Moritz Moszkowski - Selected Works for Piano (Reloaded)
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- čas přidán 30. 06. 2024
- 00:00 En Automne, from 8 Characteristic Pieces Op.36 No.4 (Jorge Bolet)
02:37 Au Crépuscule Op.68 No.3 (Seta Tanyel)
06:25 Humoresque Op.14 (Ian Hobson)
16:09 Paraphrase on the Venusberg Bacchanale from Tannhäuser (Wagner) (Joseph Moog)
29:14 Étude de Concert Op.24 No.1 (Seta Tanyel)
35:00 Poeme de Mai (Seta Tanyel)
39:26 Caprice Op.4 (Ian Hobson)
44:23 Romance from 3 Morceaux Poétique Op.42 No.1 (Seta Tanyel)
46:38 Isoldes Tod (Chitose Okashiro)
Moritz Moszkowski (1854-1925) was a German/Polish Composer. Ignacy Paderewski said: "After Chopin, Moszkowski best understands how to write for the piano, and his writing embraces the whole gamut of piano technique." Although less known today, Moszkowski was well respected and popular during the late nineteenth century. In 1869 he studied first at the Julius Stern Conservatory, where he studied piano with Eduard Franck and composition with Friedrich Kiel, and then at Theodor Kullak's Neue Akademie der Tonkunst, where he studied composition with Richard Wüerst and orchestration with Heinrich Dorn. There he became close friends with the Scharwenka brothers, Xaver and Philipp. In 1873 Moszkowski made his first successful appearance as a pianist, and soon began touring the nearby cities in order to gain experience and establish his reputation. Two years later he was already playing his piano concerto on two pianos with Franz Liszt at a matinée before a selected audience invited by Liszt himself. In 1897, famous and wealthy, Moszkowski moved to Paris, where he lived on rue Blanche with his daughter. Among his Parisian students were Vlado Perlemuter, Thomas Beecham (who took private lessons in orchestration with him on the advice of André Messager in 1904), Josef Hofmann (of whom he claimed once that there was nothing anyone could teach him), Wanda Landowska, and, informally, Gaby Casadesus. His last years he spent in poverty for he had sold all his copyrights and invested the whole lot in German, Polish and Russian bonds and securities, which were rendered worthless on the outbreak of the war. On 21 December 1924, when he was ill and heavily in debt, his friends and admirers arranged a grand testimonial concert on his behalf at Carnegie Hall, involving 15 grand pianos on stage. Ossip Gabrilowitsch, Percy Grainger, Josef Lhévinne, Elly Ney, Wilhelm Backhaus and Harold Bauer were among the performers, and Frank Damrosch conducted (Paderewski telegrammed his apologies). The concert netted US$13,275 (the equivalent of US$187,793.67 in May 2017), with one part transferred to the Paris branch of the National City Bank of New York in order to provide immediate relief from his financial problems, and an annuity purchased at the Metropolitan Life Insurance Company, whereby he would receive US$1,250 annually for the rest of his life. However, Moszkowski's illness lingered and he died from stomach cancer on 4 March of the next year, before the supply of funds could reach him. The money raised went instead to pay his funeral expenses and to his wife and son.
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/ fyrexia - Hudba
Paderewski once said that, after Chopin, Moszkowski was the best composer for the piano. I think he may be right...
Of course, Poles rooting for Poles
His piano concertos are criminally underrated
Or course Moz. favored both hands.
lol
That's definitely cap.
Seta Tanyel really took me by surprise! Her playing is extremely articulate, clean, precise and very Virtuosic! The piano she's using has a very fine, pure, crystalline sound and the acoustics of the room are excellent. This woman has amazing artistic abilities to phrase and create all the passion needed for this music!! I'm surprised I've not heard of her before since I listen to just about all the concert pianists performing out there!!!
Moszowsky méconnu malheureux en amour brillant pianiste et compositeur jusqu’à ce que la maladie l’empêche de jouer et ne le précipite dans la pauvreté. Son inspiration post romantique s’apparente à Rachmaninoff. Très belles pièces enregistrées ici
That Op.24 etude is truly so beautiful. To me I hear nature, sunshine, dancing in the grass, ecstasy.
The Humoreske shows he started off in Schumann's lights but En Automne which used to open so many programmes or be featured in them is his own individual light !
This kind of videos are really cool. Perfect to discover not really well know composers, which have really good stuff. Keep on!
His arrangement of Tristan Un Isolde gave me the goosebumps..I daresay that I prefer this over Liszt's version although both are really good.
Leaves blown by the wind at the beginning...so refreshing mid-summer. Kudos to the performance, great touch and colour control.
Just magnificent!
Feed our souls with your wonderful musical posts. This world needs that beautiful sound. Thank you Fyrexianoff.
How I love his music!
More miszkowski on concert halls its gorgous!!!
Com Tristão e Isolda no final só consigo dizer - MARAVILHOSO
absoloutley breathtaking!!!!!!!
Interesting Sound World….happy and thankful for folks posting performances of lesser known, or infrequently-performed-in-public compositions. It’s interesting to peruse piano Music anthologies of different eras to find out the repertoire which was commonly marketed/published for that era.
Bolet could do no wrong. He's simply divine with this kind of repertoire.
Listen to Moszkowski’s Corse Folle__ it is quite a thrilling bravura piece.
Many thanks,Fyrexianoff ! The more Moszkowski out there, the better !!
Divine.
An opulent gorgeous treat, many thanks! So nice, too, that many subscribing survivors of brain-bypass operations live to praise the music!
"Gallo" seems to be an accurate description of you, seeing as you are always full of the unfounded bravado of a rooster
I didn't realize mozkowski wrote transcriptions and paraphrases. Interesting how different his Wagner ones are to liszt.
I like to pair his Tristan Prelude with Liszt's Liebestod 🙂
That first one from Wagner caught me off guard, such orchestation perfectly transcripted.
sehr gute Sendung
35:00～５月の詩はフォーレ風にシューマンやショパン的なエッセンスも垣間見え、爽やかな５月の風🍃✨✨と、穀雨⛈️🌱🌾✨✨、を感じる秀作✨✨😊🎶🎹
Unknown Moszkowski's pieces! Welcome!
29:14 - ah yes, the older fingering system makes yet another appearance, striking fear into the modern pianist!
What do you mean by that?
@@daancorneillie1792 Nowadays fingering is marked as 1 for the thumb, followed by 2,3,4,5, finishing with the little finger. Beforehand (ie. about 100+ years ago) the thumb was marked with a cross (+), followed by 1,2,3,4.
@@19AJB Thank you very much!
@@19AJB Oh wow, I didn't know that! I thought it was just a really bad suggested fingering.
Interesting. I never knew that. I've never once seen or heard of that plus before and I've seen hundreds of manuscripts. Always something new to learn.
4:41 reminds me of Chopin's etude op 25 no 12
op.25*
To me it sounds like Brahms's Rhapsodie Op. 76 No. 1
to me it sounds like Grieg piano concerto
It seems that Franz Liszt attended one of his rehearsals and took the stage to accompany the young composer from another piano.
Emocionante. Pena q não leio bem. Mas toco de ouvido de forma multitonal e componho música e letra
First etude bits reminds me of prokofiev etude no 3
0:00 Prokofiev etude no.2 sounds like this
The first one resembles Rachmaninoff's Op. 16 No. 1
27:55
35:33
Thanks Algorithm brought me here
“Sected works for piano” are you tired?😅😂😂🤣🤣🤣
But he sected it well.. ;)
ooops lol sorry about that brain "discectomy" i just had 😬
At least you aren't brain dead--unlike too many people. My former sister-in-law is a prime example of this brain deadness.
@@fyrexianoff you’re better tired than most people are “fresh”. Just keep keeping on - please! And thanks!
The former sister-in-law took one look at his name and refused to even try to pronounce it. When I told her that Moskowski was a nineteenth century composer and pianist and music teacher, she lost interest in him and tried to change the subject.