Advice to New Sound Designers | Richard King Film Sound Design Master Class Excerpt
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- čas přidán 24. 07. 2019
- 📽 Watch the full Master Class here: bit.ly/2LRKN3I
In this excerpt of the Film Sound Design Master Class, Academy Award®-winning sound artist Richard King (Dunkirk, Inception) shares his suggestions for new sound designers approaching projects.
We are excited to announce our collaboration with Richard King to develop exclusive sound effects libraries curated from his private collection. With four Academy Award® wins for Best Sound Editing - Dunkirk (2018), Inception (2011), The Dark Knight (2009), Master and Commander: The Far Side of the World (2004) - Richard King is among the most renowned sound designers and supervising sound editors in the industry today. His sound library has been steadily and masterfully built throughout his feature film sound career and continues to serve his craft as an invaluable tool.
🔊 Explore sound libraries from Richard King here: bit.ly/3jUektk - Zábava
Very good advice for getting a good work balance to start here
very, very helpful. As a beginner, I learned so much from this video. Thanks for creating it for us.
I wish they would all take your class as this is what I have found. I record music groups so I have some background. what is bothering me about film is terribly recorded dialogue. but even a that what is happening on DVDs is that the PCM sound is compressed to MP3 quality any where down to 224 kbps up to a whopping 448 kbps...nothing better than MP3 quality. The audio bit rate is better on Blu-ray discs. I have also found that not enough compression is used if any. I have cleaned up movie tracks that I have recorded about 5 min of audio on then applied compression of 3:1 to 4:1 at about -25db. This is because too many actors are talking Under their breath, so low that almost can't be heard. I also think that mic technique is not very good and lesser quality mics are used. Something is surely wrong when on my nice Yamaha S801 I have to turn the bass to -6 and up the HF to +4 to make it work.
This was very helpful, i want to do freelance sound design but i don’t know whare to start, also i’m having trouble finding particular horse sound effects, i heard them in various shows and films such as lonesome dove and other mini series, i found most of them but there’s about 12 seconds missing, it, low to mid high range and tuned from b flat to e sharp, i don’t know the name of the file but they’re all from the same horse, sorry this comment is so long, i just need help finding this sound file, it sounds perfect for a project i’m doing, does sound design for animatronics count too, does the soundStorm library have this spicific horse sound effect or is it somewhare else
Is it advisable to get a background
in sound theory, like the science of sound before venturing into Sound editing?
2. Apart from film, what other projects do sound editors work on?
Guzwee Bright tv shows, games, apps etc
Don't know if you need an answer but the truth of it is not at all. I would say to try out different audio effects(distortion, phaser, ect.) and first a general idea of what the effects sound like. Learning afterwards what the effects are technically doing will help give you a better understanding of it. Also you may not be interesting in making music but looking up tutorials for electronic genres heavily focused on sound design(like dubstep, hybrid orchestral, neurofunk, halftime) will also show some great concepts in sound design. After all, Michael Bay did hire Skrillex to do some of the sounds for a transformer movie.
@@rebirth4119 That's very interesting to hear considering my teacher (sound guy) used Transformers 3 as an example of next level or great sound design for it's time.
@@Samuri5hit84 That's pretty cool man. Yeah I know even other sound designers who have actually used electronic music as a form of inspiration in some ways. Mick Gordon(Doom composer) listens to a lot of electronic music and his use of distortion is influenced from the reese basses from neurofunk and Drum and Bass music. If you check out Koan Sound you'll see what I mean. Also the giant sand worm scene from the Mandalorian uses a slowed down version of a sample sample from dubstep musician Virtual Riot. I think the main difference in electronic music sound design is rather that they usually start with synthesizers than just pure samples.
How to take any type of sound and bring it in perfect tune for musically idea anytips thanks
Thanks
If you can´t make your gun shots sound like in a Michael Mann movie, quit your job.