Claude Monet (1840-1926) Volume 1 of 5 - 4K UltraHD - A collection of paintings

Claude Monet (1840-1926) Volume 1 of 5 - 4K UltraHD - A collection of paintings
A French painter, a founder of French Impressionist painting and the most consistent and prolific practitioner of the movement's philosophy of expressing one's perceptions before nature, especially as applied to plein air landscape painting. The term "Impressionism" is derived from the title of his painting Impression, soleil levant (Impression, Sunrise), which was exhibited in 1874 in the first of the independent exhibitions mounted by Monet and his associates as an alternative to the Salon de Paris.
Claude Monet was born on 14 November 1840 on the fifth floor of 45 rue Laffitte. He was the second son of Claude Adolphe Monet and Louise Justine Aubrée Monet.
On 1 April 1851, Monet entered Le Havre secondary school of the arts. Locals knew him well for his charcoal caricatures. Monet also undertook his first drawing lessons from Jacques-François Ochard, a former student of Jacques-Louis David. On the beaches of Normandy around 1856 he met fellow artist Eugène Boudin, who became his mentor and taught him to use oil paints. Boudin taught Monet "en plein air" (outdoor) techniques for painting. Both received the influence of Johan Barthold Jongkind.
When Monet traveled to Paris to visit the Louvre, he witnessed painters copying from the old masters. Having brought his paints and other tools with him, he would instead go and sit by a window and paint what he saw. Monet was in Paris for several years and met other young painters, including Édouard Manet and others who would become friends and fellow Impressionists.
After drawing a low ballot number in March 1861, Monet was drafted into the First Regiment of African Light Cavalry (Chasseurs d'Afrique) in Algeria for a seven-year period of military service. His prosperous father could have purchased Monet's exemption from conscription but declined to do so when his son refused to give up painting. After about a year of garrison duty in Algiers, Monet contracted typhoid fever and briefly went absent without leave. Following convalescence, Monet's aunt intervened to remove him from the army if he agreed to complete a course at an art school. It is possible that the Dutch painter Johan Barthold Jongkind, whom Monet knew, may have prompted his aunt on this matter.
Disillusioned with the traditional art taught at art schools, in 1862 Monet became a student of Charles Gleyre in Paris, where he met Pierre-Auguste Renoir, Frédéric Bazille and Alfred Sisley. Together they shared new approaches to art, painting the effects of light en plein air with broken colour and rapid brushstrokes, in what later came to be known as Impressionism.
Impressionism
The first Impressionist exhibition was held in 1874 at 35 boulevard des Capucines, Paris, from 15 April to 15 May. The primary purpose of the participants was not so much to promote a new style, but to free themselves from the constraints of the Salon de Paris. The exhibition, open to anyone prepared to pay 60 francs, gave artists the opportunity to show their work without the interference of a jury.
Renoir chaired the hanging committee and did most of the work himself, as others members failed to present themselves.
In addition to Impression: Sunrise (pictured above), Monet presented four oil paintings and seven pastels. Among the paintings he displayed was The Luncheon (1868), which features Camille Doncieux and Jean Monet, and which had been rejected by the Paris Salon of 1870. Also in this exhibition was a painting titled Boulevard des Capucines, a painting of the boulevard done from the photographer Nadar's apartment at no. 35. Monet painted the subject twice, and it is uncertain which of the two pictures, that now in the Pushkin Museum in Moscow, or that in the Nelson-Atkins Museum of Art in Kansas City, was the painting that appeared in the groundbreaking 1874 exhibition, though more recently the Moscow picture has been favoured.
Altogether, 165 works were exhibited in the exhibition, including 4 oils, 2 pastels and 3 watercolours by Morisot; 6 oils and 1 pastel by Renoir; 10 works by Degas; 5 by Pissarro; 3 by Cézanne; and 3 by Guillaumin. Several works were on loan, including Cézanne's Modern Olympia, Morisot's Hide and Seek (owned by Manet) and 2 landscapes by Sisley that had been purchased by Durand-Ruel.
The total attendance is estimated at 3500, and some works did sell, though some exhibitors had placed their prices too high. Pissarro was asking 1000 francs for The Orchard and Monet the same for Impression: Sunrise, neither of which sold. Renoir failed to obtain the 500 francs he was asking for La Loge, but later sold it for 450 francs to Père Martin, dealer and supporter of the group
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List of works
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[@michael4250]

Composition completely removed...by never showing the whole painting. Just humming a few bars to acquaint you with the symphony. Tease? Corruption of the art shown.

[@masterpainters1706]

I agree that the zoom is a bad idea. That's why only the older videos do it. They are also slowly getting replaced without the zoom effect and the same kind of presentation as the later videos. Thanks for the comments

[@michael4250]

Second rate reproductions poorly presented.