Arturo Benedetti Michelangeli plays Chopin (1962)
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- čas přidán 17. 11. 2017
- FRÉDÉRIC CHOPIN
Sonata No.2 in B flat minor Op. 35
00:00:25 I Grave - Doppio Movimento
00:08:41 II Scherzo
00:16:10 III Marcia Funebre
00:25:43 IV Finale
00:27:18 Ballade No.1 in G minor Op.23
Andante spianato et Grande polonaise brillante Op. 22
00:36:55 Andante spianato
00:41:37 Grande polonaise brillante
00:50:15 Fantasia in F minor Op. 49
01:03:57 Waltz No.9 in A flat major ('L'adieu') Op. 69 No.1
01:08:21 Waltz No.2 in A flat major Op. 34 No.1
01:14:13 Waltz No.17 in E flat major (Op. post.)
01:17:21 Scherzo No.2 in B flat minor Op. 31
01:28:32 Mazurka in A minor Op. 68 No.2
01:31:45 Mazurka in B minor Op. 33 No.4
01:38:15 Mazurka in D flat major Op. 30 No.3
01:41:44 Berceuse in D flat major Op. 57
ARTURO BENEDETTI MICHELANGELI, piano
Recorded in Torino, Rai headquarters, 21 September 1962 - Hudba
Le mani di Michelangeli...
Un interprete di rarissima sensibilità e, per me, uno degli uomini più belli mai esistiti. Forma e sostanza.
genius, absolute genius
Uno dei massimi pianisti di tutti i tempi! Poesia e controllo assoluto si fondono mirabilmente.
Le sue marurkas furono la prima cosa di Musica Classica che abbia mai ascoltato....e ad appena 8 anni capii cosa fosse la bellezza assoluta.
😮
absolutely brilliant
True Master
Michelangeli brings a dispassionate, sober and measured-kept at arm's length approach of Chopin. But the precision and tonal production is phenomenal.
This is amazing!
Unico Michelangeli!
помню пианиста гениального на виниловых пластинках, Моцарта концерт, супер как огненно
I agree, except on the dispassionate issue. Look carefully at his facial body language: it’s subtle but there is a tremendous variety of different and consistent movements, almost like a language in itself. I think he was as emotional as any great pianist of his time; it was just less obvious. Turn off the video and you will hear the most wonderful and subtly controlled dynamics. Some people are put off by his immaculate technique as though it should not be possible. Well, it is, for very few people. Others are put off by his lack of body language, or its concealment. My great regret is that Dinu Lipatti, who showed that same perfection in his recordings, did not live long enough to leave us much of a legacy on record. Anyway, A.B. Michelangeli remains, for me, one of, or perhaps THE greatest pianist on record.
ABM never played the Best piano concertos like Mozart 24 Brahms 1-2 Chopin 1-2 Prokofiev 1-3 Rachmaninov 1-3 Saint-Saens no 2 Tchaikovsky no 1 JS Bach 1052! ABM played the second-rated piano concertos like Mozart 13 Haydn G Major Liszt no 1! I prefer Artur Rubinstein Emil Gilels Grigory Sokolov Maurizio Pollini Solomon Cutner Radu Lupu Wilhelm Kempff!!
@@RaineriHakkarainen I wouldn’t argue with that, except on the choice of Kempff. Deutsch Grammophon backed him with their leading technology. I saw him in concert. He was not in the same league as the others you listed.
Radu Lupu was sometimes inadequately prepared. With his massive talent he got away with it a lot of the time, but not all the time. To put him at the same level as his fellow countryman, Dinu Lipatti, you would need to have a very insensitive ear.
@@RaineriHakkarainenI don’t know Solomon Cutner well enough and never saw him play, so I don’t have an opinion there.
Dimitri Bashkirov her teacher Anastasia Virsaladze teach saying to Bashkirov the most important lesson is the love of beautiful colorful piano sound! Kempff Emil Gilels Radu Lupu Artur Rubinstein had the colorful beautiful piano sound! Today s players are cold dry colorless like Pletnev Hamelin Kissin Zimerman and latest hype student Yunchan Lim!