Getting Great Concert Audio For Live-Streams - 5 Methods Covered

Sdílet
Vložit
  • čas přidán 6. 09. 2024

Komentáře • 11

  • @AhmedJaf
    @AhmedJaf Před rokem +1

    your channel is so underrated , thank you for your videos!

    • @JJKoester
      @JJKoester  Před rokem +2

      Dude! Thank you for saying that. We really want it to grow. We're terrific at making content, terrible at promoting it. I'm glad you found the video.

    • @JJKoester
      @JJKoester  Před rokem

      @@AhmedJaf This is the best way to reach us. Cheers!
      thayuphoto.com/contact

    • @xiocian
      @xiocian Před 7 měsíci

      The fact that he continues to produce content despite being criminally underrated is testament to how deeply passionate he is for this game. Maybe they can contact an sound/music influencer for a contract one day and get the break they deserve.

  • @KickAssets
    @KickAssets Před rokem

    Amazing video Jesse, how are you guys doing? Miss Japan at all? I started making videos on properties and such as well as continuing my English ones. From your Ex Tokyo Landlord. LOL

  • @charlesagvent9392
    @charlesagvent9392 Před rokem +1

    Cool props

    • @JJKoester
      @JJKoester  Před rokem +1

      We take great pride in our museum pieces.

  • @idaho_rex
    @idaho_rex Před 8 měsíci

    How did you set up the H4n Pro to accept the signal into the headphonee/line input?

  • @sattvaphoto7367
    @sattvaphoto7367 Před rokem +1

    Hi Jesse, thanks so much for this video. Truly appreciated.
    Quick question on recording to the H4N Pro. I bought a Hosa -20db attenuator for the signal out, just in case the board at the event (not sure what kind of board it is yet) only has XLR or 1/4" out available. I'll just be recording the audio of the mic on stage, so a mono signal should be just fine. Given that, is it okay to just have *either* the mic one or mic 2 input on the H4N used for recording? Or, does it need to be both? Thanks so much!

    • @JJKoester
      @JJKoester  Před rokem +2

      The Hosa attenuator is a really good piece of kit to pair with the H4N. That will help you milk more blood from the stone. When I'm doing a mono input on the H4N, I typically do a stereo recording and split the audio channels in post production. The reason I do this is because the interface for 4-channel recording does nothing but confuse me on the H4N.
      Also, if you have two attenuators, you might consider taking the same mono feed and having one attenuator at -20 and another at -40 or -60. Then, if there's a surprising loud noise that isn't clipping at board level, it has a chance of not clipping at the Zoom level.

    • @sattvaphoto7367
      @sattvaphoto7367 Před rokem

      @@JJKoester thank you so much, Jesse! Truly appreciate your time and wisdom