Mozart - Mass in C minor, K. 427 (Bach Collegium Stuttgart, Helmuth Rilling)
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- čas přidán 17. 11. 2021
- Rendition of Mozart’s Mass in c minor, KV 427 by the Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart and conductor Helmuth Rilling is recorded at the Knights Hall in Schloss Wolfegg in 1988.
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Ibolya Verebics - soprano
Andrea Rost - soprano
Uwe Heilmann - tenor
Daniel Lichti - bass
Gächinger Kantorei Stuttgart
Bach Collegium Stuttgart
Helmuth Rilling - conductor
Wolfgang Amadeus Mozart - Great Mass in C minor K. 427
I. Kyrie (Andante moderato: Chorus and soprano)
II. Gloria
Gloria in excelsis Deo (Allegro vivace: Chorus)
Laudamus te (Allegro aperto: Soprano II)
Gratias agimus tibi (Adagio: Chorus)
Domine Deus (Allegro moderato: Sopranos I and II)
Qui tollis (Largo: Double choir)
Quoniam tu solus (Allegro: Sopranos I and II, tenor)
Jesu Christe (Adagio: Chorus)
Cum Sancto Spiritu (Chorus)
III. Credo
Credo in unum Deum (Allegro maestoso: Chorus)
Et incarnatus est (Andante: Soprano I)
IV. Sanctus (Largo: Double choir)
Sanctus Dominus
Hosanna in excelsis
V. Benedictus
Benedictus qui venit (Allegro comodo: Quartet and double chorus)
After Wolfgang Amadeus Mozart had married Constanze Weber on the 4th of August 1782, he promised to compose a mass in her honour. He intended for the mass to be performed during the newlyweds’ visit to Mozart’s father in Salzburg. In January 1783 Mozart wrote to his father that his Mass in C minor ‘Grosse Messe’ was halfway finished, but when he arrived in Salzburg in July of the same year the mass was still incomplete. He would never finish the mass. The parts of the mass that Mozart did manage to compose (the Kyrie and Gloria) had their opening on the 26th of October 1783 in Salzburg, with Constanze as solo soprano. - Hudba
Andrea Rost is the soprano I (although she doesn't sing the opening soprano part) and Ibolya Verebics is the soprano II
I remember back in the late 90's watching this same concert on EWTN (the Catholic tv network) in the U.S. that was such a long time ago, but it seems like yesterday.
Wunderbar!
Дуже дякую! Молодці!
Young Andrea Rost :)
Funny Andrea Rost didn't sing the opening soprano part.
it's not the first time i see that. also in Neville Marriner's edition Felicity Palmer (Soprano II) sings the opening part and not Margaret Marshall (Soprano I)
21:25
Lovely performance. Sadly today the recording no longer remains as it once was; not even with excellent BlueTooth. A pity.
Et incarnatus @38:25 ❤
Der Obergenannte mstro. Gonnenweinhat den ffff Paukenschlag um 2.49 respektiert.
any heredatary properties from the SuedDeutches Kammerorchesterm of the deceased lamented Wolfgang Gonnenwein " With the Sueddeutsches Madrigal Chor. ?? Excepting they're Suttgarters.
C minor - how would you describe it?
White, with a touch of pale purple.
Vivaldi likes!
К сожаленью у солистов сильно страдает техника пения, они скорее орут, там где необходимо просто красиво петь. В целом исполнение на троечку. Кстати и хор то же довольно резко орет. Что то не то, не так😮.
Nach den ersten Takten bereits wieder weggeklickt. Zu breit, zu dick, zu zäh. Zieht sich wie dickflüssiger Brei.
Blatant Germanification, slurry slow tempos and affected syrupy strings and perfume all from confused affected personal ego and outlandish ideas about the music instead of trying to find it with any honest; this is the outdated ignorant undifferentiated application of Germanic stoicism, here to lyrical Mozart to again destroy and anonymize the music. Rilling has no idea what he’s doing; a few mins of this benighted silliness is enough.