Between Neo-Realism and Formalism: Agnès Varda's La Pointe Courte

In this video essay, Laura Ivins looks to Agnès Varda's first film to discuss the neo-realism and formalism that are expressed throughout the French New Wave icon's work.
Visit IU Cinema's blog, Establishing Shot, to read the accompanying blog post: blogs.iu.edu/e...

[@vishalcain]

Thank you for making these, your video essays are amazing.

[@sub_radio]

I thought Godard was super coool when I saw the compositions of the opening scene in A Married Woman for the first time, till I saw Agnes Varda doing this years before Godard. ( I still love and respect Godard)