I got this joint on vinyl (Full LP) and bump it whenever i get a chance. I've always admired Joey Beats. "All Word No Play" and "Whore Monger Sing Along" was one of my first pieces of vinyl I copped when I really started taking spinning seriously.
@JOEYNOSEBEATS You did this so tastefully, so reserved and overall groovin. Any criticism is out of that snobbish indie hipster mentality of " Anything new or electronic in any way is a sell-out" Its all bullshit man, keep doing what you're doing its genius
As a HUGE fan of Naomi and NMH in general, I give this kudos and props 100% and would love to get my hands on this to spin it next time I'm DJing and fuck anyone who doesn't appreciate it.
NMH fans are really into their group and I respect that...However I have gotten the most vicious criticism over this song out of any I've done...it's oddly consistent. I think that's because NMH was the probably the furthest thing left I remixed on Indie Rock Blues. Then again if Dangermouse ever remixed anything by this group, yall would lose your fucking minds -for the political context alone. Sadly, this is the very reason why i never sent a copy of IRB to pitchfork or any like publicatio
No, not really Apate. I sampled Bob Azam's "Rain, Rain Go Away" for the drums. Then I layered them with Jose Feliciano's version of "By The Time I Get To Phoenix"....then mixed in your savior's voice....with reverb. But that's just me, a guy who could really give two fucks about Daft Punk or anime. Nah, nah, nah...not to bash or nothing.
damn, i've heard that bassline at the end before, i was thinking Damu the Fudgemunk used it but, i dunno, i suppose it just - sounds - familiar but really isn't
i really love this dude. and im a huge NMH fan. i think you did the song justice, no butcher job like ive seen before, and you kept it fresh. great job. im a DJ on KXLU 88.9 FM Los Angeles, ill play this on my show tom morning Tueadys 2-6am. Check it out, KXLU.com. contact me. please send more/any new stuff you got.
Not really bashing the song, but it's not a very good remix. The sounds don't blend well together, there's no compliment or cohesion to them. It's like you just played Naomi in a bathroom to get a tinny voice effect, threw on a bass track and called it a day.
Phenomenal and underrated.
Shit. This is amazing. I typed in NMH remix, expecting nothing - certainly found something.
Damn this is sick!
This is iller than any plague god gave moses to send. Love this this whole cd.
you an arsenal fan?
AWESOME!
I got this joint on vinyl (Full LP) and bump it whenever i get a chance. I've always admired Joey Beats. "All Word No Play" and "Whore Monger Sing Along" was one of my first pieces of vinyl I copped when I really started taking spinning seriously.
lol thus owns
some patients have a good reaction and others dont, but keep experimenting...I dig the variety
Yesssssss
@JOEYNOSEBEATS You did this so tastefully, so reserved and overall groovin. Any criticism is out of that snobbish indie hipster mentality of " Anything new or electronic in any way is a sell-out" Its all bullshit man, keep doing what you're doing its genius
@amanda Deschamps thank you, thank you
This is alright. You did a good job.
I jam so hard to this
As a HUGE fan of Naomi and NMH in general, I give this kudos and props 100% and would love to get my hands on this to spin it next time I'm DJing and fuck anyone who doesn't appreciate it.
NMH fans are really into their group and I respect that...However I have gotten the most vicious criticism over this song out of any I've done...it's oddly consistent. I think that's because NMH was the probably the furthest thing left I remixed on Indie Rock Blues. Then again if Dangermouse ever remixed anything by this group, yall would lose your fucking minds -for the political context alone. Sadly, this is the very reason why i never sent a copy of IRB to pitchfork or any like publicatio
I realize it's over a decade later, but I'm a NMH fan and I like your remix of the song.
@@JaracSkolia 17 years my man. Look up Jose Feliciano By the time I get to Phoenix
No, not really Apate.
I sampled Bob Azam's "Rain, Rain Go Away" for the drums. Then I layered them with Jose Feliciano's version of "By The Time I Get To Phoenix"....then mixed in your savior's voice....with reverb.
But that's just me, a guy who could really give two fucks about Daft Punk or anime.
Nah, nah, nah...not to bash or nothing.
damn, i've heard that bassline at the end before, i was thinking Damu the Fudgemunk used it but, i dunno, i suppose it just - sounds - familiar but really isn't
If the word poggers were a song
i really love this dude. and im a huge NMH fan. i think you did the song justice, no butcher job like ive seen before, and you kept it fresh. great job. im a DJ on KXLU 88.9 FM Los Angeles, ill play this on my show tom morning Tueadys 2-6am. Check it out, KXLU.com. contact me. please send more/any new stuff you got.
who the hell is this Neutral Milk Hotel guy? and why did he have to mess up Joe's Beat ;p
i can't get into it. sorry joe beats, nothing tops the original
Some things just aren't meant to be remixed.
i see where you were going with this, but there are some sour notes in there.
Not really bashing the song, but it's not a very good remix. The sounds don't blend well together, there's no compliment or cohesion to them. It's like you just played Naomi in a bathroom to get a tinny voice effect, threw on a bass track and called it a day.