I'm no expert, but I never heard another Carnatic singer render compositions with such tenderness, such flowing abandon to the Rasa, such relaxed tempos, or such sensitive, modest and concentrated accompanists. I'm definitely a fan.
havent paid attention, buts that's likely...there have been other places in other recitals..though it is rare...For me however, it has never detracted from the authenitcity of his manodharma and sheer aesthetic appreciation of what he is attempting in each presentation..And he would probably agree that each time it is an exploration into the unknown.Most times he pulls it off and sometimes it doesnt work so well.
Excellent elaboration of a raga and a krithi, rarely touched by any musician. And, the entire team providing superb support. However, TMK Ji's performance can ONLY BE LISTENED AND NOT WATCHED for the simple reason, the expression of great struggle in his face and unusual mannerisms are too irritative and takes away the pleasantness, an important facet of music. Eventually, music is all about pleasantness, it's object being to spread a pleasant feeling. Not only he, even the accompanying artistes seem to be struggling. The whole dias seem to be a platforms of struggle and leaves the audience wondering if music is such a struggle. And, the audience is forced to live through a struggle. There are some artistes who exhibit similar struggle or wierd mannerisms or violent body shakes while performing, with the result the pleasantness of the whole atmosphere is vitiated. On the contrary, there are more brilliant performers who are composed and pleasant while performing, like Vidwans Kaushiki, HK Venkatram (dad of Bhargavi playing tanpura here and herself a distinguished singer), Charumathi, Akkarai sisters (one on this dias), MS amma, MLV amma, whose names come to my mind immediately. Trust, the distinguished musicians will take this observation in the right spirit and bring pleasantness to music, and not make it an exercise in misery🙏🙏🙏🙏🙏🙏
In TMK's concerts, Bhargavi Venkatram playing the tambura invariably draws unneeded attention to herself with exaggerated head movements (made worse by a dangler) and singing along. Shut up and play the tambura and sit still, lady.
I'm no expert, but I never heard another Carnatic singer render compositions with such tenderness, such flowing abandon to the Rasa, such relaxed tempos, or such sensitive, modest and concentrated accompanists. I'm definitely a fan.
My sister was named Purvi...and all of us did not understand the full extent of her name...we know she has the heart of gold
Akarai Subbalakshmi and TM are such exceptional musicians. Truly astounding bhava and rasa they extract from every raga
My goodness what a handsome man, and he's a musician as well 😍😍😍
The ganjira vidwan is exceptionally good. The whole team of Sri TMK
Thank you FEA team for the new year gift.. waiting for more 💚
Absolute Bliss. Rendering a rare raga to Dikshitar's perfection is a brilliant achievement
No one can be near this monster tmk and the magician subbu
.. wow.. love you both
Very nice and a very good beginning of the new year.Thanks a lot.
Happy New Year
New year present.
THANKS
5
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Fantastic
Awesome...I think it is the only kriti in purvi
is this th same Purvi of hindustani...?
This is a masterpiece!!!
Excellent neraval
19:32 woww!!!!excellent sangati
24:40 wow.
Akkarai plus tmk wov
@@CHIDANANDANATHA and what is yours?
Please upload pandit raghunandan panshikar ji's performance
Some one pl let me know the Difference between Mayamalawagowla and Purvi !!
And also it always has NSG at the end..... More of vakra sanchara
Lot of Dhatu Phrases will be used in Purvi , Like GMPN , GMPSN , GMDMG and such
Look into Sangeeta Sampradaya Pradarshini for more clarity
Tmk, jewel of south. Why he does'nt take political assignment. His gr. UNCLE TTK SERVED NATION.
Pardon my ignorance but is Shri TMK off shruti at 24:35?
It's the head voice at high octaves instead of chest voice
It's a little annoying when he uses head voice instead of singing full throat and moving his head away from mike
Yes, he is
its sometimes natural, but I felt his characteristics need at least two mic or a collar mic
havent paid attention, buts that's likely...there have been other places in other recitals..though it is rare...For me however, it has never detracted from the authenitcity of his manodharma and sheer aesthetic appreciation of what he is attempting in each presentation..And he would probably agree that each time it is an exploration into the unknown.Most times he pulls it off and sometimes it doesnt work so well.
Excellent elaboration of a raga and a krithi, rarely touched by any musician. And, the entire team providing superb support. However, TMK Ji's performance can ONLY BE LISTENED AND NOT WATCHED for the simple reason, the expression of great struggle in his face and unusual mannerisms are too irritative and takes away the pleasantness, an important facet of music. Eventually, music is all about pleasantness, it's object being to spread a pleasant feeling. Not only he, even the accompanying artistes seem to be struggling. The whole dias seem to be a platforms of struggle and leaves the audience wondering if music is such a struggle. And, the audience is forced to live through a struggle. There are some artistes who exhibit similar struggle or wierd mannerisms or violent body shakes while performing, with the result the pleasantness of the whole atmosphere is vitiated. On the contrary, there are more brilliant performers who are composed and pleasant while performing, like Vidwans Kaushiki, HK Venkatram (dad of Bhargavi playing tanpura here and herself a distinguished singer), Charumathi, Akkarai sisters (one on this dias), MS amma, MLV amma, whose names come to my mind immediately. Trust, the distinguished musicians will take this observation in the right spirit and bring pleasantness to music, and not make it an exercise in misery🙏🙏🙏🙏🙏🙏
Why get distracted by visuals. Listen with the eyes closed. Our distractions are our problem..Tmk rarely sings in safe zones...he will push the edges.
In TMK's concerts, Bhargavi Venkatram playing the tambura invariably draws unneeded attention to herself with exaggerated head movements (made worse by a dangler) and singing along. Shut up and play the tambura and sit still,
lady.
Can you hear the music and sit still. Rather than showing your male misogyny here
😄
While i see where you are coming, i say let be😄. To each his/her own mode of expression.
99% of this is only mayamalava gowla
How