Rodgers & Hammerstein's Oklahoma! (1998) - Clip 3: I Can't Say No
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- čas přidán 8. 05. 2017
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Set in the early 20th century, Oklahoma centers on singing cowboy Curly McLain who tries to woo and win the heart of his childhood friend, Laurey Williams.
The show debuted on Broadway in 1943 and was later adapted for the 1955 Academy Award-winning film.
A Rodgers & Hammerstein classic, the musical features a slate of songs that have become part of the American songbook, like "Oklahoma!," "Surrey With A Fringe On Top," "Oh, What A Beautiful Morning," "People Will Say We’re In Love" and others. The writers received a special Pulitzer Prize for this work in 1944.
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Its so hilarious that Annie naturally wants to obey the "golden rule" by pleasing a guy in the same way she would like him to please to her! It's irresistible logic! 😆
I've never related to a song more in my life! Hahah
Lol
OK, so her accent’s not the best. But the acting - wow! SO much better than the original where she just stood there and didn’t put any sass into it at all. The character is supposed to be a real flirt - I didn’t get that from the original at all. This, I definitely do.
The original makes her come across as a doormat, who can't say no, because she'll give in to the slightest amount of pressure. But this version sounds like a girl who just gets caught in the heat of the moment! Way more fun in my opinion.
The original was Celeste Holm in 1943, you saw her performance?
@@tommythevenow3476
Im gonna guess they were referring to the 1955 movie version.
@@yltraviole Yeah, this Annie is consistent with the bubbly, slightly air-headed character she's supposed to present as. The movie's Annie meanwhile... She's uncomfortable. She's a woman caving to pressure from men instead of an insatiable flirt who actually *wants* to have sex, there's no comic relief in that.
@@etcetera1995 the movie character seems more to me to be innocent. And it was the creators of the movie who also made the musical. Clearly it didn't go against their artistic vision. This version here seems cartoonist imo.
Part of this melody is apparently from the song "Rising Early in the Morning" from "The Gondoliers" by Gilbert and Sullivan.
Berserkerrrrrrrr
When a feller starts -kissin me, I kinda sorta wanna kiss him _BAAAAAAACK_
Vicki Simon and Gloria Grahame (1955 Film) are my 2 favorite Ado Annies.
this is why I'm gay
Amen brother
Happy? Or just apparelly?
This girl is like me 😅😅😅😅😅
A slut?
literally me
Hahahahaha!!!
It ain't so much a question of not knowin' what to do.
I knowed whut's right and wrong since I been ten.
I heared a lota stories and I reckon they are true
About how girls're put upon by men.
I know I mustn't fall into the pit,
But when I'm with a feller, I fergit!
I'm jist a girl who cain't say no,
I'm in a turrible fix
I always say "come on, let's go"
Jist when I orta say nix!
What’s the name of the singer
Vicki Simon
Celeste Holm sang the original version in 1943 - czcams.com/video/TJNrxtMxamM/video.html
Basically this is a more entertaining version of the Asiz Ansari MeToo Article
Damn, if only Hugh Jackman was this good!
1956 version was better
Totally disagree!
No, you liked the '56 version better. You're not qualified to determine which is better. This is a different interpretation of the musical by entirely different personalities, all of which are quality performers. I've watched and enjoyed both. And I think Hugh Jackman has a great voice for Broadway. He's not Gordon MacRae, but Gordon MacRae isn't Colm Wilkenson either. I think he did a very good job in this production.
The one where Ado Annie stares perplexedly into the middle distance, barely emotes and sings like garbage?
You are incorrect
@@etcetera1995 agreed.