@@lucianomontanaro6091 Canto forzato, ho visto che qualcuno l'ha paragonato a Mario Del Monaco, forse xche' ha studiato x qualche tempo con Marcello Del Monaco, ci vuole un bel coraggio x affermare una cosa del genere.
Senza voler scomodare i mostri sacri come del Monaco....io reputo questo tenore una grande grandissima voce...sono un umile basso in carriera ...ho cantato praticamente con tutti i tenori in giro oggi....a mio parere personale ovviamente non c'è oggi nessuno che ha qualità vocali tanto impressionanti...Poi ognuno la pensa come vuole
NOOO opine !!!!! Cómo va a Comparar a Del Mónaco!!!! Con este humilde Novato! Del Mónaco, tenía Una Potencia y Caudal de VoZ!!!!! Que Casi No era Humana!!!!! Escuchó usted??? Besti la Giubba! Por Del Mónaco???
This interpretation is too dramatic for this song. See old school tenors lyric performances. Too much pressure and too much tension. Can you sing in piano or pianissimo?
Nope. Listen to other arias he sang on his channel. Unfortunately, it is a one dimensional singing: loud, powerful on almost every note. This style works for spinto and dramatic but certainly not for lyric repertoire. That said, you already understand just by watching his exaggerated mouth movements where he is heading.....
@@jenspflug7473 where he’s heading? He’s been in the professional game since 1987 (27 years old when he debuted as Werther)… pretty damn solid for a LoMonaco-esque technique, esp at 60.
Fedora is a verismo opera. It requires hefty voices for the entire role. If you’re used to lyric interpretations of the aria, it’s likely due to the plethora of lyric tenors adding the aria to their concert and recital repertoire and popular albums. Giordano cast Caruso as his first Ipanov, and while we don’t know for sure the true character of caruso’s voice in the theater, by all accounts it was massive, even in his early years according to Titta Ruffo, Puccini and others. While this interpretation (from a 60 year old veteran) is darker than most, it is no doubt closer to the intention of the composer than a lyric tenor’s would be.
Muy buena voz así como la altura del sonido la colocación de la misma , pero a mi entender le falta fraseo y gusto para cantar. Buena voz si tiene lo q todo no es voz. Mi Maestro EPD decía el canto lírico es un 20% de voz y un 80 de inteligencia.
Bravissimo Orfeo! Una grande lezione di tecnica vocale! Vocalità sontuosa e padronanza di fiati veramente impressionante!
Wspaniały głos i wyśmienite wykonanie, gratuluję!
Excelente..colega...
Non ho più aggettivi per definire questo cantante...e sono anch'io un cantante ...
Poco intonato e ingolato
@@e.g.8454 va beh....rispetto il parere di chiunque....ma non sono per nulla d'accordo
@@lucianomontanaro6091 Canto forzato, ho visto che qualcuno l'ha paragonato a Mario Del Monaco, forse xche' ha studiato x qualche tempo con Marcello Del Monaco, ci vuole un bel coraggio x affermare una cosa del genere.
Senza voler scomodare i mostri sacri come del Monaco....io reputo questo tenore una grande grandissima voce...sono un umile basso in carriera ...ho cantato praticamente con tutti i tenori in giro oggi....a mio parere personale ovviamente non c'è oggi nessuno che ha qualità vocali tanto impressionanti...Poi ognuno la pensa come vuole
Big voice!
Bravoooooooooooi
Grande!
Who are you? How can I never heard about you before? Grande~~~
hello, i am an admirer of your work. You take singing lessons online. I'm in Brazil .
C'est la perfection , sublime .
Bravo!!!Che bella voce! Dove Lei ha preso l'accompagnamento del aria?
🔥
This guy should keep his day job.
Bravissimo, Signor Orfeo!
No está utilizando los resonadores, no hay armonicos.
Для меня не хватает головного тона и полетности голоса.
Соглашусь, и качает
😢Se escucha mejor a 1.25
... Siento que está demasiada lenta.
Very large tenor voice.
If I may say in the baritenor class.
Your voice is very similar to Mario del Monaco.
Blessings to you
NOOO opine !!!!!
Cómo va a Comparar a Del Mónaco!!!!
Con este humilde Novato!
Del Mónaco, tenía Una Potencia y Caudal de VoZ!!!!!
Que Casi No era Humana!!!!!
Escuchó usted??? Besti la Giubba!
Por Del Mónaco???
This interpretation is too dramatic for this song. See old school tenors lyric performances. Too much pressure and too much tension. Can you sing in piano or pianissimo?
Nope. Listen to other arias he sang on his channel. Unfortunately, it is a one dimensional singing: loud, powerful on almost every note. This style works for spinto and dramatic but certainly not for lyric repertoire. That said, you already understand just by watching his exaggerated mouth movements where he is heading.....
@@jenspflug7473 where he’s heading? He’s been in the professional game since 1987 (27 years old when he debuted as Werther)… pretty damn solid for a LoMonaco-esque technique, esp at 60.
Fedora is a verismo opera. It requires hefty voices for the entire role. If you’re used to lyric interpretations of the aria, it’s likely due to the plethora of lyric tenors adding the aria to their concert and recital repertoire and popular albums. Giordano cast Caruso as his first Ipanov, and while we don’t know for sure the true character of caruso’s voice in the theater, by all accounts it was massive, even in his early years according to Titta Ruffo, Puccini and others. While this interpretation (from a 60 year old veteran) is darker than most, it is no doubt closer to the intention of the composer than a lyric tenor’s would be.
Bruno Prevedi di un altro livello
czcams.com/video/4uTOmv1FJm4/video.htmlsi=tguyyhmJljhfd5ns
La bocca è troppo aperta.
Anche ingolato, distante anni luce da Bruno Prevedi.
czcams.com/video/4uTOmv1FJm4/video.htmlsi=IdLQ8bTfSjEt2poA
Muy buena voz así como la altura del sonido la colocación de la misma , pero a mi entender le falta fraseo y gusto para cantar. Buena voz si tiene lo q todo no es voz. Mi Maestro EPD decía el canto lírico es un 20% de voz y un 80 de inteligencia.
Voce potente ma solo wuello. Manca armonia non assomiglia al famoso brano della gedora.
Une catastrophe