Double Tonguing - 5 steps to mastery!
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- čas přidán 13. 09. 2024
- Double tonguing.
Many teachers complicate this technique.
It's really a very simple technique, the only problem is that it takes a few months to get good at it!
It's really as simple as 5 minutes/day for 90 days, and you'll be a Double Tonguing champion!
Best of luck!
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LMFAO I literally looked up how to double tongue because of Czardas and then you play "would you like to play passages like [plays czardas]" and I got super spooked 😂. Thanks for the tutorial btw!
I know what clarinettists want 😜
I've been at it for a week now. It will take longer than that! May I add a little piece of advice? -just practise "ka" for a while, without the "ta". The "ka" comes less naturally, whereas we've been doing the "ta" for as long as we've played the clarinet. Thank you for this fine and useful video!
I learned by practising ka in isolation, it worked, but I'm open to other paths. I'd wager 50% of my students struggle more with the transition from ta to ka than producing a decent ka. Pretty much, some people have a naturally big powerful ka ... They can skip straight to the "coordination" phase of learning DT. Thanks for the comment and thoughts!
Try dü gü instead, because when you Take the k to serious the tongue stays to long in the closed position
@@Jessikas-Klarinettenoase If thinking of [g] helps you, do it!
Many teachers teach that [g] is preferable to [k] when double tonguing. I do not.
In my language and accent, [g] and [k] are produced, from the larynx up, identically. The only difference is that [k] is voiceless and [g] is voiced.
Same goes for [d] instead of [t] when single tonguing. The only difference is the voice, which you don't want anyway. If I want to double tongue and growl at the same time, sure, [d]/[g] is the way!
ive been wanting to learn this for like forever thanks
It is huge coincidence that I was trying to play czardas and then I came to this and he plays it right after!
I think Czardas is the gateway piece for many DT learners! thanks for watching.
@@liamclarinet That makes sense. That's what got me into double tounging in the first place! Your welcome, and your video also helped a lot!!!
Dude I was doing the same right now for my grade 8
@@cheekylemon9441 That's pretty cool, do you play Bass Clarinet as well?
Solid skills, sir. 😎👍
BASS! My second love. Thanks for the compliment ;)
czcams.com/video/IGpH1NhPpUY/video.html (me trying to play bass on my other channel!)
Very good vídeo!!!
My Bb/A Clarinet Setup:
Vandoren MO Ligature amzn.to/3JVIRo2
Vandoren V12 3.5 amzn.to/3D7vtt6
Legere Signature 3.25 amzn.to/3pHY8BS
Vandoren B40 amzn.to/3KfnPB5
Selmer Signature Bb Clarinet bit.ly/signatureBb
Selmer Signature A Clarinet bit.ly/Asignature
As an Amazon Associate, I earn from qualifying purchases.
it's quite difficult cause when I do so it kinda sucks the air out and messed with the air pressure in my mouth.
This is something I want to do because my single tongue is 'safely' 112. I love your approach so have started practicing daily and it's working except I can hear the 'ka' in my throat..is that normal and will it eventually go away?
Thank you for your kind words!
As with many techniques, teachers tend to over-complicate the teaching of Double Tonguing.
It more-or-less comes down to coordination + fitness. The older I get the more I suspect everything comes down to this...
Fitness: building up a "ka" articulation which is powerful enough to overcome your clarinet's resistance.
Coordination: learning to synchronise finger movement with a new type of articulation.
Regarding your concern, I can't know for sure what you hear, but I can say that I hear the "ka" far more than listeners do in my case.
It's the same deal for other noises besides pure clarinet tone which we'd prefer not to hear. Key clacking, spitty reeds, finger slaps, etc... They're all so clear to the player, but more often than not, they're imperceptible to the listener. Especially if the listener is, say, more than 15 feet away.
I think this is the core reason why many clarinettists enjoy playing in echoey rooms; it's a way to enjoy the rewards of our hard practice!
Thank you for watching my video :)
@@liamclarinet Thanks...maybe I'll record myself to see if I hear the ka
보통은 클라리넷의 더블텅깅은 싱글텅깅이 늦는 사람이 연습하고 익힙니다. 그런데 당신은 싱글텅깅이 비교적 빠른데도 더블텅깅을 연습했군요~ 완벽하진 않지만 훌륭합니다.
Valid points!
ok so i can actually play czardas and when you played it i literally grabbed my clarinet and played along
If all I achieve here is spurring more people to"pick up their clarinets", I'd be satisfied. Thanks for the comment!
@@liamclarinet no you’re doing so great!!! also your tone is what i can only dream of achieving 😭
Very helpful! But I still couldn’t understand that how to do the ‘Ka’ while not using my tongue. Dose it looks like to use my throat or still use my tongue but not touching the reeds? Very confusing that what’s the correct way to practice. Sorry for my pool English 😅
czcams.com/users/shortswFYbOa0NSTs?feature=share
This little short may help! Thanks for your comment.
@@liamclarinet Thanks！
Social media?
I'm going to need more words ;)
linktr.ee/learnclarinetonline
So basically, just practice a lot, like everything else.
practise is like walking. it's essential to get you where you need to go, but it's not very useful if you're pointing in the wrong direction. I make videos directing people down the least painful, shortest paths to learning clarinet techniques.