Theater Talk: Fall 2015 Season Preview

Jesse Green of “New York” Magazine, Michael Musto of Out.com & Patrick Pacheco of “On Stage” discuss: Allegiance, Hamilton, King Charles III, On Your Feet, Misery, School of Rock, Spring Awakening and other new shows coming to Broadway this season.
Taped: 09-25-15
Theater Talk is a series devoted to the world of the stage. It began on New York television in 1993 and is co-hosted by Michael Riedel (Broadway columnist for the New York Post) and series producer Susan Haskins.
The program is one of the few independent productions on PBS and now airs weekly on Thirteen/WNET in New York and WGBH in Boston. Now, CUNY TV offers New York City viewers additional opportunities to catch each week's show. (Of course, Theater Talk is no stranger to CUNY TV, since the show is taped here each week before its first airing on Thirteen/WNET.)
The series is produced by Theater Talk Productions, a not-for-profit corporation and is funded by contributions from private foundations and individuals, as well as The New York State Council on the Arts.
Watch more Theater Talk at www.tv.cuny.edu/show/theatertalk

[@tombolin453]

Michael Musto is so funny

[@kanoepahukoa]

Love these

[@nondescript2892]

what a bunch of two faced hypocrites....will trample over a show when none of the creators are around and grovel at their feet when in face to face conversation( especially Riedel often finds something delightfull when an actor or writer is in the studio and will trash it in one of these camp critics babble -offs)..the only exception is Susan Haskins who has gravitas and consistency when expressing her opinions either here or in intelligent conversation.

[@williambobbiestewart9958]

Thankfully no one bothers to watch this petty dribble.

[@lindakahler4799]

I agree with Riedel. Hamilton is not that good. People are drooling over it because it is an almost all cast of color which I resent. Thomas Jefferson was a white man with auburn hair. He was not a black guy with a giant afro. Nobody would dare cast a white man as Martin Luther King. And nobody should. He was an actual person. Furthermore the villain and fool in the piece is King George who is the only white person in the piece. I think it demonstrates what Mr. Miranda thinks of white people and I will not give him a cent of my money.