36 short films about Jimmy Martin. #4 day at the park
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- čas přidán 1. 08. 2008
- typical day at a festival for jimmy. talking to fans and friends, getting the band ready backstage, talking to old friends, and layin it on the crowd. This is #4 or so of the 36 films about jimmy martin.
- Hudba
I remember watching Jimmy Martin at Bobby's riverbend bluegrass festival in Crum WV. It was in the late 80's through the early 90's Jimmy and his band performed there every year and I went there just to watch him. He was my favorite and still is, he didn't need the grand ole opry to be the greatest of all times. I really miss him, RIP Jimmy
i know you're right. it was Bill Anderson who kept him out of the Opry and no one else, so in my opinion he was really a part of the Opry, just not part of Anderson's Opry.
I can't wait to see all of them! Thanks for sharing...Jimmy was a legend!
Mike Bubb on the bass!
ALWAYS missed! KING💟
I love how at 3:13 the mandolin player just kicks off the song, they nail it and Jimmy Martin says after the song ends: "we might just ought to do that tonight!" they hadn't even worked on it! RIP Jimmy King of Bluegrass! enjoy!!!
john pron
Good 👍 Oldboy
I saw his son playing his guitar at a festival in Sneedville, TN last May.
Don't you love it when the mandolin kicks off "Give Me The Roses" at 3.20 and everyone jumps in... tight!!
He helps us all!
Good ole 👦 boy
This was great! I wish I could have met Jimmy in real. What kind of guitar is Jimmy playing in this vid? Thanks for posting, post more.
Did Mike Bub play for Jimmy or was he just sitting in?
@dmthom yea man!!!!!!
Is Jimmy Martin playing a D-28 or a D-35?
whats that guys name on the mandolin????
@stdguage Ray Martin
was jimmy pretty good at guitar?
On rhythm he was hard to beat. He could actually pick a little bit on guitar as well as mandolin and fiddle. But he didn't really like to.
@@mandolinman2006 he sure also knew a lot about sounds and how he wanted it to come out , really had a great feel for how other songs were played and concepts for the way bluegrass should be played and played in the utmost respectfully manner to the genre.