Interesting and great insight. But those lense are neither Nano or Cheap ! It's for TV & Streaming services DRAMA / for B or C cam on big production and A cam on smaller one. Wish they would have shown a T2 / Smaller / Cheaper edition for owner / operator.
I cannot believe this! Again, which are they going for photography focal lengths? Just like Cooke? Where’s my 40mm? Are they really just selling towards CZcams boys who came up using photography primes. I’m getting pissed about this now. I don’t want photography focal lengths in my cine set.
@@CineD It’s a joke. I get when some Chinese company starts putting gears on their lenses and uses photography focal lengths, but now Cooke and Zeiss are doing too? And it’s not just the 40mm. I really guess on some level they know they targeting videographers that started on a 5D with Canon photo prime lenses, not cinematographers.
Do you have experience filming with any of the existing ZEISS cine primes?
Not yet but I would like to on my Fuji, specifically filming my honey bees
Yes! I shoot with CP.3.
I'll wait to see all the interchangeable L-Mount and RF-Mount before considering looking at these lenses. Thanks for the video!
Totally understandable! Agreed.
Great if this fits straight on my Fuji 4/3 I would buy the whole set including the macro lens if it comes
I hope David Llado of Leitax will make all kinds if passive adapters for this.
@CineD I am curious what lenses and T stops each of you were shooting the interview at.
wild guess here, 50mm f3.2 for the zeiss representative
I believe they used a 35mm (interviewer) and a 75mm (interviewee).
Excellent interview and introduction. Much appreciated.
Our pleasure!
Interesting and great insight. But those lense are neither Nano or Cheap !
It's for TV & Streaming services DRAMA / for B or C cam on big production and A cam on smaller one.
Wish they would have shown a T2 / Smaller / Cheaper edition for owner / operator.
I need a nano e mount Marro-Less glass
The only thing that is missing is a macro option
wish they release the X MOUNT for this lens, in future, would love to see how they perform on an APSC camera.
@@8020AliveStop trying to gatekeep. Fujifilm users want it and Fujifilm may yet make the deal to have them on X-mount.
It would be nice to see of course - I just didn't even mention it in my review because it's not a full frame mount. Nino
E - mount start with the best - who cares about Canon, F-mount and the L - mount Alliance! -lol
E mount is 🗑️
I cannot believe this! Again, which are they going for photography focal lengths? Just like Cooke? Where’s my 40mm? Are they really just selling towards CZcams boys who came up using photography primes. I’m getting pissed about this now. I don’t want photography focal lengths in my cine set.
I'm also hoping a 40mm will be added ... some of the Supremes have really small steps in between the lenses... here's hoping!!
😢😭🎻
@@CineD It’s a joke. I get when some Chinese company starts putting gears on their lenses and uses photography focal lengths, but now Cooke and Zeiss are doing too? And it’s not just the 40mm. I really guess on some level they know they targeting videographers that started on a 5D with Canon photo prime lenses, not cinematographers.
dont sweat you werent able to buy these anyhow..
E Mount only is a fail
I disagree. It fits perfectly for the needs. I assume that if you have an ARRI LF camera you can afford supreme’s.
They are going to release more mounts soon. E Mount seems to be a very standard initial mount for mirrorless mount Cine lenses
@@GetsuFRnah he’s probably a Canon user lol.
They already have the supremes in PL? It already existed this is just a specific version for mirrorless lmao
@@sa.t.2507lol canon users need to get with the times. Mirrorless is the way to go
Nothing 'Nano' about these lenses 🤣😂🤣