How to Shoot a Narrative Running Commercial - Cinematography Breakdown
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- čas přidán 22. 08. 2024
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Full Commercial:
• Defy // On Spec Ad // ...
Today we're doing a cinematography breakdown on our recent On spec project that we created!
It was a labour of love with a huge crew that made this happen, so huge thanks to them.
Hope you enjoy it!
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Hey thanks for the awesome video - can I ask what program you are using to draw on the video whilst you are talking?
We need a color grading breakdown
can you do the color grading breakdown?
Will take a bit, but will have to reach out to our colourist friends for a deep dive on this!
@@TenfoldProduction That would be dope!
Can’t wait for color break down
your videos helped me a lot for inspirations, love ur videos man
Appreciate you!!
Toronto! Love seeing locals do their wonders
As always, loved the work, and the insights on the process. Thanks again, man!
Thanks Rodrigo! Appreciate you
was waiting for this one!
Lots more to come around this one!
Really enjoy these commercial breakdown. This is so far removed from the type of work I do but there are always things that I can take away and use myself. Looking forward to the next 1….
Thanks Richard! Appreciate the support and for watching!
The level is insane!
Love your guys style and work!
Thanks! appreciate you
Awesome breakdown, great to watch and really useful - thank you!
FX3 to save the day! Love it! I shoot bts on my fx3 and theres been two occasions where something similar has happened and theyve asked to use my set up for a specific shot haha
this is perfection ooh my
This is so good, thank you!
Awesome content as always, really loved this part 15:56 🎥
Dope stuff!!!
thank you so much for these tutorials, quick question, what is the app you use to write on screen if you dont mind sharing? been looking for something like that
Editing breakdown please!!
what do you use to draw on the screen?
at 16:10 what's the name of the piece that lets you mount pipe to the riser on the dana dolly? Never seen an offset dana rig before and I love it. Would be super useful.
Amazing work! I'm considering the Ember S5K for a project and just as I was looking at sample footage, you guys dropped this absolute banger. I'm curious how the footage held up in post, with the Ember only doing HLG and Rec 709! How'd you find grading it?
@@AronBagel shot everything in rec709, the colourist was pleasantly surprised how much he could pull! Its a great camera! Def recommend for this type of project and slow mo
@@TenfoldProduction nice! Glad to hear that, if this job goes through it'll be a fun one for sure!
Could setting the light to max cause it to break?
Has anyone experienced this before?
Please do well to show the full final result. Some of us iche to see it. 🤧
czcams.com/video/w0PkvfJ-uBg/video.html ! Final Results. thanks
How you did that light transition effects
Which one are you looking for?
0:02 @@TenfoldProduction that some kind of orange leak or exposure may be, when that girl turns her head and then that light
Boom #1
wait 1200d just broke?
I was wondering, for the last scene why do you use two fixtures at 50% and nt one fixture at a 100%?
They are in two different locations.
In the box they built? @@danielbeauvoir1629
The lights in the box that was built? @@danielbeauvoir1629
Whenever I shoot "off" white balance with my FX3 (or using mixed light in general), the results look really unnatural... everything on the warmer side has a noticable magenta shift and everything cooler looks artificial, just wrong. What's even worse, the skintones get teared apart, overall really pale with speckles of magenta all around.