Romance of Raag Piloo | Ustad Shahid Parvez | Music of India
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- čas přidán 27. 07. 2019
- #darbarfestival | “My involvement in music is so much that I do not think of anything else...I do not believe I can live a better life.” (Shahid Parvez).
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Shahid Parvez Khan is totally dedicated to the sitar, upholding the illustrious traditions of his ancestors while expanding the instrument’s technical boundaries. Critics back in India have described him as ‘Indian music personified’. Born into the legendary Imdadkhani gharana of Uttar Pradesh, he was always expected to carry the family legacy forward. His ancestors gave shape to the modern sitar, redesigning it and formulating the now-distinctive gayaki ang [singing style]. The Khan family includes pioneers such as his uncle Vilayat and his grandfather Imdad, who in 1904 became the first recorded sitarist.
His early training was famously demanding. He had to practice for the majority of his waking life, rarely playing outside or socialising with his peers. His father Aziz did not believe in praise, and avoided smiling at his son’s accomplishments despite widespread acclaim as a prodigy. For many the extreme discipline may have poisoned the music, but not for Shahid, who says “my involvement in music is so much that I do not think of anything else...I do not believe I can live a better life.”
Khan’s playing reaches scarcely believable standards: He feels no need to dabble with fusion music, saying that Hindustani music “is like a great ocean - you can spend a lifetime exploring it and will not run out of space.” Technical innovations set his style, with unique picking patterns and overtone whispers that glide upwards and spiral into silence.
Today he sits at the pinnacle of Hindustani music, touring widely while also finding time to teach at his eponymous SPK Academy in Arizona (“I do not teach for money - it is my passion”). But it is only the music which motivates him: “I always want to proceed, and overcome whatever boundaries I come across. But the direction is never pre-planned. It is about the green light. I don’t have to wait for it to flash - I have reached a level where it is always on. There are no shortcuts to this place, but it must be the goal.”
Recorded at Darbar Festival on Sun 28 Oct 2018, at London’s Barbican Centre:
-Shahid Parvez (sitar)
-Ojas Adhiya (tabla)
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Ustad Bade Ghulam Ali once said of Pilu as the raga of Dhoop Schaon i.e. sun and shade. Shahid Shahib, currently the most eminent sitarist, has displayed that to the maxim. MashaAllah
THIS is outstanding, the most expressive Raag Pilu I've heard in years, Fantastic.
Could the greatest of literarians have describe this in words?
Somewhere in middle for sometime it felt as raag Tilak Kamod.... beauty of raag piloo with twelve notes of music...
This was hauntingly beautiful! I’ve never heard of this interpretation from shahid ji in piloo. It’s absolutely unbelievable to see how such an established artist is still growing and coming up with new things for his audiences everyday! True artist!
Can you hear the voice releasing through his strings🌄🌅🌃🌇🗻🌆
Thanks for bringing this quality content @Darbar. It was 2015 January, Ustadji was playing at our place in Bangalore. He started playing Piloo around 7:30 PM and everyone was lost in it. He played Piloo for almost an hour. It was a life-changing experience for many of us. I had never heard such a piece of blissful music until then. I could never hear Ust. Vilayat Khan live. But whenever Shahid Parvez was in town, I made sure to attend it no matter what and listen to him. He is undoubtedly one of the greatest musicians of our time and his legacy will remain for ages to come. You almost gave us live experience with this beautiful high-class content.
Always mesmerized by Ustad Shahid Parvez Khan's touch.
Piloo is his forte. He takes the melancholic route and goes deep into it.
Truly speaking I listen almost 7 to 8 times in a day ...
I am crying after listen this.
কী সুন্দর সুরেলা সেতার। মন ভরিয়ে দেয়।
At the beginning Ustad Ji convinces the listener that they MUST give their attention and makes the mind calm, halfway through Ustad Ji gets the listeners emotions to his hands completely under his control, by the end the listener's crying and has no idea how it happened.
I have heard this haunting melody again and again and don't know how tears come to my eyes without my knowledge...
Such a privilege to have to access to such a master. His elaboration with one fret gives me goosebumps.
4:53
Simply ecstatic with no words to express the feelings!
unique and mature presentation. Most of the rest of sitarists have made it into lounge music, but this is the real sitar.
A truly romantic raga played by one of the most charismatic soul in the world of Sitar........ the best rendition of the Piloo alaap I've ever heard......... pranams🙏🙏
I literally had tears ,thx DARBAR for giving me this experience..