Bright Eyes - One and Done (French Lyric Video)
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- čas přidán 31. 05. 2020
- "One and Done" by Bright Eyes, out now on Dead Oceans.
Buy / stream: ffm.to/one-and-done
Directed and animated by Emily Scaife
www.emilyscaife.com
Lyrics
My old pal looks shaky with a cigarette in his hand
Salt and pepper sprinkled on his face and on his head
Looks like he might start crying, is it just something that I said?
Let’s take a walk around the block
This fleeting feeling is infinite
Around here we’ve been wondering what tomorrow’s going to sing
On the final field recording from the loud Anthropocene
I’ve seen the sparkle of the diamonds on the watch of the emcee
It’s not keeping time, just shining
It’s not the first time you said, one and done
And oh my god
And oh my god
Stood in your prom dress all covered in blood
What you sacrificed will never be enough
This whole town looks empty but we knew it wouldn’t last
Behind bulletproof windows they’re still wiring the cash
Whatever they could scrape up, whatever that they had
There’s a lot of mouths to feed through this famine
This room seems even smaller now than I remember it
Hung mirrors on the walls and the ceiling
There’s no disguising it
There’s no denying it
This little box fits everything there is
It’s not the first dance you said, one and done
And oh my god
Baby oh my god
Came to the wedding you were looking rough
Watch the masochists all celebrating love
Come up!
Come up!
Credits
Conor Oberst - vocal
Nathaniel Walcott - piano, string and horn arrangement
Mike Mogis - electric guitar, percussion, programming
Flea - bass
Jon Theodore - drums, percussion
Miwi La Lupa - backing vocal
Suzie Katayama - orchestra conductor
Strings:
Violin: Jessica Guideri, Tammy Hatwab, Jackie Brand, Roberto Cani, Paul Cartwright, Nina Evtuhov, Gerry Hilera, Ana Landauer, Natalie Leggett, Michelle Richards, Jenny Takamatsu, John Wittenberg
Viola: Rob Brophy, Tom Lea, Luke Maurer, Rodney Wirtz
Cello: Vanessa Freebairn-Smith, Erika Duke, Dane Little, Charlie Tyler
Horns:
Trumpet: Jon Lewis, Dan Rosenboom
Trombone: Alex Iles, Steve Holtman
Baritone Saxophone: John Mitchell
Produced by: Bright Eyes
Engineer: Michael Harris
Engineer: Steve Churchyard
Assistant engineer: Chris Cerullo
Assistant Engineer: Chandler Harrod
Mixed by: Mike Mogis
Mastered by: Bob Ludwig
Written by Conor Oberst, Nathaniel Walcott, and Miwi La Lupa - Hudba
I have a drug addiction (alcohol) and your album is the only thing keeping me going. I feel like I want a drug
Induced suicide, but you guys keep me going.. Conor your voice and bright eyes, you keeps me going. You're incredible, please don't ever change . You're so important to my life ...
Hang in there bro. I've been there.
Thank you
Perfect!!! I love it
merci!💕💕
😍
Ello from the Philippines!
Pretty sure if you put Mr. Obersts voice through a boss dd-7... Gunna have a good time. Radiohead did a bit of experimentation on 'kid-A' with it. Its a guitar distortion pedal. But the best experimentation you can do... Is with aliens. Lol Nah just kidding. The best experimentation is with the wiered ass 432 tuning. Alot of its bunk but if you go by the MIT standards and a chromatic tuner app, preferably android. Oh shit. It really changes the mood. Its very strange. A is since ancient times 108. Something hertz. 108.2... Then you go from there. But you can't use a les Paul guitar. Humbuckers take the fun out of it.. You direct wire a standard issue fender strat single coil or hoter beefier single coil to a spring reverb amp. Preferably not electronic but the old Russian tubes.. Then strike a chord. They'll feel that shit a block away...
The coil has to be in the middle of the guitar. So lookin at this aerodyne strat, the neck pickup. So its in the middle of the string, reads the correct frequency, like a scanner. Or close enough. No need for fancy pants effects. Wire the pickup, solder it directly to the jack. If the pickup is out of place, it creates distortion. But if you want resonance and a wee bit of amperagе, (сила тока) force.. You tone down the amp a bit but let the guitar run raw. And that's not even mentioning the acoustic guitar, acoustic with a pickup, ran the same way, and also drop D and various fun and specific alternate tunings, but in a slightly lower frequency...
pages.mtu.edu/~suits/notefreq432.html
The most accurate and simple printout on it. Mtu not MIT. My bad... The e string will be too high, so go with a step down at about e4 @ 323.63..
first E will be 80.91 hz
Second e would be 647.27 hz but that usually breaks the string, so just go with E4 at 323.63 hz and its like a drop E tunning. Sounds pretty good and its like a loop... Or circle. When you strum the guitar. Sure enough. 🤓🤗
A pickup is basically mini passive alternator, so people get bored with the humbuckers. They might spend a couple grand on a les Paul
Its built like a tank but it doesn't hum. That's why they call them "hum buckers" but really its alot funner, to play around with the hum, the frequencies, and things like that. Why not have some fun with it instead of tuning guitars like the Nazis and their beloved 440 tuning... There's something to that, if you pay attention.
Yo some of that French isn’t translated correctly 😯.. for example- “came to the wedding you were lookin rough” - the French says “came to the wedding you were searching for so much”
My old pal looks shaky with a cigarette in his hand
Salt and pepper sprinkled on his face and on his head
Looks like he might start crying, is it just something that I said?
Let’s take a walk around the block
This fleeting feeling is infinite
Around here we’ve been wondering what tomorrow’s going to sing
On the final field recording from the loud Anthropocene
I’ve seen the sparkle of the diamonds on the watch of the emcee
It’s not keeping time, just shining
It’s not the first time you said, one and done
And oh my god
And oh my god
Stood in your prom dress all covered in blood
What you sacrificed will never be enough
This whole town looks empty but we knew it wouldn’t last
Behind bulletproof windows they’re still wiring the cash
Whatever they could scrape up, whatever that they had
There’s a lot of mouths to feed through this famine
This room seems even smaller now than I remember it
Hung mirrors on the walls and the ceiling
There’s no disguising it
There’s no denying it
This little box fits everything there is
It’s not the first dance you said, one and done
And oh my god
Baby oh my god
Came to the wedding you were looking rough
Watch the masochists all celebrating love
Come up!
Come up!