Create epic BIG ENDINGS with these 3 ingredients
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- čas přidán 16. 06. 2022
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04:20 - Ingredient #1: Make your singles sound way cooler with these kit "orchestrations"
11:18 - Ingredient #2: Use “Bonham” triplets to sound faster than you actually are
16:45 - Ingredient #3: Sound super complex & intricate by using these paradiddle-type patterns between kick & snare
18:40 - Sticking 1
21:09 - Sticking 2
24:37 - Sticking 3
29:07 - BONUS ending options (the “popcorn” bass drum, hihat cymbal roll, and “jazzy fadeout”)
If you’re playing out with a band or even just jamming to your favorite tunes in your basement, you need to have some tools in your arsenal for playing a big, epic ending.
We hear our favorite drummers play super cool-sounding endings all the time, but it’s hard to pinpoint exactly what they’re actually doing.
The truth is, YOU too can play big epic endings when you know the 3 ingredients. YOU CAN DO THIS!
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Stephen I’m not sure if you read these comments but thank you SO much for your incredible videos and constant encouragement! I picked up drumsticks for the first time over the pandemic and it has saved my mental health so completely. I am grateful for this soul-soothing instrument and for your incredibly talented method of teaching! You are a gifted teacher and just wanted to thank you for all of your weekly efforts. All of your pdf docs have been instrumental to my learning as well!
-Big hug and a Hi-five from Calgary
Super lesson , I have always wanted a lesson on the endings of songs , my endings always centred around the six stroke roll ( fast ) using toms and snare but I love your Ideas , on getting away from the blur !! . Thanks Stephen .
Another great lesson thank you for the video
Amazing lesson! Things they didn't teach me when I was younger. If only I realized the importance of this long ago. Thank you!
12:20 for RKL
Thanks!👍
Appreciate your tuition Indeed, very grateful thank you 👍👍
This was a really good lesson cuz you showed us the lesson and then the finished product
Awesome lesson
Nice, thanks And yes, the Bonhams always work.
thanks Stephen, great lesson , my playing has been lacking this for somtime and was not sure how to improve . i feel i now have some tools to work with. I enjoy your lessons , your are a very good teacher, your lessons are very easy to follow , organic and a true sense of wanting to help your brother drummers . Keep up the good work , Thanks Tom
Just what I needed. That’s my weak area. Thanks! Great instruction.
Grt lesson. Don't see many lessons on this. Cheers big ears.🍻✌️
Started watching your videos, a few days ago. This video made me subscribe. Im loving the content
Tips: in order to avoid the paradiddle sticking repetitive pattern, just reverse the accent every other 2 paradiddles (learnt from Crhis Coleman).
Stephen, your drums always sound great. Which Remo heads do you use on them?
Hey I tried every cymbal in the Memphis Drum shop cymbal room.. and the best sounding cymbal I found for a funk feel.. was a splash.. idk why people trash the splash so much.. maybe the way i use mine is just different..it actually takes place of miltiple high end byzance cymbals ive bought for the purpose as well as an istanbul crash i bought.it doesn't sound small at all and it is a zildj K.. idk ppl always talk trash but its my favorite segue cymbal and ive shelled out for a bunch of high end crashes that dont switch like the splash.. I also have it setup in a weird way and when its not it doesnt sound as good. I used to leave it on my hats pole cause I didnt have a stand and when it could freely move about it sounded so much better than when secured on a stand like its meant to be.. when I leave it room to actually splash.... it gets a great sound thats honestly what I want and didn't get from so many 3 to 4 hundred dollar crashes.. but i fix a felt and twister on it.. and it sounds small and stupid.
I have a question about endings as a very green beginner. Are endings supposed to be on time or does timing go out the window at this point?
Great lesson BTW.
It depends Rob. Sometimes yes. Sometimes we slow down a little at the ending and that is called a ritard. Sometimes you can give the illusion of slowing down without actually slowing down. You play 32nd notes to 16th note triplets to sixteenth notes to eighth note triplets to eighth notes to quarter note triplets to quarter notes. It would be better if I could demonstrate but I hope that helps. 🥁❤️
We call them "garbage can endings" because everyone is throwing all the sound and energy they have into the crescendo and building it to a climax. This is where you can throw in all the flashy licks you practice but never get to play. Just remember to COUNT thru it and watch your bandmates for signals.
1. 06:05 06:31 07:00 07:30 09:10
2. 12:58 14:23 15:13
3. 18:36 20:23 21:09 21:28
What earbuds are you using?
I have the same question, hope to hear from Stephen
Roger Taylor’s song ending triplets are silly quick lol
I would love to see how you play with other musicians That is how I judge how good a drummer is. Sitting in your basement flying around your kit doesn’t show me anything.It’s all kinds the pocket man
If you can’t tell how good he really is by these videos , I don’t know what to tell you …
I usually love your videos bro but they’re getting way too long
There are timestamps in description though
It's a long time building yourself up so it's worth it to me
I think that says more about you than it does about him.
Like you've got someplace else to be. Maybe you should take up the kazoo.
dude you are getting more than what you learn at a drum school for $150 for 4 weeks of 30 minute lessons. this all free. just set some time aside if you really want to learn my dude.
by far too much blabla