'Mad Max: Fury Road' Cinematography ­- Variety Artisans

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  • čas přidán 21. 08. 2024
  • Cinematographer John Seale has been one of the best in the business for decades, and has an Oscar for “The English Patient.” At age 70, he found himself in the Namibian desert shooting one of the year’s most startling films, “Mad Max: Fury Road.” He joined Variety’s David Cohen to explain what it was like to shoot a film that had been planned for 10 years, but didn’t even have a proper script.
    Producer/Writer/Host: David S. Cohen
    Supervising Producer: Preston Northrop
    Editor: Armando Aparicio
    Camera: Preston Northrop, Armando Aparicio
    bit.ly/VarietyS...

Komentáře • 38

  • @Onmysheet
    @Onmysheet Před 8 lety +33

    The Blu ray transfer of this film was beautiful.

  • @aflutteroffeminineconfusio1986

    A couple of old school aussie blokes who just happen to be mates...down to earth.. and bloody brilliant at what they do ....their knowledge combined.immeasurable....proud Australian indeed 😊

  • @reflectionfilms3137
    @reflectionfilms3137 Před 8 lety +7

    wow great work its soul of cinematography

  • @sclogse1
    @sclogse1 Před 8 lety +1

    4:22. With the wheel. Wonderful moment.

  • @jacksonfilm
    @jacksonfilm Před 8 lety +1

    A great teacher and all round top bloke, saw him at Camerimage a few years back

  • @TheDragonSmasher
    @TheDragonSmasher Před 8 lety +9

    I know you did cinematography on Sicario but I'd love to see a feature of its editing. I think Joe Walker did a fantastic job. Love this Artisans series by the way

    • @davidcohen6172
      @davidcohen6172 Před 8 lety +1

      +TheDragonSmasher So glad you like them. We usually get one episode per film, so it's unlikely we'll do a second "Sicario" episode. I agree about Joe's great work. Would love to devote an episode to him. He was part of some of our very first episodes -- the Below the Line Impact roundtable episodes from summer 2014.

  • @SnackersPrime
    @SnackersPrime Před 8 lety +12

    Would love to see a feature on Creed's cinematography

    • @davidcohen6172
      @davidcohen6172 Před 8 lety +3

      +Raymond Thang Great idea! We'll look into that.

  • @AAron-gr3jk
    @AAron-gr3jk Před 4 lety

    came here after the release of "Gaslands Refueled" to go to the root of the inspiration. What a movie, what cinematography !

  • @CRUMedia
    @CRUMedia Před 5 lety +1

    "Oh what a day. OH WHAT A LOVELY DAY!"
    my head: *moto madness song plays*

  • @CINENIMUS
    @CINENIMUS Před 3 měsíci

    the pitch was: "you Australian right? YEAH... Good You In!"

  • @Superfoot
    @Superfoot Před 8 lety +5

    Would have been nice if you had talked about the cameras used in Fury Road. I heard they used 11 Alexas and 11 Canon 5Dmark II s.

    • @magoelite
      @magoelite Před 8 lety

      they have used Blackmagic pocket cinema camera like b cam and crash cam www.blackmagicdesign.com/it/community/story/mad-max-michelle\

  • @mathmason
    @mathmason Před 8 lety +2

    You guys should have asked him how he acclimatized himself with the new digital cameras and all that! :)

  • @nileshrathod8891
    @nileshrathod8891 Před 8 lety +1

    Amazing work really !!! All the best.

  • @cobaltfalcon9458
    @cobaltfalcon9458 Před 8 lety +1

    I love how the movie came to be, because George Miller initially wanted to revisit Mad Max, using this story, and have DC Comics print it, but decided, "Might as well make it a movie"

  • @leobergmiller873
    @leobergmiller873 Před 7 lety +8

    Sure, Lubezki can take the oscar for cinematography, but the directing for Mad Max was WAY more impressive on Mad Max than The Revenant. Literally Miller had to do like 90% of that shit on moving cars...

  • @MikeMorash
    @MikeMorash Před 6 lety +2

    Nice eye! How long have you been shooting?

  • @mikegray1946
    @mikegray1946 Před 8 lety

    Love this series!

  • @746lio64barba
    @746lio64barba Před 8 lety +8

    great video. very interesting for any DOP_wanna_be
    keep on making these artisans ;)

    • @davidcohen6172
      @davidcohen6172 Před 8 lety +3

      +Taglio La Barba Per Vedere Un Film Thanks! We will!

    • @oddballsok
      @oddballsok Před 8 lety +1

      +Taglio La Barba Per Vedere Un Film
      yes, well. Only info in that respect is:
      use multiple cameras (obviously beneficial to editors and actors) and
      use a detailed script board..like an animation... which also makes common sense for visually strong films.
      Nice info, but not surprising.

  • @rei___l
    @rei___l Před 4 lety +1

    hi quick question: does mad max uses the technique "deep focus"? Thank you

  • @pdgf
    @pdgf Před 3 měsíci

    The Best Picture and Best Cinematography of 2015, not the Revenant 😊

  • @FrozenFilmsByParis
    @FrozenFilmsByParis Před 8 lety

    the place behind the pines would be great

  • @Junaidansari198
    @Junaidansari198 Před 6 lety

    Great movie...

  • @at.8045
    @at.8045 Před 8 lety +2

    Great video @Variety, it be cool to see some stuff on B-T-S of "The Revenant"

    • @davidcohen6172
      @davidcohen6172 Před 8 lety +6

      +Angela Thorne We are planning an episode on "The Revenant"! Probably for 12/15/15.

    • @kenny6449
      @kenny6449 Před 8 lety

      +David Cohen do that it would be a perfect bday present

  • @SmokeeWhine
    @SmokeeWhine Před 8 lety

    great video

  • @imperatorachilles
    @imperatorachilles Před 8 lety +2

    Hears an idea!!! its for mad max!
    stunts. the crashes. THE CARS!! i want to know!!!

  • @cassandramcnamara6886
    @cassandramcnamara6886 Před 8 lety

    do a video on the new movie coming out The Fifth Wave I really want to watch it!!!!!!!!!!!

  • @forensicsci
    @forensicsci Před 8 lety

    good good

  • @sureshotfilm
    @sureshotfilm Před 5 lety

    sweet

  • @aurozappa305
    @aurozappa305 Před 4 lety

    This movie was terrible