Introduction To The Pressing Scales

The 1st episode in the series on the Pressing Scales where I explain the criteria and use of the Pressing Scales.
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[@angelaminerva6279]

Woah this is so cool how interconnected this is!

[@Racosz]

Excellent video. From a practical approach, harmonic content (subsets) of a scale can be one of the most effective ways to understand how dissonant/consonant, chromatic/diatonic a scale can be. Maybe tths approach can be even more effective (and practical) than the interval vector concept from Allen Forte's pc set theory.
Greetings from Bogotá, Colombia.

[@B33fTh33f]

Best out

[@DIYDSP]

Cool. I like organizing things this way. Tho i think harm minor and major should be more separate... they must sound and act different, no?

[@jaybeardmusic8074]

Thanks! Harmonic major and minor have the same intervals and subsets. They do sound different of course which is why they have separate names to distinguish between them (7-32A, 7-32B), but there is no separate diagram for each of them because they have the same subsets. It makes sense that the structures within them are the same because harmonic major and minor are the same structure, one is just flipped compared to the other.
You can learn more about this in the video I linked called “inversions explained”.

[@MikeTooleK9S]

don’t press ur luck instead try these scales 💀

[@mindyjefferson6153]

🎊 "promosm"