. THIS VID is FØR EDUCATIØNAL USE. ENJØY!
:: transcribed by dj Raedawn 12_20_2012 ::
:: Tutørial designed by dj Raedawn
:: TTM™ Diagrams Hardware & Applications :: copyright 2000
Mission
Teaching the art of Djing Thru Skratch Literacy (the easy way) and all forms of Modulation Notations for Faders, Knøbs, Switches & Fretless instruments.
1. Skratch Literacy for the public and all Educational Institutions
2. Providing a system of copyright protection for Dj's unique compositions
3. Documentation and Preservation of the history of Electronic Music
4. Skratch Software/Hardware/Machine Language advancement
5. Aiding Skratch innovation
Description
Learn the art of Djing Thru Skratch Literacy (the easy way) and all forms of Modulation Notations for Fader movements. Teaching All Music which is best described by Waves versus the previous Western Music standard of bundling time into particles (notes)
The Turntablist Transcription Methodoloy was Created in January of 2000 and by dj Raedawn(Composer/Designer/Inventor), Ethan Emoden (Industrial Designer) & John Carluccio (Writer/Press/Publishing) :: it was released to the world in February of 2000 at Symphony Space in New York City. All Skratch Notations were Transribed by dj Raedawn seen in the likes of Time, CNN, Scratch Magazine, Blackbook, XLR8 and many More. Literacy can Always improve ones Musical Aptitude.
Dj Raedawn's Critiques of using Classical Music Notation to describe Djing/Turntablism/Mødulatiøn based music (videø cøming Søøn) 10 Major Problems 1. ...cant notate which part of the sample/recording/record that the dj is using. 2. ...cant notate mixing, backspinning,or beat juggling. Only the crude rhythms can be written which doesn't tell the dj exactly how to make the sound; just the end result which could be created in a number of ways. For example a turntablist wouldnt know the difference between one drum sound from another be it a snare, kick, highhat or another sound. 3. ...cant show the actual continuous fluid motion of baby scratches (the most basic fundamental skratch). It cuts them into "choppy" notes..additionally cant show scribbles, tears or any type of variations of faderless skratches accurately. It can only show a choppy crude rhythm that sounds nothing like whats actually being heard. 4. ...cant accurately transcribe the Direction of the Record since any rhythm could be made with any backwards or forwards movement of the record. Although Stephen Webber amongst others have added "record direction" annotations to their notations, in the form of an up or down arrow etc, Problem #1 & #3 arises again since the motion in relation to the record is unknown. For instance, is the Baby Skratch using the "Fr" part of "Fresh" or the Whole "Fresh" sound. Additionally, the Speed/Slope of the movements are unknown. For example, A DJ would not be able to know the difference between a fluid "wavy" baby skratch and faderless Tear skratch which has a distinct linear slope. 5. ...incorrectly describes crabs as mere triplets. A 3 finger crab is actually making 4 sounds since each "Click" is dividing the original sound. So one click makes 2 sounds, 2 clicks makes 3 sounds, 3 clicks makes 4 sounds and so on. Western notation cannot accurately transcribe where the "Click" takes place. 6. ...complicates site reading comprehension since it separate staffs for the rhythm of records and the fader making things quite confusing as well as adding a number annotations to visualize SiMULTANEOUSLY. Using classical western notation, one would have to read 2-5 symbols at any one point in time just to crudely describe one simple movement/sound. 7.
((( før the rest..visit øur Øfficial Hømepage at TTMacademy )))
He has transform buttons on his mixer. And it’s forever inspired me since I bought this vhs when it came out. Still an all time performance in any era
Well spotted. I did wonder while watching the concert film, why he wasn't moving a cross-fader
Thanks for sharing! This is so much fun to do at home. Especially now with Serato stems, it's so easy to isolate vocal samples and get scratching straight away. It also makes you appreciate the effort involved in doing this in the tape / vinyl era. Respect!
Simply amazing!!
increible trabajo
wrong info scratches by Geoff Barrow, Andy Smith is the tour dj playing before Portishead went on & doing aftershow gig's.
Oh My Geoff :o
Cool!!!!!!!
OMFG!
slim kid tre losing like that …where can I find the sample to practice?
the sample is on the Pharcyde track "She Said"...it would be ill to see a video of you skratching that sample!
@@TTMAcademy I listened to this song many times ….never heard the sample
@@TTMAcademy I listened to this song since I red that the sample is supposed to be in at least 15 times….never heard it….I feel so dumb….where it is in the song?
@@BRAVE_dj it happens early in the song...at about 28 seconds. czcams.com/video/Lf7B8PJxZqs/video.html
@@TTMAcademy yes but not isolated
I wish I could read these tabs but I think I understand partially. What represents crossfader? I still cant figure out the application lol
forward motion of the record = upward slope "/" ...backwards motion of the record = downward slope "\" ....the black dot = crossfader click..... white dot = open fader or a skratch separation
@@TTMAcademy thank you so much
what mixer does Geoff use
not sure..good question
Possibly a Numark M3, but there were other mixers I think with transform buttons too.
@@JMJC1 yup that what i thought thnx fam
@@JMJC1 transform buttons? what are those?
@@KNTRA is that a serious question?