VILDE FRANG & MICHAIL LIFITS play Gabriel Fauré - Sonata for Violin & Piano in A major, op. 13
Vložit
- čas přidán 25. 08. 2024
- Recorded live at the Schwetzinger SWR Festspiele, 05.05.2013
00:25 - 1. Allegro Molto
10:20 - 2. Andante
17:16 - 3. Allegro vivo
20:58 - 4. Allegro quasi presto
Ein wunderbar musizierendes Paar. Sie lassen das Stück für uns erstehen in Tiefe und betörender Interpretation.
That pianist deserves a good part of the credits. His role throughout the whole exchange of characters is simply superb! Such magic hands they both got.
Thank you so much for sharing this wonderful Sonata full of poetry, delicate and so passionate too. I love you both, big huge musicians❤
Благодарю! Прекрасное исполнение,осмысленное и вдохновенное
Magnifique interprétation de cette pièce de musique française, par deux artistes non français! Ils s'approprient cette musique de la plus merveilleuse façon. Merci !!!
The first major chamber work by a man who was to become (in my humble opinion) the greatest composer France has ever produced. His music for piano rivals his 10 large-scale chamber pieces in quality. Beautifully performed here. Thanks for loading this gem.
In that dress Vilda Frang looks like a mermaid who has just climbed out of the sea.
Dehussy and Ravel would both argue your first point
Magnifique interprétation de cette très très belle sonate que je connaissais pas, écrite 10 ans avant celle de Franck... Si je dis cela, c'est parce que je la trouve aussi intéressante !!!
Чудесно...
Они оба МОЛОДЦЫ!!!
A most impressive, inspired interpretation and performance from both musicians. They have a way of making the architecture of each movement as well as of the entire piece come through. They both have marvelous facilities and flexible, expressive sounds. I’m honestly not sure if all of the colors and densities of tone that each player uses are always especially French or the sort that Faure had in mind-there’s a heaviness to their louder dynamics-but their phrasing and impeccable sense of direction throughout are deeply compelling.
fix audio please! it's only in the righthand side of my headhones
Truly inspiring playing from both, they give it all the expressive elasticity it demands! Early Fauré has that more accessible meaty Romanticism to it as well as the soaring transcendental melodies. Compare the effervescent heroicism of the sequence starting 8:28 with the childlike simplicity of the coda phrase at 9:35, which they play with breathtaking tenderness and subtlety
Are you a musician or aesthetician?
Bravissimo 😀
It’s amazing
LOVE! Thank you!
One of the best climaxes in the 1st mvt. (9:30) I've ever heard.
Bravissimi, pathos a 1000
So few likes.... gorgeous in every sense of the word!
Die sind Avengers Member.... 👍 unglaublich...❤
22:45
日本では、余り知られていないが、演奏はなかなか、ノルウェーの首都オスロ生まれ。はじめはオスロのバラット＝デューエ音楽院で学び、その後ハンブルク音楽演劇大学でコーリャ・ブラッハーに、クロンベルク・アカデミーでアナ・チュマチェンコにヴァイオリンを師事。
10歳でノルウェー放送交響楽団と共演しデビュー。12歳の時にマリス・ヤンソンス指揮オスロ・フィルハーモニー管弦楽団と共演し国際的な注目を集めるようになる。以後、フィルハーモニア管弦楽団、バイエルン放送交響楽団、hr交響楽団、チューリッヒ・トーンハレ管弦楽団等と共演。2012年夏にはルツェルン音楽祭においてベルナルト・ハイティンク指揮ウィーン・フィルハーモニー管弦楽団と共演する予定。
2011年3月に初来日しアレクサンダー・リープライヒ指揮のNHK交響楽団とシベリウスのヴァイオリン協奏曲を共演し日本デビュー。2012年5月にはサンットゥ=マティアス・ロウヴァリ指揮の東京交響楽団とニールセンのヴァイオリン協奏曲を共演したほか、リサイタルも行った。
注目すべき、若手バイオリニスト。と思う。
Sweet
I hope she records some chamber music. Does anyone have any idea why her CDs are so difficult to obtain in the U.S.? I'm assuming the down votes have to do w/ the impaired stero in the recording, because the performances is aces!
what happened to the fourth chapter 14th measure for pulse
The pianist
6:39
イカしている風のカメラワーク¡何台も設置したのは良いが、画像を変える事に汲々としている。
第一楽章で、拍手を送りたい。難曲と思う。
Sonata playing or any kind of chamber music without music always feels wrong lol