My 10 most POLARIZING drumming beliefs
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- čas přidán 10. 02. 2022
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Table of Contents:
02:17 - Belief #1 (hihat spacing)
05:22 - Belief #2 (bass drum technique)
08:28 - Belief #3 (cheap vs expensive gear)
12:32 - Belief #4 (electric drum sets)
15:33 - Belief #5 (moon gel and drum muffling devices)
19:17 - Belief #6 (does work ethic trump talent?)
22:49 - Belief #7 (when practicing is a waste of time…)
26:11 - Belief #8 (the WRONG way to learn songs)
29:13 - Belief #9 (the secret to mastering ANYTHING)
32:48 - Belief #10 (the philosophy core to this channel)
Here are my 10 most polarizing, controversial, and potentially offensive drumming beliefs. It’s time to “get offended” today!
But here’s the deal: My goal today isn’t just to ruffle feathers. I believe that each of these beliefs can help your drumming in powerful ways.
These 10 beliefs are essentially 10 mini-lessons that each have the potential to solve your frustrations and set your playing on a new trajectory.
So whether you agree with me or not, let’s do this!
LINKS to further resources:
Belief #3
How much money should you spend on a drumset?
• How Much Money Should ...
Belief #4
The biggest electric kit pitfalls - and how to overcome them
• The Biggest Electric K...
Belief #5
Don’t fix a ring snare with moongel. Here’s why:
• DON'T Fix a Ringy Snar...
Belief #7
Make these 3 grip changes to play louder & faster
• Make these 3 grip chan...
Fast Fluid Hands Checklist
→ UNLOCK your hands for maximum speed, control, and volume in 4 easy-to-follow steps. Download the FREE e-guide, “Fast Fluid Hands CHECKLIST.” www.thenonglamorousdrummer.co...
Belief #8
5 Steps to Learning Any Song
→ Learn ANY Song by Ear in 60 Minutes Without Using Drum Tabs or Video Tutorials | Download my FREE, 23p. PDF guide, “5 Steps to Learning Any Song in Under an Hour.” the-non-glamorous-drummer.myk...
Why you struggle to listen well while playing the drums
• Why you struggle to li...
3 hacks for cheating your way through a song
• 3 Hacks for CHEATING y...
I believe that ANYONE can learn the drums, and I believe you’re far more capable of becoming a great drummer than you think you are. Don’t sell yourself short! SUBSCRIBE for more Non Glamorous videos that get straight to the point of solving drumming frustration. Stay Non Glamorous, Everyone!
Check out thenonglamorousdrummer.com for more content, including free e-guides designed to fast-track your drumming progress!
I wholeheartedly agree with number five except for the notion that MoonGel is overpriced… I mean, somebody has to fly all the way to the moon and back just to get it, don’t they?! 🤷♂️
🤣 🤣 🤣
Buy some of those sticky hand toys off Amazon. It's the exact same material and you get like 500 for pennies in comparison.
@@HardstyleCatalyst I don’t think it’s right that the Luna-sweatshops on the moon should be denied my custom but I appreciate what you say. Thanks!
Just think anyway now we’ll have Mars gel
@@dominicknoll7398 damn Martians coming over here & stealin’ OUR jobs & abducting OUR women (etc…)
Don't do yourself a disservice man, I'm a metal player and I love your vids
Same. He has very well articulated drum advice. I started branching out to other styles and it has helped my metal drumming too!
Absolutely 💯
Y U P
What are you doooooing here? :D
I am also a metal player, the core jazz/bluesy stuff is part of that. I also enjoy more than just metal. Tips like these help with all walks of music. Getting main foot technique, hi-hat, and striking cymbals, toms and your snare properly makes a difference. Keeping time with hi-hat playing slower helps me with double bass. It also helps learning different fills. Been watching for years and it's helped. I am actually more of a bassist, but this information has helped me grow as a musician as a whole. 😎
Landed my first paid gig as a drummer, your content has helped enable me to chase my dreams
Good for you! And remember that there aren't many good drummers out there, so if you're good you will be in high demand. Most top drummers play in many bands, not just one.
Don't be afraid to be a drummer for hire, it is more practical than commiting to one band that goes nowhere. And no matter how good a band is, there is no guarantee that they can find an audience for their music.
Good luck and be pragmatic about it... 👍💯
Great to hear, go get it!
Congratulations! I hope it went great.
It's not just metal drummers who have fast footwork. I would argue the fastest single pedal players are the R& B and gospel chops guys.
Also, heel "up" no longer means the heel is noticeably elevated like it was in the 80s and 90s. Heel "up" drummers today mostly keep their feet parallel to the floor. The heel isn't actually "up" it's just not planted on the pedal.
playing with your heel on the floor is objectively wrong its like swinging a baseball bat with your wrist instead of whole arm and torso
@@alexandermcgregor9040 I think it's more like drumming with your arms on armrests. But it does work for some styles. I just happen to think that heel up is superior no matter what style you play. People associate it with power but you actually have total control with even the softest strokes. People who have more control with heel down simply haven't played heel up enough.
@@23ograin53 Totally agree you get way more control and power and speed. You only take negatives from heel on the ground.
Did anybody say funky? I fully support the idea from the first sentence. Just saw this vid yesterday - czcams.com/video/D_ij3gsHW1s/video.html He has a double bass pedal. But his single foot speed is just out of my capabilities even to understand, not talking about matching it...
You aren't listening to the right example of metal if you think r&b and gospel are faster lol
As Bob Ross said: "talent is simply pursued interest'.
Thank you for the great didactic series. Much appreciated. NG
I'm into death metal, grindcore, thrash, AND funk, jazz and old blues. Heel down doesn't seem like it's gonna enable me to reach the speed I want. So, I'll be using both. When playing a jazzier or funkier groove I'll do heel down. When I wanna blast off into hyperspeed, I'll use heel up.
I’m a metal drummer I love the insight I get from non metal drummers.
Shout out to zack grooves
zack grooves is objectively the sexiest man on the platform
On your first one about playing hi hats right the right way is getting the sound you want. The way you describe works in some situations but you're the furthest thing from an aggressive player. So for black gospel, rock, metal if you pull that it sounds awful cause at the top you lose the sizzle and hear a ringy hat cymbal and it doesn't sound aggressive. It breaks into almost a bell like sound and it's too "thin" for the music and ruins the feel. And I like JoJo Mayers saying. "The right technique is what gets the sound you want without hurting yourself."
Agreed, though you can adjust your technique to feature more sizzle before pulling up the hihat more and pushing the hh down and making the *chk*.
@@snotvlek4721 so true. The only thing I don't like about that, is personally it feels uncomfortable. But that's a me thing. Plus I don't know any song ever where I (or anyone else for that matter) was like "oooo that is a nice chk on the hats" cause it can never be heard most of the time anyways. Unless of course you heel toe it.
Play what sounds good for the song. Record yourself, learn the differences that your hi hat/ride inflections make in the groove. Experiment, groove, and enjoy. Most of all, learn to play the pocket.
I think the hi-hat thing depends so much on the type of the hi-hat. The setting suggested by Stephen here might work for the medium thickness of regular sized hi-hats (which is usually a 14" medium hi-hat by any brand). However, hi-hats differ greatly in sound depending on the alloy (b8, b10 and b20 sound differently regardless of size, especially if you consider the finish, don't @ me), and size - I own a 10" Meinl Byzance Mini-hats and a 14" Meinl Pure Alloy Thin Hats, and they just don't work similarly with the same gap between top and bottom. And don't get me started on different settings for different genres of music and the possible presence of an auxiliary closed hi-hat. These are the things that matter as much as the points mentioned in the video, but I don't feel they're mentioned as much.
Plenty of metal drummers have more than one hihat exactly for these reasons... you _can_ both have and eat your cake! ;)
Edit: And _now_ he says it in the video.... hmpf.
Stephen Clark is an international treasure. Would very much like for Stephen to put together a comprehensive video or series of videos on
cymbals: what each cymbal in a full kit setup is for, including effects-cymbals like stacks and how to co-ordinate the various cymbals for greatest effect and flow when playing any given song. Thanks SC for your excellence, curiosity, work ethic and passion.
I play mostly extreme metal, but I do enjoy playing other music too. That being said, I play both heel up and down depending on the situation. Each technique has its uses and advantages. High tempo, hard and long double bass runs, heel up and ankle swivel technique is used. More relaxed bass drum rhythms, I play heel down for more dynamic control. I rarely bury my beaters if at all and I generally do this by dropping my heels after striking the batter head if playing heel up. I personally like to have a multitude of techniques in my toolbox and do not like to limit myself by choosing only one. You have great information on your channel and even as an extreme metal player, I enjoy your channel quite a lot. Thanks for your lessons!
Bro SAME! I always thought I was being lazy by NOT keeping heel down for fast double-kick but this video and comments like yours have me feeling better 😆
At 76 yo, and being on stage since the age of 8, I totally dig all you have said.
I too have students over the years, who are now on world tours. As little kids, they came to my concerts and I invited them them up on stage, standing by my kit, playing the shaker Egg!
Loved your approach to learning ,especially listening to the music on CD, & playing along. I play at 3:00 ,every day. DR ROCK Neighbors
#7 resonates a TON with me. I'm closing in on age 68 and have been actively playing for 65 of those years (played my first actual paying gig at 5). From the time I got out of college up till about 25 years ago my technique was just good enough to get me by but I knew for a long time that I still had a lot to learn. Playing on big stages in the summer heat used to cause tons of blistering and I had other ergonomic issues that plagued me. So I've had this mission to fix all that. It's come in small increments as time has always been an issue with gigging, rehearsals, family commitments and a day gig. So, I had to bite off small chunks at a time and while it was helping immensely, I still was nowhere near where I wanted to be. Fast forward to March 2020 and the Covid pandemic. Oh boy! I never felt locked down throughout this. I now work remotely 99.9% of the time so without commute time there has been so much more time to put toward putting a microscope to everything I do on the kit. It's been an incredible time of discovery for me and without all the prior pressures, I've been able to relax and focus my practicing. Now, I've always had pretty good hands, very relaxed (except when it got hot and sweaty) and my basic Moeller, Gladstone and other techniques were basically OK but the one thing I noticed is that I didn't have the CONTROL I was really after. So, slowing everything down was essential. I think it was John Riley who mentioned that in lessons with Joe Morello he would have John play at 40 bpm on the metronome in order to focus on the actual technique and also train his muscle memory. This is what all teachers tell us, practice slowly and, above all, correctly. I feel my playing has finally gotten close to what it should have been 50 years ago. The other dividends that getting my technique to proper form has done is allowed me to be able to learn new stuff faster. When I have coordination issues with something, I slow it down drastically and focus. In a matter of minutes I'm able to play at speed, relaxed and controlled. Just wanted to mention this so younger players know that this approach does work.
WONDERFUL 👍
I agree completely! I am 76 and retired with a Yamaha E-Kit in my garage. I played snare in Jr High and High School so got pretty good at stick control and music reading, then graduated and gave it up until I retired in 2016. Now i'm back again and figuring out how to play a kit and loving it! I practice anything new (groove, fill) very slowly until I have the control (muscle-memory) and then slowly build speed.
Also, I have found that alternating snare/kick has vastly improved my overall control and kick speed. I started heel down and am staying with it and feel comfortable and getting faster as well. Next is working with my Hi-Hat (left foot) control. Any suggestions?
Stephen, this a Great Synopsis of the many Nuances of playing drums. I am 70, a resurrected recreational drummer, who basically has played by ear since first starting in 1966. Took about 6 to 8 lessons. Played with HS buddies for 3 years in a garage band then stopped in 1969. Since 2019, after getting a cheapo Gammon kit from my wife ( God Bless her - she played Santa Claus in 2018), I resurrected a life long interest in drumming and Music in general. I play about 1 hour a day to My Music ( CCR, Eric Clapton, Mellencamp, Cars, Talking Heads to name a few). I have watched any YT Videos ( Sounds like Drum, DRUMEO, Stephen Taylor, tge 80/20 Drummer, and others), but no one instructs like our Stephen in his videos. This one is a great summary of 10 tips. His last proverb is poignant and prophetic. I think I'm learning to FISH. I know I'm a Non Glamourous Drummer. Unless a bunch of folks create a Geriatric band locally by me, I won't be Gigging, but will achieve personal satisfaction by being able to play to the difficult tunes of My Music. Happy Drumming !
Wow - another drummer like me! I played snare in Jr High and High School and after graduating forgot about the drums, but after retiring a few years ago started playing on my e-kit to You-Tube music. I play in my church's Worship Team once a month - that is the extent of my "gigging" experience and I doubt the Stones will be calling me! Stephen is a great help in just putting things into perspective. Its easy to get overwhelmed with the amount of drumming information now available everywhere. I try to stay focused on what I need to improve on every day = my foot control and speed and Hi-Hat technique. I also have watched Drumeo, Orlando Drummer, etc and try to glean some ideas from them as well. Thanks for posting - it is encouraging to know others our age are still having fun and learning new stuff!
I'm into extreme metal and love your channel Stephen! So much to learn here from your explanation of technique, especially when slowing things down to correct grip issues, bounce and so forth. Thank you so much and please keep those videos coming. All the best and big blessings to you.
I’m a beginner and have so so much to learn but I’m a big fan of your videos I’ve seen. I don’t disagree with anything you’ve said. I feel like you’re a genuine person and enjoy teaching drums. I think you’re giving me the right tools, knowledge, and prospective on how to learn and move forward and maybe eventually expand my 2,4,8 beats and maybe even learn some other timings and vernacular that I don’t have. I know little on dampening but don’t think leading me astray
33:38 "If I can teach you how to teach yourself..."
I love this saying and live by it. Learnt violin in public school and guitar at home most only my own, so I was able to take my knowledge to a decent level. After 6 years of playing, I started playing with a teacher I had 8 yaers prior, and he had this place. In the 2 years I've spent with him, he took my solid technique and theory skill and really brought it all together and got me past the hump I was with.
This saying is what led me to really improve my growth in music as a whole.
I had two students who completed my bass guitar course. It only takes TWO LESSONS. Free, but donations were accepted.
They were taught how to tune the thing, they were drilled on proper technique, shown an exercise to build technique (spidering), and a pentatonic scale (and maybe a major scale). I told them to practice every day for week, at least for a half hour. If they didn't, I was going to drop them.
Next week, I checked to see if they did their homework. Satisfied, I then taught them the basics of ear training to learn the songs that motivated them to pick up bass in the first place.
I left.
Both times, they didn't call me again about any lessons. They realized that they didn't need me to do anything for them at that point. They were too busy learning songs and practicing to be bothered with my lessons! I was like a proud father when we were at a graduation party about a month after my second student completed the "course", and he was up there playing "Brown-Eyed Girl" note-for-note with some of our mutual friends. Big grin on my face.
0:25 for the clap snare :D well timed ^^
Thank you for the huge amount of great (and free) information in your videos. I'm 65 and started taking lessons for the first time three years ago (never touched a drum before). I'm having a blast. My teacher is Jeff Campitelli, long time previous drummer for Joe Satriani.
Nice! 63 here and I am playing better than I ever have!! Keep going dude! Life is too short!!!
Great lesson,Stephen I wholeheartedly agree with everything on the video with one exception.I spent a lifetime on the road with a touring R&B/funk band.We played many festivals with all-star bands and single acts.I did an experiment where I made an observation of how the drummers[and we're talking a lot of guys you would know in varying genres] played the bass drum.Out of probably a minimum of 500 drummers[probably more] I did not see a single one playing heel down or releasing the beater off the head.Just some food for thought,no agenda,whatever works.Always really enjoy your site and your helpful,well presented,tips for the young drummers.
have to agree... I've been playing professionally for 44 years and literally have never seen anyone play heel down
Well, I use both heel up and heel down, but mostly heel down. I find it gives me a lot more control, but whatever works for you. BTW, I do, mostly, bury the beater (ie I don't let it bounce back). I think what Stephen says about muscle strength is true and has a lot to do with it. I've been playing for over 40 years and I started heel up. It's as my strength has increased that I played more heel down. Where I do play heel up is particularly when playing double BD. I also do exactly as Stephen regarding bouncing my left leg to play the hi-hat and here too I have to agree with him: I get better balance playing heel down.
I am so glad I found this video. I am just starting out on the drums and this was excellent. Looking forward to all to come. Thank you!
The difference between speed and power with heel down vs heel up is that heel up speed and power comes entirely from technique, whereas heel down speed and power comes from physical conditioning. Heel up is therefore the superior option in my opinion. Let the pedal do the work, as it was designed to do.
Furthermore, you can play just as hard and fast with heel down IF you only want to do so up to a certain point. The ceiling, however, is much higher with heel up. The fastest bass players in the world don;t play heel up for no reason.
100% agree. Clear enough. I would advice every drummer to use heel up. At high speeds it's way more comfortable. Not necessarily metal speeds
I use both. Depends on what I'm playing.
I'm not a real drummer yet but in the year I've been working out, I find that it's beneficial to learn both. I don't know if that's good or not " ignorance is bliss" maybe ? I'm still learning
I play heel up and have complete control and dynamics. Talk about fulcrum. Bass drum pedals have fulcrum. When you beat a beat on the table. Do you have your palms down or up? It’s the same position your feet need to be in.
@@randyteresi7284 There’s a conga technique that uses heel of the palm down, but I agree that it is counterintuitive to start with full contact
I am absolutely loving these videos. So helpful. Thank you for what you do 🙂
Great video. Thanks for the tip on coordination. I've been playing 3 months and have noticed I'm able to learn a groove and do it without thought. The active coordination will be another step towards independence.
I’ve been subscribed to this channel since the recommended video I first saw was the video about drumming in an apartment. You had like 800 subs if I remember right. Watching you grow over the years has truly been incredible.
Stephen I just want to say Thank you! You have not only taught me a better way to practice you have pulled me out of severat stuck points. So many other videos and so called teachers have left me confused and frustrated to the point where I actually quit playing and thought it just isn't for me. It's been about 3 months since I picked uo my sticks and played until I vame across this video. I literally picked up my tablet and went straight to my drums find you so relatable and easy to follow instead of getting frustrated and overwhelmed I get excited and ambitious again. ♥︎
Awesome content and I love your overall approach and attitude! Keep it up!
Love this channel.Thanx,Stephen.
Great points and breakdown! I'm only about 2 years into playing and this is how my approach has been. My instructor, even when covering certain grooves, always has a core reason. For instance, I'm currently working on limb independence but doing so by practicing Mozambique bell patterns with Samba kick/hat and 2/3 Clave cross sticking. It's been very challenging at my stage; however, I'm starting to get the feel of each limb in a different pattern of motion.
Dude the moccasin slipper is the ultimate drumming shoe! I love playing in them. Light weight and grippy! Just got a new pair of LL Beans for Christmas. Money!!! 🤙
Thanks for the content. Glad I found your channel. Started drumming during covid about a year ago and seeing this video right in time. Will download the lesson
👌🏼 This is possibly the most valuable video you’ve ever made. Excellent job. I’ve been playing for over 35 years but there’s always something everybody can learn.
Love it.
I'm a session guitarist for 50yrs, just started playing my next favorite instrument "the drums" seriously at the beginning of the pandemic. Your lessons are right on.
Technic is king. I learned to play guitar by ear, so I'm starting the drums the same way, listening to Yurial Jones and Earl Young, Funky George etc. You've been extremely helpful with every video.
Tuning, I love the moon gel talk, hand development etc.
Please continue 🙏
Same here. Just got started about a year ago after playing guitar for 35 years.
Thank you very much.
Fully in line with you.
Thanks for sharing your knowledge.
this was great ! you really pushed me to do the things behind the kit the right way .. thank you maan , your words keeps me motivated
Absolutely loved the video and resonated with everything you've said! Love those longer kind of videos of you talking!
Great content! Thanks so much for this!!
Amazing video. Been playing for a very long time and it's refreshing to hear a teacher preach core fundamentals instead of trying to to teach new beats and fills. Being self taught, I've hacked my way through and have to deprogram all those hacks is far more challenging than spending the time on the front end learning to do it the right way. Thanks for all you do!
Excellent Material Dude. Happy for you😍😍😍
Thank you for your free e-guide 🥁👍
I really like your video, I've watched maybe 3-4 of them so far, and yes this is the best one.
Great stuff! Gonna have to try some of these tips out at our church.
This was SO helpful! Thanks, Stephen!
Amazing video Stephen! Great insights.
Please don't flame me...but I prefer the "Zero-Rings" or whatever the round plastic things are called to use as mufflers rather than moon gel. IMO, the tone is unchanged with these things. I found the best use for moon gel is to knock the wash out of my ride cymbal quickly for certain songs that need less wash.
Yes. An old drum head with the hoop cut off and a circle cut out, so it's about 3cm wide, is perfect for stopping excess ring without affecting tone.
Rings fan too.
I didn’t realise People didn’t like these! They have been perfect for me for decades 👍
@@BeesWaxMinder I don't know that people "dislike" them, but I NEVER see anyone mention them as viable options.
@@ghettostreamlabs5724 well thanks for bringing them to others attention👍
Dude, such a fabulous video, this hits true on so many places. Thank you
I was a percussion major in college. And I taught drums for a number of years. I agree with your concepts. I think that you are going in the right direction with this channel. Thanks.
Nice one man, just really enjoyed that.
Love this channel!
Your videos are so informative. I didnt go to music school, but consider myself as an advanced beginner having started in 3rd grade. There is always something to learn in your videos. Please keep teaching.
I appreciate your point of view greatly, and glad the toob put you in my stream. I just got back to drums after 3 years in storage and the basic lessons are where it's at since i already have the ear learning and listening in jam context skills highly developed, so doing the basic exercises you reveal is the key. As you say, these things are the principles that underlie the beauty and power of music, to paraphrase. My metronome is on 30bpm, quarter notes; single strokes; revealing the shape of my grip in fine detail with persistence. Then minute adjustments in the flow of the rhythm. Finger, wrist, arm whip sequence, snare method with the metal object I dig your approach to the instrument and again glad I found you at this opening phase of my life as a drummer in a band.
I'm a 60 yr old drummer. Been drumming since 8 yrs old. I enjoy your videos. Helps me a lot.
Great information Stephen! Thank you!
Great lesson! Brave motivation! Thank you overall.
Thanks for the permission to jam! 😅. I’m on the other end of the spectrum- I haven’t learned drumming notation jet- I just jam with songs for hours! My most recent jam sessions include Rush - Signals. So much fun! Yes, I feel I waste time not “learning” the song, but I’m improving my groove and versatility. So far, I’m complete self taught- probably not a great idea 😬
Thanks for Another great video! ❤️
Great insights. Its great to learn new things. Thanks
I'm with Princewhatever!! I gravitate to speed metal mostly and you sir have so much info that crosses the span I can't thank you enough for making these videos. Keep up the great work.
You are the best! Work ethic, practice, it’s everything!
Love this channel. Thanks for reminding me it’s ok to play heel down. I struggled for years to play more heel up but I just can’t get comfortable. Love the tip about the hats too- for too long I kept them almost touching but with that inch of space it makes it easier to play with more contrast.
I’m glad that I came to your site!
Outstanding!!!
Thank you very much for this Stephen ! As a total beginner this advice was priceless ...
Wise words, tips and tricks. Very cool video.
Thanks Stephen! Just found your channel and am really appreciating the thoughts and incite! Learned several things already from ya. I may not wholeheartedly agree with all you said in this video, but it all makes me think about why I'm doing what I'm doing. It also gives me things to try and maybe after trying em more I'll like em. Thanks again! Stay Non Glamorous!
6, Man felt that one to the core. I try to tell people this all the time, you put it so well.
I am thankful to have found your channel 🤜🤛 so valuable to me.
Thanks for the video. I recall when I first started playing I was adamant about keeping my heels down and still am. With watching this video I noticed that I will hit a cymbal harder when I hit the snare. I will definitely begin working on training myself to have a different volume level between limbs. Not to mention so many other things to practice. I am going to look into the pdf's that you offer. Thank you for making them available.
Spot on. Love the approach of looking at different ways to do it. Had an $800 tama rockstar that sound engineers raved over with decent heads and tuning. I also practice worship sets for church on a Roland (can’t be too loud with neighbors). It helps me get a general feel for how I wanna approach the songs, but I still need to adjust come Sunday when I sit down behind the acoustic kit.
So helpful, thanks Stephen, glad i found you early on before i developed bad habits on the kit.
I really enjoyed the video lots of useful practical tips thanks well presented to with good bit of humour
Many points you made resonated with me. I'm in a couple bands and as of late I feel boxed in. I went 10 years without touching my drums. I welcome new methods. Look forward to diving into your videos.
I like how he motivates you, I always try to see your videos and when I see them, I feel like I'm not at all wrong. By the way, I always learned the songs that I know only hearing the song, I've never had to see a tab or something like that
Absolutely love all of these. Number 10 resonates hard and I love it. The hardest lesson to learn is not how to sound like someone else but to sound like the best you were meant to be. How do you learn to push yourself into a better a better you...
I love extreme metal and I find your content awesome!!
“Skills are more important than gear”. Excellent advice.
Got a lot of your videos especially how to setup the the drums and the reason for the positions now you help me big-time thank you cuz I always second guess where I have everything I'm going to roll it the way you told me and we'll see how it goes thank you
You are a great and very realistic drum coach what you give in this transmission is a good practical way to reach a descent drumming target
I just started playing heel down when I got my direct drive pedal noticed yes I’m sitting back more great vid!! 🤘🥁🤘
this is a good video. not because i entirely agree with all the points u made but because i havent heard someone talk about these before
This is great practical advice.
I’ve been a drummer for years, I’ve gigged, played in studios, acoustic and edrums, played in multiple forms and formats (garage rock, marching band, jazz, orchestra, etc).
This is great advice for saving time, money and energy - and - focusing on what matters: playing drums and improving skills.
Once you get good, the subtle details about those three areas (time, money and energy) will make more sense.
Sage advice.
Thanks for sharing this valuable info. I try to apply a lot of the concepts and principles that you addressed in my day to day endeavors as a working musician. However, primarily, I’m not a drummer! I’m typically paid for vocals and guitar! I played drums in a somewhat committed sense BEFORE the guitar became my primary instrument. I sit in on drums occasionally and have a pretty decent kit in my home. But many principles and concepts can be applied to ANYTHING one wishes to become “competent” at.
Practicing correctly and applying what you have practiced as soon as possible in an actual musical interaction with others is universal. And the importance of LISTENING is of more value than many “musicians” recognize. Jamming with other musicians either with your eyes closed or with the lights off is a very effective approach to improving the ability to listen and find your musical “space” within a group.
…I may just go swap out my moon gel for gaff tape…I happen to keep both on hand…
Thank you and God bless you Brother!
Thank you this is valuable advice
You open the mind to what is possible at all levels. we can only really achieve our comfort level if we are prepared to be repetative with our minset, but we have to be prepared to apply this to our lifestyle. we can only play to our abiliy, which will increase if our minset is right, rise above distractions.
Totally agree on the value of less expensive kits. I have a DW Performance and Tama Starclassic Maple, but also have a PDP Concept Maple that I will not sell because it sounds so good! Midrange drums are THE drums to own these days. High end kits are a luxury not a necessity.
I agree with your philosophy. I have excelled with different challenges using the same beliefs that you have espoused here.
Great lesson today!
You have great insight, and have given me some things to work on. I use moon gel, but I will cut them into smaller pieces for the drums heads. I also move them around the head to find the right spot. Sometimes closer to the center of the head, hardly ever at the rim. The only time I use full squares is on cumbals, to mellow them out a bit.
Totally agree on the talent part! People think it’s magic, but there’s no such thing as magic
Everything you're saying pertains to good practice on any musical instrument I played horns drums guitar keyboard you name it what you're talking about crosses to every instrument. So good job guy you're a good teacher easy to listen to you look good you're the right style 90% of the general public would enjoy having you as a teacher and would benefit so bravo keep it up dude
Also, going to the part about learning things note-for-note. While that may be great for a CZcams cover video, the chances of your band playing a song note-for-note in a real world environment is pretty slim, at least in my experience.
I have seen some bands that want you to play note for note, so I haven't played with them. The one time I did, the lead guitarist was kicking songs off with the wrong intro..
@@randyarnold1368 sounds about right
Haven’t met a single professional who plays heel down. I almost thought you were kidding until you started to muscle out those doubles, haha. No hate, loved almost all of these-that’s the only one that generally surprised me. Most people bury the beater when they need balance while bouncing their other leg. A lot of people just default to burying the beater, regardless. But hey, whatever gets you the sound you enjoy!
Having watched a lot of pros play I would agree. IMO there are few players that have the foot control of Thomas Lang, he plays a combination of techniques depending on the sound/accent of the pattern.
What is "burying the beater"? Que es? I'm trying to get it,but even that context... Bouncing the left foot....okay I'm with ya...burying the beater with other.....heel up way too aggressive? Weight on it cause they usually heel down?
I think the most polarizing thing you said is that a crazy metal head like me wouldn't love your channel. You have shown me how to think like a drummer and its finally got me over the hump! Thank you very much
I've been playing 50 yrs and I agree with everything you've shared. My right wrist has developed severe arthritis so I'm losing my speed. Aging has caused me to slow down and, though my rudiments were faster and a bit cleaner when I was a teenager, I still practice, practice, practice and gig with a band. Well done and God bless you!
Really appreciate these videos you make and was so glad to figure out u play gospel music as that is what I am trying to play. God bless u
Excellent content
Love your ATTITUDE! Sensible Drummer spreads the truth…
I really love your attitude and being so transparent, honest. Keep up the good work. It is apparent that God is using you in a very powerful way
Thank You
Downloaded the guides, i agreed with mostly, i have been taught heel up, and practice on a mesh hybrid kit, with real hihats and cymbals, Liked the philosophy of your channel, and enjoy watching upur videos
Love your videos and the channel, man! A little tip from the audio engineering side of things: the gaff tape covering some of the capsule surround on your rack tom mic may be changing the polar pattern of the mic slightly, changing the pickup and sound characteristics of it.
I’m a guitar player that has taken a route of teaching bass and drums to my kids. Pretty proficient at guitar, decent with bass, and super basic with drums. Bass and drums are making me a better guitar player. Taking bits and pieces from your channel to spark the interest of the kids and it has been helpful. Will study up with your channel and support for the services rendered.
When spacing hats I sometimes mount the bottom hat, then place the sticks on top at either side and drop the second hat onto the sticks. Tighten the clutch then take out the sticks. Not quite the full inch but still a decent chik and sizzle. Even better with a little tilt on the bottom. 👌
Yeah have used the stick width technique myself for many years and seems to be the perfect distance for my playing style as well!