Kamal Amrohi - Biography In Hindi | कमाल अमरोही रियल हीरो कहलाते अगर मीना उनके जिंदगी में नहीं होती
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Syed Amir Haider Kamal Naqvi (17 January 1918 - 11 February 1993), popularly known as Kamal Amrohi, was an Indian film director and screenwriter. He was also an Urdu and Hindi poet.[5][3]
His Hindi films include Mahal (1949), Pakeezah (1972) and Razia Sultan (1983). He established Kamal Pictures (Mahal Films) in 1953 and Kamalistan Studio in Bombay in 1958.[
In 1938, he left Amroha to study in Lahore, now part of Pakistan, where singer K. L. Saigal discovered him and took him to Mumbai (Bombay) to work for Sohrab Modi's Minerva Movietone film company, where he started his career working on films like Jailor (1938),[8] Pukar (1939), Bharosa (1940), A. R. Kardar's film (Shahjehan 1946). He made his debut as a director in 1949, with Mahal, starring Madhubala and Ashok Kumar, which was a musical hit, with songs by Lata Mangeshkar and Rajkumari Dubey.[9]
He directed only four films; of these were Mahal (1949) for Bombay Talkies, Daera (1953) with Meena Kumari and Nasir Khan, Pakeezah, which was conceived in 1958 but was not brought to the screen until 1972. He also wrote the screenplay, lyrics and produced the latter. Film Pakeezah (1972) has been called one of the extraordinary musical melodramas ever made in India, although flawed but noble.[10] Meena Kumari herself, in her public comments to the press, after seeing the movie, said that it was Kamal Amrohi's tribute to her.[8] This was followed by Razia Sultan (1983), his last film. Though, he started a film, Majnoon with Rajesh Khanna and Rakhee Gulzar as leads, however the film got shelved
He wrote scripts for the movies made by Sohrab Modi, Abdul Rashid Kardar and K. Asif.[4] He was one of the four dialogue writers for the latter's famous 1960 movie, Mughal-e-Azam, for which he won the Filmfare Award.[4]
As a director, he developed a style that combined a stylised direction with minimalist performances. This style was different from the one with expressive acting that was common in Indian cinema of his period.[citation needed]
In 1958, he started Kamaal Studios for his banner Mahal Films, though it closed down after three years and later changed hands to become Natraj Studios.[citation needed]
It was mentioned that the last movie he wanted to make was called Aakhri Mughal. He had written a substantial portion of the script. But it went into oblivion after his death.[citation needed] Noted film maker J P Dutta was to revive the film in the late 1990s which was supposed to have been Abhishekh Bachchan's debut movie. But later Dutta scrapped the project. He was again planning to revive the film in 2007 after the debacle of his costume drama Umrao Jaan (2006) remake from the cult film from the 1980s
Amrohi married four times: His first wife was Bilkis Bano (who was a maid to Nargis's mother, Jaddan Bai). After her passing away, he married Sayeda Al-Zehra Mehmoodi, daughter of Jamal Hasan. She died on 9 April 1982.[12] He met Meena Kumari during the filming of Tamasha. Veteran actor Ashok Kumar introduced them.[8] They fell in love and married on 14 February 1952, on Valentine's Day in a much private ceremony. Only Amrohi's friend Baaqar Ali and Meena Kumari's younger sister Madhu were aware of this development.
The couple then made Daera (1953 film), a film based on their love story, however the movie tanked at the box office. During the filming of Azaad in 1954, both of them planned another movie, Pakeezah.[citation needed] The film went on studio floors by 1956, but as the craze of colour films increased, particularly after the release of Mother India (1957), the black & white scenes were re-shot to colour sequences. After the release of Guru Dutt's classic Kaagaz Ke Phool (1959 film) which marked the arrival of Cinemascope technique, the film was again shot, this time in Cinemascope.[citation needed] By the 1960s, Meena Kumari was at the peak of her career which caused tensions between the couple and ultimately led to a mutual separation in March 1964. Film Pakeezah got shelved. In March 1969, the film was revived with an ill Meena Kumari, (due to her alcoholism) in the lead. They lived together for a total of 11 years.[10] Raaj Kumar was roped in, as by that time, Ashok Kumar- the original lead was too old to portray the hero of the film.
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कमाल अमरोही रियल हीरो कहलाते अगर मीना उनके जिंदगी में नहीं होती
कमाल अमरोही और मीना कुमारी जी के जीवन पर फिल्म आणि चाहिये
talent k hisaab se great hain but human being k hisab se bure
कमाल साहब के बातें और मीना कुमारी के यही मन होता है कि हमेशा सुनते ही रहा है जितना भी सुने उतना ही कम है
He was an evil genius who destroyed Meena Kumari's life.
उनका गाँव अमरोही नहीं अमरोहा था।
Meena_kamal is equal zero
@2.28 सहगल से भी पहले, अशोक कुमार सुपरस्टार का दर्जा पा चुके थे।
Jo.admi.meena.ji.ki.kamai.aur.unki.jindgi.ko.kha.gaya.wo.aap.ke.liye.mahan.ho.sakta.hai.
Amrohi nahi amroha shaher hai medam
Dil huwa kisi ka Gireftar Khuda khair kare....
Kamal amrohi was villen he used meena kumari. She did not found true love❤ in her life. Meena ji aapne kya dekha kamal amrohi m jo aap unse marriage ki. He was cruel man who destroyed meena kumari life.
Kuch bhi ho, kamal ne meena k saath kamaal nahi kia aur meena kumari ko mentally and Financialy barbad kar diya
Acchi lagi jankari. 🌴🌴🇮🇳
Very nice story of Kamal Amrohi.
Super
N̤̈ï̤c̤̈ë̤ v̤̈8d̤̈ë̤ö̤ ❤💕💓🥀👍🏻🤔🌐☝️🙏🏽✅
Kalakar bhi neech hote hain. Aur kayi bahaut zyada neech...
Very good Mam.
Kameena hai Kamal amrohi,meena Kumari Cha khooni aahe