THREE OUDS Ensemble is an Oud trio playing traditional Iranian music. The trio consists of the Shahram Gholami, Omid Tofighi and Azarnoush Khoddami with Behnam Masoumi as Percussion Player.
Yasamin Shahhosseini is amazing. I am happy to see her in this ensemble. I think those are Mohammadi Brothers Ouds as well. Amazing instruments in the hands of such brilliant players. Yasamin Shahhosseini is by far my favorite Oud player, I wish there was a lot more of her work available. She inspired me to change from my Turkish Oud to ordering a Hamid Our from Iran which is good for our humid environment in Japan. I hope to play even a little as well as she does some day.
@@greeneking77 My Iranian oud was made in a humid part of N. Iran for humid climates. It was intended to resist the moisture as part of the build. This isn't true of all Iranian Ouds. Just this particular maker.
@@Filimon32 Theodorakis ouds ar wonderful. I think, not 100% sure, he made a Shurangiz style Oud with a half skin top for a custom order. I heard that instrument and it reminded me of an Oud, Afghan Rubab hybrid. I looked at Theodorakis Ouds back in 2012 but it was out of my budget range. Some day I hope I can own one. I'd love a 7 course floating bridge instrument.
The possibilities are endless i.love to Play for hours especially with others when everything is right it works out. ..Ouds once roamed the earth 🌎 in search of the mystical notes. tikun olam
Yasamin Shahhosseini is someone I think the west needs to discover. She could inspire many more women to take up Oud. Here in Tokyo there are quite a few oud players but only a tiny number are women. I hope she gets much more attention world wide.
@@tariqrajab7014 You hit it right on the nose when you said "The Brilliant Yasamin Shahhoseini"...I just discovered her playing just two days ago, and she absolutely blew me away!...She has to be one of the best oud players that has ever lived!!!...Love, peace and respect from Oklahoma, USA!!
سلام دوست عزیز. بله البته. اگر از اسپاتیفای استفاده میکنید: open.spotify.com/album/0AxY3ldoFLiXeDxErEBOeR اگر ایران هستید و علاقه دارید نسخه دیجیتال رو بخرید: beeptunes.com/album/24370327/%D8%B3%D9%87-%D8%B9%D9%88%D8%AF-%D8%B3%D8%B1%D9%85%D8%B3%D8%AA%DB%8C
یادآوری می کنم که بسیاری از خوانندگان با گلوی تنگ کرده و از قسمت بالای حنجره می خوانند ، در این کار خواننده به درستی از پائین گلو و با گلوی باز می خواند ، صد آفرین
I've been in a band exploring Central Asian and Silk Road inspired music for years. The Minor sounding music becomes far less so the more you explore it. At first my wife's Shamisen sounded very dark and out of tune to my American ears. But over time I discovered how expressive microtones and these scales can be and how joyful and happy some scales are when you are able to move past the western bias. I promise you if you listen to more Persian music especially, you will start to fall in love with it. The only thing I can compare it to in the west is when some of Tchaikovsky's waltzes shift to a minor key to level up the swirling passion of a moment. I find these microtones and the scales can be profoundly expressive of love, ecstatic joy, nature and more. It took me a while to get there, but now I don't want to go back to the limitations of western music for how scales are used to express. Check out music on the Setar, Oud, Santoro (probably the hardest to adjust to as it often sounds out of tune to western ears at first), Shamisen from Japan, Afghan Rumba (the most amazing string instrument in the world I think for expressing the region), Chinese Pipa, Turkish Saz/Baglama and the amazing Persian Ney flute. Listen as much as you can and your ears will adjust in a few weeks. I promise you won't regret adjusting to it and discovering it.
To give you a more to-the-point answer, yes, in Persian/Turkish classical music, the dastgah/makam called Mahur is practically our major scale. The Arabs and Turks also use the maqam/makam Rast, which is what they think of as their “major” scale.
They are 7 course Ouds. Usually six double pairs tuned in unison and one bass string. This is only one form of Oud. There are 5 and six course instruments as well. Fixed and floating bridge and varous sizes. I play a Turkish small body 6 course instrument, a slightly larger Egyptian Oud with 6 courses and a floating bridge and my new Persian 7 course with large body and fixed bridge. Each has a different character and tone. Ouds are amazingly diverse instruments depending on where they come from, the tuning, the body size, sound holes and materials. Definitely not guitars.
@@nonbinarymetv Thanks for the details, I wish to add a few informations. The original persian oud, the barbat or barboud (the oud ancestor), is a 4 course oud. The 7 was originally designed by Al Farabi ( IX th century) but never used until Naseer Shamma asked an Iraki oud maker to create it as per the original drawing from al Farabi. You can find this drawing in the " Kitabu al Musiqi Al Kabir". I don't know if there's an english translation, available in french translation ( Rodolphe d'Erlanger, 1935). A very interesting book where you can even find some of Bach's "mathematics".The 6 course is the most used one , the legend says it was created by Ziryab in Andalusia (VIII th), but you can find a 5 course persian barbad , the barbat Hosein Behroozi Nia is using, a 4 couse in Morocco, the oud Ramal, a 4 course in Algeria, the oud arbi... and so on ...
3 oud together is sounds too similar mono tone, with short neck has limited range 1:37 because it sounds bad when he went high. 3 different instruments will sound much better or at least 2 oud and different instrument.
WONDERFUL!!!!!!!! WE need your music in our lives!!!!!! thank you so much!
Yasamin Shahhosseini is amazing. I am happy to see her in this ensemble. I think those are Mohammadi Brothers Ouds as well. Amazing instruments in the hands of such brilliant players. Yasamin Shahhosseini is by far my favorite Oud player, I wish there was a lot more of her work available. She inspired me to change from my Turkish Oud to ordering a Hamid Our from Iran which is good for our humid environment in Japan. I hope to play even a little as well as she does some day.
:)
What makes the Iranian oud better in humid environments rather than Turkish ouds?
@@greeneking77 My Iranian oud was made in a humid part of N. Iran for humid climates. It was intended to resist the moisture as part of the build. This isn't true of all Iranian Ouds. Just this particular maker.
How about ....HELLAS....GREECE,we have excellent oud makers lisen to this-czcams.com/video/OFRXdmHn-vc/video.html
@@Filimon32 Theodorakis ouds ar wonderful. I think, not 100% sure, he made a Shurangiz style Oud with a half skin top for a custom order. I heard that instrument and it reminded me of an Oud, Afghan Rubab hybrid.
I looked at Theodorakis Ouds back in 2012 but it was out of my budget range. Some day I hope I can own one. I'd love a 7 course floating bridge instrument.
The possibilities are endless i.love to Play for hours especially with others when everything is right it works out. ..Ouds once roamed the earth 🌎 in search of the mystical notes. tikun olam
Keep up the good work. Would love to hear more music from your group!
AMAZING IRANIAN BROTHERS ..PEACE FROM PALESTINA
The Oud along with its rich tradition, amazing artists, and beautiful songs is criminally unknown in the west...very sad
Oud is amazing. Wish we lived in a country where I could get my kids lessons.
Han Man, when you believe you are the absolute best then your eyes, ears and mind are closed and you stop growing.
Yasamin Shahhosseini is someone I think the west needs to discover. She could inspire many more women to take up Oud. Here in Tokyo there are quite a few oud players but only a tiny number are women. I hope she gets much more attention world wide.
The Oud found me through the soundtrack of Babel..
not so the lute came from this instrument which morphed into the guitar.
Absolutely beautiful and mesmerizing.
Masterpiece. God bless you
Absolutely amazing mesmerizing beautiful musical collaboration . Very nice indeed .
Thank you for the hard work.
Nice vibe thanks for this beautiful sound
Well Done 👍 🌹🌹🌹thanks for shearing.
Beautiful!
Brilliant, thank you
💜 France
Music and emotion know no frontiers
beautiful.
Awesome 👏🏼
magic!
Magnifique
Magic
Υasamin......forever....
Bravo bravo bravo....
Very Nice
Very nice
Wow !!
عالی بود
wonderful נהדר
عزف جميل ❤❤
Yasamin . . .
Love the title ‘trance of the mad’ , my guess a Sufi origin?
I think that's actually Yasamin Shahhosseini.
Yes she is Yasemin
The Briliant Yasamin Shahhosseini
@@tariqrajab7014 You hit it right on the nose when you said "The Brilliant Yasamin Shahhoseini"...I just discovered her playing just two days ago, and she absolutely blew me away!...She has to be one of the best oud players that has ever lived!!!...Love, peace and respect from Oklahoma, USA!!
@@markdowning9409 Yeah looks exactly like her, she's great
With beauty like that?........of course it is!!!
This is almost Prog Rock
گروه بچه های بالا ... غلامتم یاسمین بانو
fogholadeh bood, website ya page hast ke baghiye music hashoon ro beshe goosh dad ya kharid?
سلام دوست عزیز. بله البته. اگر از اسپاتیفای استفاده میکنید:
open.spotify.com/album/0AxY3ldoFLiXeDxErEBOeR
اگر ایران هستید و علاقه دارید نسخه دیجیتال رو بخرید:
beeptunes.com/album/24370327/%D8%B3%D9%87-%D8%B9%D9%88%D8%AF-%D8%B3%D8%B1%D9%85%D8%B3%D8%AA%DB%8C
Pardis Records ممنون
یادآوری می کنم که بسیاری از خوانندگان با گلوی تنگ کرده و از قسمت بالای حنجره می خوانند ، در این کار خواننده به درستی از پائین گلو و با گلوی باز می خواند ، صد آفرین
Does this genre of music ever use a major key? Beautiful of course but very minor key the whole time
I've been in a band exploring Central Asian and Silk Road inspired music for years. The Minor sounding music becomes far less so the more you explore it. At first my wife's Shamisen sounded very dark and out of tune to my American ears. But over time I discovered how expressive microtones and these scales can be and how joyful and happy some scales are when you are able to move past the western bias. I promise you if you listen to more Persian music especially, you will start to fall in love with it. The only thing I can compare it to in the west is when some of Tchaikovsky's waltzes shift to a minor key to level up the swirling passion of a moment. I find these microtones and the scales can be profoundly expressive of love, ecstatic joy, nature and more. It took me a while to get there, but now I don't want to go back to the limitations of western music for how scales are used to express. Check out music on the Setar, Oud, Santoro (probably the hardest to adjust to as it often sounds out of tune to western ears at first), Shamisen from Japan, Afghan Rumba (the most amazing string instrument in the world I think for expressing the region), Chinese Pipa, Turkish Saz/Baglama and the amazing Persian Ney flute. Listen as much as you can and your ears will adjust in a few weeks. I promise you won't regret adjusting to it and discovering it.
To give you a more to-the-point answer, yes, in Persian/Turkish classical music, the dastgah/makam called Mahur is practically our major scale. The Arabs and Turks also use the maqam/makam Rast, which is what they think of as their “major” scale.
Nicely said, Sammy. My point as well .@@archkde
Honar nazde Iranian hasto basss
Nice. Thank you.
14 string guitars with no frets. I think.
kent neumann It’s Oud which is different in Structure with 12 String Guitar.
They are 7 course Ouds. Usually six double pairs tuned in unison and one bass string. This is only one form of Oud. There are 5 and six course instruments as well. Fixed and floating bridge and varous sizes. I play a Turkish small body 6 course instrument, a slightly larger Egyptian Oud with 6 courses and a floating bridge and my new Persian 7 course with large body and fixed bridge. Each has a different character and tone. Ouds are amazingly diverse instruments depending on where they come from, the tuning, the body size, sound holes and materials. Definitely not guitars.
Wow. Thank you for taking the time to educate.
I really like the sound of the Oud.
And this style of music too.
@@nonbinarymetv Thanks for the details, I wish to add a few informations. The original persian oud, the barbat or barboud (the oud ancestor), is a 4 course oud. The 7 was originally designed by Al Farabi ( IX th century) but never used until Naseer Shamma asked an Iraki oud maker to create it as per the original drawing from al Farabi. You can find this drawing in the " Kitabu al Musiqi Al Kabir". I don't know if there's an english translation, available in french translation ( Rodolphe d'Erlanger, 1935). A very interesting book where you can even find some of Bach's "mathematics".The 6 course is the most used one , the legend says it was created by Ziryab in Andalusia (VIII th), but you can find a 5 course persian barbad , the barbat Hosein Behroozi Nia is using, a 4 couse in Morocco, the oud Ramal, a 4 course in Algeria, the oud arbi... and so on ...
Baruch haShem 🕎 🕎 ✡
.
Mini version of The Tri Joubran..
3 oud together is sounds too similar mono tone, with short neck has limited range 1:37 because it sounds bad when he went high. 3 different instruments will sound much better or at least 2 oud and different instrument.
Emitating Trio Joubran. And stealing the melody.. Shame😡
🤣🤣🤣 funny man
Beautiful!